Foreword |
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vii | |
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1 | (1) |
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Training for the under- 18s |
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2 | (3) |
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5 | (3) |
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Interview: David Mumeni; Levelling the playing field: actors from working- and benfit-class backgrounds |
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8 | (3) |
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11 | (13) |
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Checklist of drama school deadlines, audition requirements, audition fees and funding systems |
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24 | (7) |
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What are drama schools looking for? |
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31 | (4) |
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35 | (4) |
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Short-term and part-time courses |
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39 | (9) |
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Private tutors and coaches |
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48 | (7) |
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An actor's toolkit - Simon Dunmore |
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55 | (2) |
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Agents and casting directors |
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57 | (1) |
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58 | (38) |
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96 | (3) |
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CPMA: the Co-operative Personal Management Association |
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99 | (2) |
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101 | (4) |
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105 | (1) |
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106 | (18) |
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124 | (2) |
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Casting for musical theatre |
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126 | (2) |
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128 | (3) |
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131 | (1) |
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Interview: Cherrelle Skeete; Active listening in a community of nomads -- NEW |
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132 | (3) |
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135 | (4) |
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139 | (19) |
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Interview: Tom Ross-Williams; Inclusivity and allyshipfor the future of the industry - NEW |
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158 | (3) |
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Effective audition speeches |
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161 | (9) |
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170 | (4) |
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Independent managements/theatre producers |
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174 | (8) |
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Interview: Hazel Holder; Voicing kindness - NEW |
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182 | (3) |
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Ignition, inspiration and the imposter |
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185 | (4) |
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Middle and smaller-scale companies |
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189 | (35) |
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Starting your own theatre company |
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224 | (4) |
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Finding funding for projects |
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228 | (4) |
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The multi-hyphenate comedy actor-performer-writer |
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232 | (3) |
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Interview: Geoff Whiting; Routes to stand-up comedy |
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235 | (3) |
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238 | (7) |
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English-language European theatre companies |
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245 | (2) |
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A touring actor's survival guide |
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247 | (4) |
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251 | (10) |
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Interview Ned Bennett; The direction of collaboration - NEW |
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261 | (3) |
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Edinburgh or bust: is it worth it? |
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264 | (3) |
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Open Book: fairer finances for fringe theatre |
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267 | (3) |
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Children's, young people's and theatre in education |
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270 | (18) |
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Shakespeare changes prisoners' lives |
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288 | (3) |
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291 | (4) |
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295 | (5) |
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300 | (1) |
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301 | (3) |
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304 | (4) |
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308 | (3) |
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311 | (3) |
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Are you ready for Pilot Season? |
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314 | (4) |
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Independent film, video and TV production companies |
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318 | (10) |
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328 | (2) |
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330 | (3) |
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Radio and audio book companies |
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333 | (4) |
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337 | (3) |
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340 | (3) |
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343 | (1) |
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343 | (1) |
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343 | (5) |
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348 | (1) |
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Rights, advice and support |
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349 | (1) |
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Opportunities for disabled actors |
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350 | (3) |
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353 | (1) |
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354 | (1) |
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355 | (3) |
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358 | (4) |
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Spotlight, casting directories and information services |
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362 | (4) |
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`Point me in the right direction': navigating the casting services |
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366 | (4) |
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Be prepared for publicity |
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370 | (3) |
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Photographers and repro companies |
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373 | (14) |
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Getting the most from your photographs |
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387 | (3) |
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Making money from your voice |
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390 | (3) |
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Showreel, voicereel and website services |
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393 | (5) |
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Showreels: creation and maintenance |
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398 | (4) |
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Digital wellbeingfor actors |
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402 | (4) |
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Interview: Daniel Heale; Building your personal brand on social media |
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406 | (3) |
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409 | (5) |
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Tax and National Insurance for actors |
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414 | (4) |
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418 | (3) |
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Physical and mental fitness for actors |
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421 | (4) |
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Interview: Claire Cordeaux; Mental health in the performing arts |
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425 | (3) |
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428 | (4) |
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Publications, libraries, references and booksellers |
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432 | (5) |
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Organisations, associations, societies and contacts |
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437 | (9) |
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446 | (7) |
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453 | (2) |
Index |
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455 | |