Acknowledgments |
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Introduction |
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1 | (6) |
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7 | (2) |
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Alfred Butterworth & Sons, Leaving the Works, Glebe Mills, Hollinford |
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9 | (2) |
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11 | (3) |
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Ballet mecanique, Fernand Leger |
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14 | (3) |
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17 | (2) |
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The Battles of Coronel and Falkland Islands |
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19 | (2) |
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The Battleship Potemkin/Bronenosets Potyomkin |
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21 | (3) |
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24 | (3) |
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Berlin, Symphony of a City/Berlin, die Sinfonie der Großstadt |
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27 | (2) |
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29 | (3) |
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32 | (2) |
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34 | (2) |
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36 | (3) |
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39 | (2) |
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The Cabinet of Dr. Caligari/Das Cabinet des Dr. Caligari |
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41 | (3) |
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44 | (2) |
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The Cameraman's Revenge/Mest' kinematograficeskogo operatora |
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46 | (2) |
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48 | (3) |
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51 | (2) |
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53 | (3) |
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56 | (2) |
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58 | (2) |
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Les Deux Timides/Two Timid Souls |
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60 | (2) |
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Douro, faina fluvial/Labour on the Douro River |
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62 | (2) |
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64 | (2) |
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66 | (3) |
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En dirigeable sur les champs de bataille |
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69 | (2) |
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The Fall of the House of Usher/La Chute de la maison Usher |
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71 | (2) |
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73 | (3) |
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76 | (2) |
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The General, Clyde Bruckman |
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78 | (3) |
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81 | (2) |
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Der Golem, wie er in die Welt kam/The Golem: How He Came into the World |
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83 | (3) |
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86 | (3) |
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89 | (2) |
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91 | (2) |
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93 | (2) |
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95 | (2) |
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97 | (2) |
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Les Hotes de l'air/Glimpses of Bird Life |
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99 | (2) |
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101 | (3) |
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I Was Born, But...I Otona no miru ehon --- umarete wa mita keredo |
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104 | (3) |
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107 | (2) |
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109 | (3) |
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112 | (3) |
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115 | (2) |
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117 | (3) |
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Lenin Kino-Pravda No. 21/Leninskaia Kino-Pravda |
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120 | (2) |
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122 | (2) |
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The Lodger: A Story of the London Fog |
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124 | (2) |
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The Lure of Crooning Water |
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126 | (3) |
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Man with a Movie Camera/Chelovek s kinoapparatom |
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129 | (2) |
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131 | (2) |
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La Mariee du chateau maudit |
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133 | (2) |
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135 | (2) |
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137 | (3) |
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140 | (2) |
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Nanook of the North: A Story of Life and Love in the Actual Arctic |
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142 | (2) |
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Napoleon/Napoleon vu par Abel Gance |
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144 | (3) |
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The Nibelungen Saga/Die Nibelungen Saga |
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147 | (3) |
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Nosferatu: A Symphony of Horrors/Nosferatu: Eine Symphonie des Grauens |
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150 | (3) |
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The Oyster Princess/Die Austernprinzessin |
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153 | (2) |
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Page of Madness/Kurutta ippeiji |
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155 | (2) |
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Pandora's Box/Die Buchse der Pandora |
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157 | (3) |
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Panorama du Grand Canal vu d'un bateau |
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160 | (2) |
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Paris qui dort/The Crazy Ray |
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162 | (2) |
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The Passion of Joan of Arc/La Passion de Jeanne d'Arc |
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164 | (2) |
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People on Sunday/Menschen am Sonntag |
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166 | (2) |
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168 | (2) |
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The Phantom Carriage/Korkarlen |
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170 | (3) |
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173 | (2) |
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175 | (2) |
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Premier prix de violoncelle |
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177 | (2) |
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The Queen of Spades/Pikovaya dama |
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179 | (2) |
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181 | (2) |
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Revolutionshochzeit/The Last Night |
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183 | (2) |
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185 | (3) |
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188 | (2) |
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Sex in Chains/Geschlecht in Fesseln |
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190 | (2) |
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The Smiling Madame Beudet/La Souriante Madame Beudet |
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192 | (3) |
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195 | (3) |
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The Spirit of His Forefathers, British Mutoscope and Biograph Company, c. 1900 |
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198 | (2) |
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200 | (2) |
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202 | (3) |
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The Student of Prague/Der Student von Prag |
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205 | (2) |
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Sunrise: A Song of Two Humans |
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207 | (2) |
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209 | (3) |
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The Talisman/Pied de mouton |
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212 | (2) |
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214 | (2) |
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The Three-Must-Get-Theres |
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216 | (2) |
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218 | (2) |
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Topical Budget 93-1 The Derby 1913, Topical Film Company |
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220 | (2) |
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222 | (2) |
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224 | (2) |
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226 | (3) |
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Voyage a travers l'impossible/The Impossible Voyage |
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229 | (3) |
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232 | (3) |
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The White Slave Trade/Den hvide slavehandel |
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235 | (2) |
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237 | (2) |
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Witchcraft through the Ages/Haxan |
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239 | (3) |
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Notes |
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242 | (2) |
Bibliography |
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244 | (2) |
Index |
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246 | |