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Thirty Special Studies, Op. 36, Book I |
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1 Exercise on the Cresecndo and Decresendo |
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5 | (1) |
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6 | (1) |
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7 | (1) |
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8 | (2) |
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5 Detached Tones (sustained) |
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10 | (1) |
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11 | (1) |
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12 | (1) |
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8 Division of the Bow in the Cantilena |
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13 | (1) |
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14 | (1) |
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10 Vigorously, with the point of the bow |
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15 | (1) |
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11 Cross the strings without lifting the bow |
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16 | (1) |
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12 The first note with vigorous martellato |
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17 | (1) |
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13 Preparatory Exercise for the Trill |
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18 | (2) |
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20 | (1) |
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21 | (1) |
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22 | (2) |
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24 | (1) |
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25 | (1) |
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26 | (2) |
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28 | (1) |
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21 Flexibility of the Wrist |
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29 | (1) |
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22 The Same Exercise in Triplets |
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30 | (2) |
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23 Short staccato strokes, and octaves |
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32 | (2) |
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34 | (1) |
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25 At the nut of the bow, lifting the bow for each note |
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35 | (1) |
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36 | (2) |
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27 Singing tones, and Double-stops |
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38 | (2) |
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28 Ease and lightness of bowing |
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40 | (2) |
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42 | (2) |
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30 Pizzicato with the left hand |
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44 | (2) |
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Twenty-Seven Brilliant Studies, Op. 36, Book II |
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46 | (2) |
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48 | (2) |
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50 | (1) |
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51 | (1) |
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35 Melody on the G-string |
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52 | (1) |
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36 The Martellato (Bowing-exercise) |
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52 | (2) |
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37 The Arpeggio (Bowing-exercise) |
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54 | (2) |
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56 | (1) |
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39 Bowing-exercise on two strings, for flexibility of the wrist |
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57 | (1) |
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40 Embellishments of the Melody |
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58 | (2) |
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41 The Accented Appoggiatura |
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60 | (2) |
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62 | (2) |
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64 | (2) |
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66 | (2) |
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68 | (2) |
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70 | (2) |
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72 | (1) |
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73 | (1) |
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74 | (2) |
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76 | (2) |
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78 | (2) |
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80 | (2) |
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82 | (2) |
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84 | (2) |
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86 | (2) |
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56 Exercise on the Mordent |
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88 | (2) |
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57 Pizzicato with the left hand and Harmonics |
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90 | (2) |
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Eighteen Artists' Studies, Op. 36, Book III |
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92 | (2) |
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94 | (4) |
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98 | (2) |
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100 | (2) |
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102 | (3) |
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105 | (5) |
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110 | (4) |
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65 Tarentella: Allegro vivace |
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114 | (4) |
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66 Vivace-Allegro militare |
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118 | (3) |
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67 Tremolo with bow on string |
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121 | (3) |
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68 Exercise on the Tremolo legato |
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124 | (1) |
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69 Tremolo with springing bow |
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125 | (3) |
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128 | (2) |
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71 The preceding exercise, with three notes instead of two |
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130 | (2) |
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132 | (2) |
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73 Arpeggios of three notes, on the four strings |
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134 | (2) |
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74 Arpeggios for four notes on the four strings |
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136 | (2) |
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75 Maestoso sostenuto-Allegretto |
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138 | |
