Traces the development and contributions of Aboriginal-owned art centers to contemporary art and expression
Aboriginal Screen-Printed Textiles from Australia's Top End presents the work of contemporary Australian textile artists working at five Aboriginal-owned art centers in the Northern Territory: Tiwi Design, Jilamara Arts and Crafts Association, Injalak Arts and Crafts Aboriginal Corporation, Bįbbarra Women's Centre, and Merrepen Arts, Culture and Language. This book traces the history of textile screen printing at these art centers, from its beginnings in the late 1960s to its recent emergence as a vibrant contemporary art form for Aboriginal expression. A profile of each art center is followed by representative artworks. Essays by Aboriginal and non-Aboriginal scholars, curators, and practitioners discuss the history, inspiration, and practical processes underlying these striking creations; the ways screen-printed textile designs express the artists' cultures, identities, and connections to lands; and the art centers' collaborations with fashion and interior designers.
Papildus informācija
Winner of R. L. Shep Ethnic Textiles Book Award 2021 (United States).Traces the development and contributions of Aboriginal-owned art centers to contemporary art and expression
Foreword |
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13 | (4) |
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Preface With Acknowledgement! |
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17 | (10) |
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25 | (2) |
Introduction |
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27 | (9) |
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Language And Figure Key |
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36 | (4) |
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I Tiwi Design: Screen-Printing Textiles for Fifty Years |
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40 | (26) |
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II Jilamara Arts and Crafts: Kurluwukari, Pwanga, Marlipinyini: Circles, Dots, and Lines |
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66 | (26) |
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III Injalak Arts and Crafts Aboriginal Corporation: Screen-Printing Textiles |
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92 | (26) |
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IV Babbarra Women's Centre: By Women, for Women |
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118 | (28) |
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V Merrepen Arts, Culture and Language Corporation: Floods of Creativity |
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146 | (25) |
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Chapter 1 Top End Textile Trajectories |
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171 | (30) |
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Interleaf A: Screen-Printing Techniques |
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186 | (15) |
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Chapter 2 Traditional Ecological Knowledges in Textile Designs of Northern Australia |
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201 | (20) |
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Interleaf B: Early Works of Tiwi Design: Tradition and Change |
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214 | (7) |
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Chapter 3 From Ceremonial Ground to Catwalk: The Genesis of Contemporary Aboriginal Textile Arts |
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221 | (24) |
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Interleaf C: Asserting Identity: Aboriginal Textiles and Fashion Performances |
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236 | (9) |
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Chapter 4 The Production, Marketing, and Uses of Screen-Printed Textiles |
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245 | (28) |
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Interleaf D: Mantra Pandanas Project |
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264 | (9) |
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Chapter 5 Collaborative Processes in Screen-Printing Textiles |
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273 | (27) |
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288 | (12) |
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Notes To The Text |
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300 | (6) |
References Cited |
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306 | (4) |
Glossary |
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310 | (4) |
Index |
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314 | (10) |
Artists |
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324 | (7) |
Contributors |
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Joanna Barrkman is senior curator of Southeast Asian and Pacific Arts at the Fowler Museum at UCLA. The other contributors are Jilda Andrews, Priscilla Badari, Sylvia Badari, Joanna Barrkman, Diana Wood Conroy, Franchesca Cubillo, Michelle Culpitt, Ingrid Johanson, Louise Hamby, Will Heathcote, Raelene Kerinauia, Cathy Laudenbach, Grace Lillian Lee, Nadine Lee, Gabriel Maralngurra, Raylene Miller, Isaiah Nagurrgurrba, Hannah Raisin, Karin Riederer, Bobbie Ruben, Claire Summers, Bede Tungutalum, Phillip Wilson, Jude White, and Felicity Wright.