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E-grāmata: Actors'' and Performers'' Yearbook 2022: Essential Contacts for Stage, Screen and Radio

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  • Formāts: 488 pages
  • Izdošanas datums: 23-Sep-2021
  • Izdevniecība: Methuen Drama
  • ISBN-13: 9781350235656
  • Formāts - EPUB+DRM
  • Cena: 20,28 €*
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  • Formāts: 488 pages
  • Izdošanas datums: 23-Sep-2021
  • Izdevniecība: Methuen Drama
  • ISBN-13: 9781350235656

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This well-established and respected directory supports actors in their training and search for work in theatre, film, TV, radio and comedy.

It is the only directory to provide detailed information for each listing and specific advice on how to approach companies and individuals, saving hours of further research. From agents and casting directors to producing theatres, showreel companies, photographers and much more, this essential reference book editorially selects only the most relevant and reputable contacts for the actor.

Actors' and Performers' Yearbook 2022 features:

* a new foreword by actor Paterson Joseph (Noughts & Crosses, Grantchester, Law & Order, A Christmas Carol)
* 4 newly commissioned interviews with theatre industry professionals on topics of the moment
* 1 new article on a current aspect of the industry

With the listings updated every year, the Actors' and Performers' Yearbook continues to be the go-to guide for help with auditions, interviews and securing/sustaining work within the industry. Covering training and working in theatre, film, radio, TV and comedy, it contains invaluable resources such as a casting calendar and articles on a range of topics from your social media profile to what drama schools are looking for to financial and tax issues.

An invaluable professional tool that anyone working in the industry will benefit from.

Papildus informācija

The leading contacts directory for actors and performers, listing reputable and detail contact information for drama schools, agents, casting directors, theatres and companies.
Foreword vii
Polly Bennett
Training
Introduction
1(1)
Training for the under- 18s
2(3)
Arts Emergency
5(3)
Julie Hesmondhalgh
Interview: David Mumeni; Levelling the playing field: actors from working- and benfit-class backgrounds
8(3)
Drama schools
11(13)
Checklist of drama school deadlines, audition requirements, audition fees and funding systems
24(7)
Lloyd Trott
What are drama schools looking for?
31(4)
Geoffrey Colman
It's warm up north
35(4)
Adelle Hulsmeier
Short-term and part-time courses
39(9)
Private tutors and coaches
48(7)
An actor's toolkit - Simon Dunmore
55(2)
Agents and casting directors
Introduction
57(1)
Agents
58(38)
Being an agent
96(3)
Howard Roberts
CPMA: the Co-operative Personal Management Association
99(2)
Voice-over agents
101(4)
Presenters' agents
105(1)
Casting directors
106(18)
Casting for the stage
124(2)
Anne McNulty
Casting for musical theatre
126(2)
David Grindrod
Woman in a brown skirt
128(3)
Sophie Stanton
Theatre
Introduction
131(1)
Interview: Cherrelle Skeete; Active listening in a community of nomads -- NEW
132(3)
Dramaturg at HOME
135(4)
Petra Jane Tauscher
Producing theatres
139(19)
Interview: Tom Ross-Williams; Inclusivity and allyshipfor the future of the industry - NEW
158(3)
Effective audition speeches
161(9)
Simon Dunmore
Understudying
170(4)
Andrew Piper
Independent managements/theatre producers
174(8)
Interview: Hazel Holder; Voicing kindness - NEW
182(3)
Ignition, inspiration and the imposter
185(4)
Scott Graham
Middle and smaller-scale companies
189(35)
Starting your own theatre company
224(4)
Pilar Orti
Finding funding for projects
228(4)
Sinead MacManus
The multi-hyphenate comedy actor-performer-writer
232(3)
Chris Head
Interview: Geoff Whiting; Routes to stand-up comedy
235(3)
Pantomime
238(7)
English-language European theatre companies
245(2)
A touring actor's survival guide
247(4)
Maev Alexander
Fringe theatres
251(10)
Interview Ned Bennett; The direction of collaboration - NEW
261(3)
Edinburgh or bust: is it worth it?
264(3)
Shane Dempsey
Open Book: fairer finances for fringe theatre
267(3)
Piers Beckley
Children's, young people's and theatre in education
270(18)
Paul Harman
Shakespeare changes prisoners' lives
288(3)
Bruce Wall
Festivals
291(4)
Role-play companies
295(5)
Media
Introduction
300(1)
Television companies
301(3)
Casting for television
304(4)
Janie Frazer
Auditioning for camera
308(3)
Nancy Bishop
Self-taping auditions
311(3)
Ros Hubbard
Are you ready for Pilot Season?
314(4)
Brendan Thomas
Independent film, video and TV production companies
318(10)
Film schools
328(2)
Actors and video games
330(3)
Mark Estdale
Radio and audio book companies
333(4)
Acting for radio
337(3)
Gordon House
Media festivals
340(3)
Disabled actors
Introduction
343(1)
Training
343(1)
Sources of work
343(5)
Arts organisations
348(1)
Rights, advice and support
349(1)
Opportunities for disabled actors
350(3)
Jamie Beddard
Resources
Introduction
353(1)
Equity
354(1)
Act For Change
355(3)
Kobna Holdbrook-Smith
Beyond #metoo
358(4)
Kelly Burke
Spotlight, casting directories and information services
362(4)
`Point me in the right direction': navigating the casting services
366(4)
Isabelle Farah
Be prepared for publicity
370(3)
Jayne Trotman
Photographers and repro companies
373(14)
Getting the most from your photographs
387(3)
Angus Deuchar
Making money from your voice
390(3)
Marina Caldarone
Showreel, voicereel and website services
393(5)
Showreels: creation and maintenance
398(4)
Anthony Holmes
Digital wellbeingfor actors
402(4)
Sinead MacManus
Interview: Daniel Heale; Building your personal brand on social media
406(3)
Accountants
409(5)
Tax and National Insurance for actors
414(4)
Philippe Carden
Equity Pension Scheme
418(3)
Andrew Barker
Physical and mental fitness for actors
421(4)
Alex Caan
Interview: Claire Cordeaux; Mental health in the performing arts
425(3)
Funding bodies
428(4)
Publications, libraries, references and booksellers
432(5)
Organisations, associations, societies and contacts
437(9)
Bibliography
446(7)
Webography
453(2)
Index 455