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E-grāmata: 100 Silent Films

3.72/5 (57 ratings by Goodreads)
(British Film Institute, UK)
  • Formāts: 288 pages
  • Sērija : BFI Screen Guides
  • Izdošanas datums: 25-Jul-2019
  • Izdevniecība: BFI Publishing
  • Valoda: eng
  • ISBN-13: 9781838714109
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  • Formāts: 288 pages
  • Sērija : BFI Screen Guides
  • Izdošanas datums: 25-Jul-2019
  • Izdevniecība: BFI Publishing
  • Valoda: eng
  • ISBN-13: 9781838714109
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100 Silent Films provides an authoritative and accessible history of silent cinema through one hundred of its most interesting and significant films. As Bryony Dixon contends, silent cinema is not a genre; it is the first 35 years of film history, a complex negotiation between art and commerce and a union of creativity and technology. At its most grand on the big screen with a full orchestral accompaniment it is magnificent, permitting a depth of emotional engagement rarely found in other fields of cinema. Silent film was hugely popular in its day, and its success enabled the development of large-scale film production in the United States and Europe. It was the start of our fascination with the moving image as a disseminator of information and as mass entertainment with its consequent celebrity culture.

The digital revolution in the last few years and the restoration and reissue of archival treasures have contributed to a huge resurgence of interest in silent cinema. Bryony Dixon's illuminating guide introduces a wide range of films of the silent period (18951930), including classics such as The Birth of a Nation (1915), The General (1926), Metropolis (1927), Sunrise (1927) and Pandora's Box (1928), alongside more unexpected choices, and represents major genres and directors of the period Griffith, Keaton, Chaplin, Murnau, Sjöström, Dovzhenko and Eisenstein together with an introductory overview and useful filmographic and bibliographic information.

Recenzijas

This is no bluffer's guide. The enjoyment of silent cinema is Dixon's priority. As Dixon says when discussing Hell's Hinges (1916): "Nearly everything in current cinema can be traced back to the silent era." And that's why this guide is so valuable - anyone interested in how cinema became what it is today will find many of the answers here, both in Bryony Dixon's illuminating book and the films you will rush to watch the minute you put it down. -- Silent London David Thomson is arguably the doyen of "film list" authors and Dixon shares both his rare ability to justify a choice with a single cinematic trump card and his lucid prose style - her description of Dziga Vertov's radical montage as "visual Esperanto" is inspired. She captures some of silent cinema's most sublime moments - Charlie Chaplin mournfully eating his shoelaces in The Gold Rush (1925) or the woodland chase in People on Sunday (1930) - with an infectious joy. -- The Times Literary Supplement * Lucian Robinson *

Papildus informācija

This is no bluffer's guide. The enjoyment of silent cinema is Dixon's priority. As Dixon says when discussing Hell's Hinges (1916):"Nearly everything in current cinema can be traced back to the silent era." And that's why this guide is so valuable - anyone interested in how cinema became what it is today will find many of the answers here, both in Bryony Dixon's illuminating book and the films you will rush to watch the minute you put it down.' - Silent London 'David Thomson is arguably the doyen of "film list" authors and Dixon shares both his rare ability to justify a choice with a single cinematic trump card and his lucid prose style - her description of Dziga Vertov's radical montage as "visual Esperanto" is inspired. She captures some of silent cinema's most sublime moments - Charlie Chaplin mournfully eating his shoelaces in The Gold Rush (1925) or the woodland chase in People on Sunday (1930) - with an infectious joy.' - Lucian Robinson, The Times Literary Supplement
Acknowledgments x
Introduction 1(6)
The Adventures of Dollie
7(2)
D. W. Griffith
Alfred Butterworth & Sons, Leaving the Works, Glebe Mills, Hollinford
9(2)
Mitchell
Kenyon
Alice in Wonderland
11(3)
Percy Stow
Ballet mecanique, Fernand Leger
14(3)
Dudley Murphy
The Battle of the Somme
17(2)
William F. Jury
The Battles of Coronel and Falkland Islands
19(2)
Walter Summers
The Battleship Potemkin/Bronenosets Potyomkin
21(3)
Sergei M. Eisenstein
Beggars of Life
24(3)
William Wellman
Berlin, Symphony of a City/Berlin, die Sinfonie der Großstadt
27(2)
Walter Ruttmann
The Big Swallow
29(3)
James Williamson
The Birth of a Flower
32(2)
F. Percy Smith
The Birth of a Nation
34(2)
D. W. Griffith
Blackmail
36(3)
Alfred Hitchcock
Body and Soul
39(2)
Oscar Micheaux
The Cabinet of Dr. Caligari/Das Cabinet des Dr. Caligari
41(3)
Robert Wiene
Cabiria
44(2)
Giovanni Pastrone
The Cameraman's Revenge/Mest' kinematograficeskogo operatora
46(2)
Ladislas Starewicz
Casanova
48(3)
Alexandre Volkoff
The Cheat
51(2)
Cecil B. DeMille
Un Chien andalou
53(3)
Luis Bunuel
A Cottage on Dartmoor
56(2)
Anthony Asquith
Daybreak/Tianming
58(2)
Sun Yu
Les Deux Timides/Two Timid Souls
60(2)
Rene Clair
Douro, faina fluvial/Labour on the Douro River
62(2)
Manoel de Oliveira
Drifters
64(2)
John Grierson
Earth/Zemlya
66(3)
Aleksandr Dovzhenko
En dirigeable sur les champs de bataille
69(2)
Lucien Le Sainte
The Fall of the House of Usher/La Chute de la maison Usher
71(2)
Jean Epstein
Finis terrae
73(3)
Jean Epstein
Flesh and the Devil
76(2)
Clarence Brown
The General, Clyde Bruckman
78(3)
Buster Keaton
The Gold Rush
81(2)
Charles Chaplin
Der Golem, wie er in die Welt kam/The Golem: How He Came into the World
83(3)
Paul Wegener
Carl Boese
Gosta Berlings Saga
86(3)
Mauritz Stiller
The Great Train Robbery
89(2)
Edwin S. Porter
The Great White Silence
91(2)
Herbert Ponting
Greed
93(2)
Erich von Stroheim
The Heart of the World
95(2)
Guy Maddin
Hell's Hinges
97(2)
Charles Swickard
Les Hotes de l'air/Glimpses of Bird Life
99(2)
Oliver Pike
How a Mosquito Operates
101(3)
Winsor McCay
I Was Born, But...I Otona no miru ehon --- umarete wa mita keredo
104(3)
Yasujiro Ozu
L'Inferno
107(2)
Giuseppe Beradi
Arturo Busnego
The Informer
109(3)
Arthur Robison
It
112(3)
Clarence Badger
Japonaiseries
115(2)
Gaston Velle
The Kid
117(3)
Charles Chaplin
Lenin Kino-Pravda No. 21/Leninskaia Kino-Pravda
120(2)
Dziga Vertov
Liberty
122(2)
Leo McCarey
The Lodger: A Story of the London Fog
124(2)
Alfred Hitchcock
The Lure of Crooning Water
126(3)
A. H. Rooke
Man with a Movie Camera/Chelovek s kinoapparatom
129(2)
Dziga Vertov
Manhatta
131(2)
Charles Sheeler
Paul Strand
La Mariee du chateau maudit
133(2)
Albert Capellani
The Marriage Circle
135(2)
Ernst Lubitsch
Metropolis
137(3)
Fritz Lang
Monte Cristo
140(2)
Henri Fescourt
Nanook of the North: A Story of Life and Love in the Actual Arctic
142(2)
Robert J. Flaherty
Napoleon/Napoleon vu par Abel Gance
144(3)
Abel Gance
The Nibelungen Saga/Die Nibelungen Saga
147(3)
Fritz Lang
Nosferatu: A Symphony of Horrors/Nosferatu: Eine Symphonie des Grauens
150(3)
F. W. Murnau
The Oyster Princess/Die Austernprinzessin
153(2)
Ernst Lubitsch
Page of Madness/Kurutta ippeiji
155(2)
Teinosuke Kinugasa
Pandora's Box/Die Buchse der Pandora
157(3)
G. W. Pabst
Panorama du Grand Canal vu d'un bateau
160(2)
Auguste
Louis Lumiere
Paris qui dort/The Crazy Ray
162(2)
Rene Clair
The Passion of Joan of Arc/La Passion de Jeanne d'Arc
164(2)
Carl Theodor Dreyer
People on Sunday/Menschen am Sonntag
166(2)
Robert Siodmak
Edgar Ulmer
Rochus Gleise
The Perils of Pauline
168(2)
Louis Gasnier
Donald Mackenzie
The Phantom Carriage/Korkarlen
170(3)
Victor Sjostrom
Policeman/Keisatsukan
173(2)
Tomu Uchida
Poor Little Rich Girl
175(2)
Maurice Tourneur
Premier prix de violoncelle
177(2)
Pathe Freres
The Queen of Spades/Pikovaya dama
179(2)
Yakov Protazanov
Regen/Rain
181(2)
Joris Ivens
M. H. K. Franken
Revolutionshochzeit/The Last Night
183(2)
A. W. Sandberg
Safety Last!
185(3)
Fred Newmeyer
Sam Taylor
The Scarecrow
188(2)
Buster Keaton
Edward F. Cline
Sex in Chains/Geschlecht in Fesseln
190(2)
Wilhelm Dieterle
The Smiling Madame Beudet/La Souriante Madame Beudet
192(3)
Germaine Dulac
The Son of the Sheik
195(3)
George Fitzmaurice
The Spirit of His Forefathers, British Mutoscope and Biograph Company, c. 1900
198(2)
Stachka/Strike
200(2)
Sergei M. Eisenstein
Stage Struck
202(3)
Allan Dwan
The Student of Prague/Der Student von Prag
205(2)
Stellan Rye
Sunrise: A Song of Two Humans
207(2)
F. W. Murnau
Suspense
209(3)
Lois Weber
Phillips Smalley
The Talisman/Pied de mouton
212(2)
Albert Capellani
The Thief of Bagdad
214(2)
Raoul Walsh
The Three-Must-Get-Theres
216(2)
Max Linder
Tol'able David
218(2)
Henry King
Topical Budget 93-1 The Derby 1913, Topical Film Company
220(2)
Underworld
222(2)
Josef von Sternberg
The Unknown
224(2)
Todd Browning
Les Vampires
226(3)
Louis Feuillade
Voyage a travers l'impossible/The Impossible Voyage
229(3)
Georges Melies
Way Down East
232(3)
D. W. Griffith
The White Slave Trade/Den hvide slavehandel
235(2)
August Blom
The Wind
237(2)
Victor Sjostrom
Witchcraft through the Ages/Haxan
239(3)
Benjamin Christensen
Notes 242(2)
Bibliography 244(2)
Index 246
BRYONY DIXON is a curator at the BFI National Archive responsible for the collections of silent film. She has researched and written on many aspects of early and silent film and co-directs the annual British Silent Film Festival as well as programming for a variety of film festivals and events worldwide.