Book Parts [Hardback]

Edited by (Writer and translator), Edited by (Professor of English Literature and the History of the Book Balliol College, Oxford University)
  • Formāts: Hardback, 352 pages, height x width x depth: 241x163x25 mm, weight: 778 g, Colour plate section and in-text black and white illustrations
  • Izdošanas datums: 11-Jul-2019
  • Izdevniecība: Oxford University Press
  • ISBN-10: 0198812469
  • ISBN-13: 9780198812463
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  • Hardback
  • Cena: 42,25 EUR
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  • Formāts: Hardback, 352 pages, height x width x depth: 241x163x25 mm, weight: 778 g, Colour plate section and in-text black and white illustrations
  • Izdošanas datums: 11-Jul-2019
  • Izdevniecība: Oxford University Press
  • ISBN-10: 0198812469
  • ISBN-13: 9780198812463
Citas grāmatas par šo tēmu:
What would an anatomy of the book look like? There is the main text, of course, the file that the author proudly submits to their publisher. But around this, hemming it in on the page or enclosing it at the front and back of the book, there are dozens of other texts--page numbers and running heads, copyright statements and errata lists--each possessed of particular conventions, each with their own lively histories. To consider these paratexts--recalling them from the margins, letting them take centre stage--is to be reminded that no book is the sole work of the author whose name appears on the cover; rather, every book is the sum of a series of collaborations. It is to be reminded, also, that not everything is intended for us, the readers. There are sections that are solely directed at others--binders, librarians, lawyers--parts of the book that, if they are working well, are working discreetly, like a theatrical prompt, whispering out of the audience's ear-shot

Book Parts is a bold and imaginative intervention in the fast growing field of book history: it pulls the book apart. Over twenty-two chapters, Book Parts tells the story of the components of the book: from title pages to endleaves; from dust jackets to indexes--and just about everything in between. Book Parts covers a broad historical range that runs from the pre-print era to the digital, bringing together the expertise of some of the most exciting scholars working on book history today in order to shine a new light on these elements hiding in plain sight in the books we all read.
List of Figures
ix
List of Plates
xiii
Contributors xv
A Note on the Type xxi
1 Introductions
1(10)
Dennis Duncan
Adam Smyth
2 Dust Jackets
11(14)
Gill Partington
3 Frontispieces
25(14)
Luisa Cale
4 Title Pages
39(12)
Whitney Trettien
5 Imprints, Imprimaturs, and Copyright Pages
51(14)
Shef Rogers
6 Tables of Contents
65(16)
Joseph A. Howley
7 Addresses to the Reader
81(14)
Meaghan J. Brown
8 Acknowledgements and Dedications
95(14)
Helen Smith
9 Printers' Ornaments and Flowers
109(14)
Hazel Wilkinson
10 Character Lists
123(14)
Tamara Atkin
11 Page Numbers, Signatures, and Catchwords
137(14)
Daniel Sawyer
12
Chapter Heads
151(14)
Nicholas Dames
13 Epigraphs
165(12)
Rachel Sagner Buurma
14 Stage Directions
177(14)
Tiffany Stern
15 Running Titles
191(18)
Claire M. L. Bourne
16 Woodcuts
209(14)
Alexandra Franklin
17 Engravings
223(14)
Scan Roberts
18 Footnotes
237(14)
Jenny Davidson
19 Errata Lists
251(12)
Adam Smyth
20 Indexes
263(12)
Dennis Duncan
21 Endleaves
275(12)
Sidney E. Berger
22 Blurbs
287(14)
Abigail Williams
Select Bibliography 301(8)
Index 309
Dennis Duncan is a writer and translator based in London. He is currently writing a history of the book index, from the medieval period to the age of the Kindle, to be published by Penguin in 2020, and is author of The Oulipo and Modern Thought (Oxford University Press, 2019). His recent articles have considered Mallarme and jugs, James Joyce and pornography, and the history of the Times New Roman typeface. Dr Duncan writes on bibliography and French literature for the Times Literary Supplement, and has published translations of Michel Foucault, Boris Vian, and Alfred Jarry. Adam Smyth is Professor of English Literature and the History of the Book at Balliol College, Oxford. His most recent books include Material Texts in Early Modern England (Cambridge University Press, 2018); Autobiography in Early Modern England (Cambridge University Press, 2010); A History of English Autobiography (edited, Cambridge University Press, 2016); and Book Destruction from the Medieval to the Contemporary (edited with Gill Partington, Palgrave, 2014). He is the co-editor of Routledge's book series Material Readings in Early Modern Culture. He also enjoys discussing his work beyond the academy: he writes regularly for the London Review of Books, and has appeared on TV and radio in the UK and abroad. Adam Smyth is the co-host of the literary discussion podcast and radio show, Litbits.