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11 Contracts That Every Artist, Songwriter and Producer Should Know [Multiple-component retail product]

  • Formāts: Multiple-component retail product, 314 pages, height x width x depth: 242x199x25 mm, weight: 844 g, Contains 1 Hardback and 1 Digital online
  • Izdošanas datums: 01-Feb-2017
  • Izdevniecība: Hal Leonard Corporation
  • ISBN-10: 1495076709
  • ISBN-13: 9781495076701
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  • Multiple-component retail product
  • Cena: 65,12 €
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  • Formāts: Multiple-component retail product, 314 pages, height x width x depth: 242x199x25 mm, weight: 844 g, Contains 1 Hardback and 1 Digital online
  • Izdošanas datums: 01-Feb-2017
  • Izdevniecība: Hal Leonard Corporation
  • ISBN-10: 1495076709
  • ISBN-13: 9781495076701
Citas grāmatas par šo tēmu:
Most people regard legal contracts with an inherent suspicion. Having heard scores of horror stories we in the music business whether artists songwriters producers or management are especially cautious ä perhaps even paranoid ä of any binding agreement and with good reason. If you could better understand the most common ä and important ä documents in the game wouldn't you? Steve Gordon an entertainment attorney with over twenty years of experience in the industry is making just such an offer with his latest book ŹThe 11 Contracts That Every Artist Songwriter and Producer Should Know.ŹŽŹThe 11 ContractsŹ is an in-depth guide intended to assist any aspirant wary of navigating the music biz or struggling to interpret its insular jargon. This no-nonsense book follows a refreshingly simple format: Gordon presents a sample agreement then breaks down the nuances of both the legal and business sides of the arrangement. Subjects covered include:ŽŪ Management AgreementsŽŪ Production Company and New ArtistŽŪ Indie Label DealsŽŪ Sync LicensesŽŪ Producer AgreementsŽŪ Music Publishing DealsŽŪ Composer AgreementsŽŪ Live Performance ContractsŽŪ Music Video Production ContractsŽŪ Band Agreements Ž Business Actions Artists Can Take Without an AttorneyŽŪ Investment AgreementsŽEvery purchase also includes access to a library of streaming and downloadable video content touching on music clearances and licensing management artist publishing and producer agreements the art of hiring a music attorney the role of artist management and record companies in the music business today and more. Ensure that you will never find yourself stuck on the wrong side of a bad deal ä pick up your copy of ŹThe 11 ContractsŹ today!
Introduction xi
Disclaimer xiv
Chapter 1 Management Agreements
1(26)
Introduction: The Role of the Manager
1(3)
Pro-Manager Agreement (with commentary)
4(13)
Pro-Artist Agreement
17(10)
Chapter 2 Production Company Deals (... and the Contract from Hell Which No Artist Should Sign)
27(22)
Introduction: Production Companies Should Shop Artists, Not Exploit Them
27(4)
The Contract from Hell That You Should Never Sign (with commentary)
31(10)
Fair Shopping Deal (with commentary)
41(8)
Chapter 3 Artist Recording Contracts with Record Companies
49(60)
Introduction: Recording Contracts That an Artist Should Sign
49(7)
License for Single Album (with commentary)
56(10)
Exclusive Artist Agreement with Indie Label (with commentary)
66(22)
Single Deal with Major Label with an Option for Second Single (with commentary)
88(21)
Chapter 4 A Simple Guide to Sync Deals
109(20)
Introduction: Signing the Best Sync Deal Possible
109(7)
MTV Music Submission Form: A Terrible Deal for Artists, Songwriters, and Producers (with commentary)
116(6)
A Good Deal for the Artist, Songwriter, and Producer Involving Music for a National Commercial Campaign (with commentary)
122(3)
Fair, but Not Great Sync License for Music in a TV Docudrama (with commentary)
125(4)
Chapter 5 Producer Agreements
129(16)
Introduction: Three Contracts Every Music Producer Should Know, How Artists Should Deal with Producers, and What a Producer Should Ask For
129(4)
Simple Work for Hire Deal for the Sale of a Beat (with commentary)
133(1)
Rights Transferred: Work for Hire (with commentary)
133(2)
Royalty and Credit for Producer (with commentary)
135(3)
Royalty, Credit Plus Publishing Royalty for Producer (with commentary)
138(7)
Chapter 6 Music Publishing and Songwriter Contracts
145(32)
Introduction: Everything You Need to Know About Music Publishing and Basic Publishing Agreements: Single Song, Exclusive Term, Co-Pub, and Admin Deals
145(7)
Music Licensing Representation Agreement (with commentary)
152(6)
Co-Publishing Agreement (with commentary)
158(19)
Chapter 7 Music and the Movies: Composer Agreements (Written with Robert Seigal, Esq.)
177(28)
Introduction: What a Composer for a Movie Should Get in Writing, and Licensing Prerecorded Music for a Film
177(5)
Pro-Film Producer Agreement (with commentary)
182(10)
Composer-Friendly Agreement (with commentary)
192(9)
Agreement for a Single Song for a Film (with commentary)
201(4)
Chapter 8 Live Performance and Booking Agreements (A Lawyer's Guide to Structuring Paid Music Gigs)
205(28)
Introduction: Passing the Hat---the Tip Jar, Dealing with Venues, and Using Promoters
205(4)
Interview with an Indie Rock Promoter
209(4)
Interview with Promoter and Publicist, Fiona Bloom
213(3)
Performance Engagement Agreement (with commentary)
216(4)
Interview with Spike Wilner, Jazz Pianist and Co-Owner of Smalls Jazz Club in NYC
220(3)
The SmallsLIVE Artists' Internet Revenue Share Agreement
223(10)
Chapter 9 Music Video Production Contracts
233(18)
Introduction: Before You Shoot a Music Video, Read This Legal Guide
233(9)
Video Production Agreement (with commentary)
242(4)
Personal Release (with commentary)
246(1)
Location Release (with commentary)
247(4)
Chapter 10 Band Agreements and Essential Business Actions a Band (or Solo Artist) Can Take at Little to No Cost Without the Services of an Attorney
251(28)
Introduction: Essential Business Actions Any Band or Artist Should and Can Do Without Incurring Legal Fees
251(2)
Writers' Split Sheet for Single Song
253(4)
Band Name Agreement
257(6)
Interview with Irving Azoff
263(6)
Band Agreement: Equal Partners
269(10)
Chapter 11 Investment Agreements
279(16)
Introduction: How to Structure a Fair Deal
279(3)
Pro-Artist Agreement (with commentary)
282(6)
Pro-Investor Agreement (with commentary)
288(7)
Acknowledgments 295
STEVE GORDON (New York, NY) is an entertainment attorney with over 25 years of experience, including ten years as Director of Business Affairs/Video for Sony Music. Steve is the author of The Future of the Music Business (Hal Leonard, 4th ed., 2015). His website is www.stevegordonlaw.com. RYANNE PERIO (New York, NY) is a graduate of Columbia Law School and a former legal intern at Atlantic Records and SAG-AFTRA. She is currently an associate at Wilmer, Cutler, Pickering, Hale and Dorr, where she specializes intellectual property and complex commercial litigation.