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E-grāmata: Active Listening

3.83/5 (12 ratings by Goodreads)
, (Western New Mexico University, USA)
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Listening is now regarded by researchers and practitioners as a highly active skill involving prediction, inference, reflection, constructive recall, and often direct interaction with speakers. In this new theoretical and practical guide, Michael Rost and JJ Wilson demonstrate how active listening can be developed through guided instruction. With so many new technologies and platforms for communication, there are more opportunities than ever before for learners to access listening input, but this abundance leads to new challenges:

  • how to choose the right input
  • how to best use listening and viewing input inside and outside the classroom
  • how to create an appropriate syllabus using available resources

Active Listening explores these questions in clear, accessible prose, basing its findings on a theoretical framework that condenses the most important listening research of the last two decades. Showing how to put theory into practice, the book includes fifty innovative activities, and links each one to relevant research principles. Sample audio recordings are also provided for selected activities, available online at the series website www.pearsoned.co.uk/rostwilson.

As a bridge between theory and practice, Active Listening will encourage second language teachers, applied linguists, language curriculum coordinators, researchers, and materials designers to become more active practitioners themselves, by more fully utilising research in the field of second language listening.

Papildus informācija

Research and Resources in Language Teaching: Active Listening provides a bridge between theory and practice in second language listening, combining research with innovative classroom activities.
Preface xii
Part I From Research to Implications
1(20)
Theoretical framework
1(2)
The five frames
3(1)
Affective Frame
3(1)
Key research findings
3(2)
Implications
5(1)
Top Down Frame
6(1)
Key research findings
6(3)
Implications
9(1)
Bottom Up Frame
9(1)
Key research findings
10(2)
Implications
12(1)
Interactive Frame
13(1)
Key research findings
13(2)
Implications
15(1)
Autonomous Frame
15(1)
Key research findings
16(2)
Implications
18(1)
Summary
18(3)
Part II From Implications to Application
21(218)
Frame 1 Affective Frame
23(1)
Introduction
23(1)
Ten illustrative activities
24(1)
A New Skill
25(4)
Fly Swatter
29(3)
Pinch and Ouch
32(3)
Photo Album
35(3)
Emotional Scenes
38(4)
Guided Journey
42(3)
Listening Circles
45(4)
Wrong Words
49(3)
Finish the Story
52(3)
Punchline
55(6)
Frame 2 Top Down Frame
61(1)
Introduction
61(1)
Ten illustrative activities
62(1)
Guiding Objects
63(4)
Top 10 List
67(4)
Memories
71(5)
KWL Chart
76(4)
Keep Doodling
80(4)
2-20-2 Pictures
84(3)
The Right Thing
87(6)
Good Question!
93(5)
Split Notes
98(6)
False Anecdote
104(3)
Frame 3 Bottom Up Frame
107(1)
Introduction
107(1)
Ten illustrative activities
108(1)
Word Grab
109(5)
Shadowing
114(4)
Race to the Wall
118(4)
Action Skits
122(5)
Total Recall
127(4)
Bucket List Bingo
131(3)
Map Readers
134(3)
Details, Details
137(4)
What's the Line?
141(4)
Pause and Predict
145(4)
Frame 4 Interactive Frame
149(1)
Introduction
149(1)
Ten illustrative activities
150(1)
Photoshop
151(4)
Whisper Dictation
155(4)
Interrupted Story
159(4)
Interactive Quiz
163(4)
Blind Forgery
167(4)
Milestones
171(3)
My Turn/Your Turn
174(5)
Guest Speaker
179(4)
Paraphrase
183(5)
Pecha-Kucha
188(5)
Frame 5 Autonomous Frame
193(1)
Introduction
193(1)
Ten illustrative activities
194(1)
Transcripts
195(3)
Cloud Discussions
198(3)
Listening Games
201(4)
News Hound
205(4)
Vox Pops
209(5)
Webquest
214(3)
My Listening Library
217(6)
Learn Something New
223(6)
Film Review
229(4)
Conversation Corner
233(6)
Part III From Application to Implementation
239(36)
Issue 1 Choosing the content of the listening curriculum
241(1)
What is the role of listening in the language curriculum?
241(1)
How can I help students learn language through listening?
241(1)
What is the role of teacher-talk in listening?
242(1)
What are the advantages of teacher-talk?
243(1)
Are there any drawbacks to using teacher-talk exclusively?
243(1)
Should the teacher speak to the students in the target language all the time?
243(1)
Which type of listening should make up the bulk of the curriculum?
244(1)
Is it important to teach listening strategies?
244(3)
Issue 2 Organising the listening curriculum
247(1)
How should the listening content be organised?
247(1)
What are the advantages of a topic-based curriculum?
247(1)
Are there any disadvantages to a topic-based curriculum?
247(1)
Can a listening programme be organised by genre?
248(1)
What are the advantages of a genre-based curriculum?
248(1)
Are there any disadvantages to a genre-based curriculum?
249(1)
Are there any other ways to organise a listening curriculum?
249(1)
How much listening is `enough'?
250(1)
Issue 3 Integrating listening with other skills
251(1)
Is it better to integrate active listening with other skills or to focus exclusively on listening?
251(1)
What are the advantages of the integrated skills approach?
251(1)
What are the advantages of a `listening only' approach?
252(1)
How can we combine active listening with the other skills?
252(3)
Issue 4 Adapting the listening curriculum: institutional constraints and opportunities
255(1)
How can a listening curriculum be adapted for schools with little equipment?
255(1)
How can an active listening curriculum be adapted for schools with tightly controlled curricula?
255(1)
How can an active listening curriculum be adapted for different institutional philosophies?
256(1)
How can an active listening curriculum be adapted to make the most of opportunities provided by the institutional context?
256(1)
How can a listening curriculum be adapted for very large classes?
257(1)
How can a listening curriculum be adapted for very small classes?
258(1)
Issue 5 Adapting the listening curriculum: different student populations
259(1)
How can a listening curriculum be adapted for students of different ages?
259(1)
How can a listening curriculum be adapted for an EAP class?
259(1)
How can a listening curriculum be adapted for a Business English class?
260(1)
How can a listening curriculum be adapted for an exam class?
260(1)
How can listening activities be adapted for testing purposes?
261(1)
How can listening activities be adapted for different levels?
262(3)
How can a listening activity and a listening curriculum be adapted to cater for students with low motivation?
265(1)
How can a listening activity be adapted to cater for students who do not have an auditory learning style?
266(3)
Issue 6 Adapting and creating the listening curriculum: different teachers
269(1)
How can a listening curriculum be modified by experienced teachers to better fit their class's needs?
269(1)
How can listening activities and a listening curriculum be adapted by and for novice teachers?
269(1)
How can a listening curriculum be adapted to take into account the different beliefs of teachers?
270(1)
How can teachers adapt activities to encourage active listening?
271(1)
How can teachers create their own activities to encourage active listening, i.e. what are the principles of these activities?
272(1)
What ideas and creative mindset can help us to devise new activities?
273(2)
Part IV From Implementation to Research
275(28)
Conducting action research
277(1)
What is action research?
277(1)
Why do action research? Where to start?
277(4)
What methods should I use for action research?
281(3)
What do you do with the information you collect?
284(1)
How do I publish the findings of my action research?
284(1)
Research links
285(1)
Affective Frame
285(1)
Kinaesthetic learning
285(1)
Games
286(1)
Drama
287(1)
Realia
287(1)
Music
288(1)
Humour
288(1)
Top Down Frame
289(1)
Pre-listening
289(1)
Listening and memory
290(1)
Listening and images
290(1)
Listening to the news
291(1)
Academic listening and note-taking
291(1)
Bottom Up Frame
292(1)
Vocabulary and listening
292(1)
Decoding connected speech
292(1)
Dictation and dictogloss
293(1)
Testing listening
294(1)
Interactive Frame
295(1)
Storytelling
295(1)
Listening and interaction
296(1)
Listening and responding
297(1)
Autonomous Frame
298(1)
Using the web and mobile devices for listening
298(1)
Listening strategies
299(1)
Listening in the community
300(1)
Extensive listening
300(1)
Subtitles and transcripts
301(1)
Presentations and guest speakers
302(1)
Glossary 303(8)
Appendix 1 Active listening strategies 311(4)
Appendix 2 Audio files to accompany activities 315(2)
References 317
Michael Rost has taught in Togo, Japan, Thailand, Indonesia, and the U.S. He is currently an instructional designer for Lateral Communications in San Francisco.

JJ Wilson has taught in Egypt, Lesotho, Colombia, Italy, the UK, and the U.S., where he is writer-in-residence at Western New Mexico University.