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E-grāmata: Actors' and Performers' Yearbook 2023

Foreword by (Freelance practitioner, UK)
  • Formāts: 472 pages
  • Izdošanas datums: 31-Oct-2022
  • Izdevniecība: Methuen Drama
  • Valoda: eng
  • ISBN-13: 9781350322288
  • Formāts - PDF+DRM
  • Cena: 21,40 €*
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  • Formāts: 472 pages
  • Izdošanas datums: 31-Oct-2022
  • Izdevniecība: Methuen Drama
  • Valoda: eng
  • ISBN-13: 9781350322288

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This well-established and respected directory supports actors in their training and search for work in theatre, film, TV, radio and comedy.

It is the only directory to provide detailed information for each listing and specific advice on how to approach companies and individuals, saving hours of further research. From agents and casting directors to producing theatres, showreel companies, photographers and much more, this essential reference book editorially selects only the most relevant and reputable contacts for the industry.

Covering training and working in theatre, film, radio, TV and comedy, it contains invaluable resources such as a casting calendar and articles on a range of topics from your social media profile to what drama schools are looking for to financial and tax issues.

With the listings updated every year, the Actors' and Performers' Yearbook continues to be the go-to guide for help with auditions, interviews and securing/sustaining work within the industry.

An invaluable professional tool that anyone working in the industry will benefit from.

Actors' and Performers' Yearbook 2023 is fully updated and features a new foreword by Syrus Lowe.

Papildus informācija

The leading contacts directory for actors and performers, listing reputable and detail contact information for drama schools, agents, casting directors, theatres and companies.
Foreword vii
Syrus Lowe
Training
Introduction
1(1)
Training for the under-18s
2(3)
Arts Emergency - Julie Hesmondhalgh
5(3)
Interview: David Mumeni; Levelling the playing field: actors from working- and benefit-class backgrounds
8(3)
Drama schools
11(12)
Checklist of drama school deadlines, audition requirements, audition fees and funding systems
23(6)
What are drama schools looking for? Geoffrey Colman
29(4)
It's warm up north - Adelle Hulsmeier
33(4)
Short-term and part-time courses
37(9)
Private tutors and coaches
46(6)
An actor's toolkit - Simon Dunmore
52(3)
Agents and casting directors
Introduction
55(1)
Agents
56(35)
Being an agent - Howard Roberts
91(3)
CPMA: the Co-operative Personal Management Association
94(2)
Voice-over agents
96(3)
Presenters' agents
99(1)
Casting directors
100(16)
Casting for the stage - Anne McNulty
116(2)
Casting for musical theatre - David Grindrod
118(2)
Woman in a brown skirt - Sophie Stanton
120(3)
Theatre
Introduction
123(1)
Interview: Cherrelle; Active listening in a community of nomads
124(3)
Dramaturg at HOME - Petra Jane Tauscher
127(4)
Producing theatres
131(19)
Interview: Tom Ross-Williams; Inclusivity and allyshipfor the future of the industry
150(3)
Effective audition speeches - Simon Dunmore
153(9)
Understudying - Andrew Piper
162(4)
Independent managements/theatre producers
166(7)
Interview; Hazel Holder; Voicing kindness
173(3)
Ignition, inspiration and the imposter - Scott Graham
176(4)
Middle and smaller-scale companies
180(33)
Starting your own theatre company - Pilar Orti
213(4)
Finding funding for projects - Sinead Mac Manus
217(4)
Get Seen as an Actor/Comedy Writer Performer - Chris Head
221(3)
Interview: Geoff Whitting; Routes to stand-up comedy
224(3)
Pantomime
227(6)
English-language European theatre companies
233(2)
A touring actor's survival guide - Maev Alexander
235(4)
Fringe theatres
239(10)
Interview: Ned Bennett; The direction of collaboration
249(3)
Edinburgh or bust: is it worth it? Shane Dempsey
252(3)
Open Book: fairer finances for fringe theatre - Piers Beckley
255(3)
Children's, young people's and theatre in education - Paul Harman
258(2)
Children's, young people's and theatre-in-education companies
260(15)
Shakespeare changes prisoners' lives - Bruce Wall
275(3)
Festivals
278(4)
Role-play companies
282(5)
Media
Introduction
287(1)
Television companies
288(3)
Casting for television - Janie Frazer
291(4)
Auditioning for camera - Nancy Bishop
295(3)
Self-taping auditions - Ros Hubbard
298(3)
Are you ready for Pilot Season? Brendan Thomas
301(4)
Independent film, video and TV production companies
305(8)
Film schools
313(2)
Actors and video games
315(3)
Radio and audio book companies
318(4)
Acting for radio - Gordon House
322(3)
Media festivals
325(4)
Disabled actors
Introduction
329(1)
Training
329(1)
Sources of work
329(6)
Arts organisations
335(2)
Rights, advice and support
337(1)
Opportunities for disabled actors - Jamie Beddard
338(3)
Resources
Introduction
341(1)
Equity
342(1)
Act For Change - Kobna Holdbrook-Smith
343(3)
Beyond #metoo - Kelly Burke
346(4)
Spodight, casting directories and information services
350(3)
`Point me in the right direction': navigating the casting services - Isabelle Farah
353(4)
Be prepared for publicity - Jayne Trotman
357(3)
Photographers and repro companies
360(12)
Getting the most from your photographs - Angus Deuchar
372(3)
The changing face of voiceovers - Simon Cryer & Marina Caldarone
375(5)
Showreel, voicereel and website services
380(4)
Showreels: creation and maintenance - Anthony Holmes
384(4)
Digital wellbeingfor actors - Sinead Mac Manus
388(4)
Interview: Daniel Heale; Building your personal brand on social media
392(3)
Accountants
395(4)
Tax and National Insurance for actors - Philippe Carden
399(4)
Equity Pension Scheme - Andrew Barker
403(3)
Physical and mental fitness for actors - Alex Caan
406(4)
Interview: Claire Cordeaux; Mental health in the performing arts
410(3)
Funding bodies
413(4)
Publications, libraries, references and booksellers
417(5)
Organisations, associations, societies and contacts
422(8)
Bibliography 430(7)
Webography 437(2)
Index 439
Syrus Lowe trained as an actor at RADA and has a successful career in theatre, TV and animation. Most recently, he appeared in the hit West End show The Inheritance and on HBO's Avenue 5 and Channel 4's Home. He is also a leader in the field of corporate role play, having worked in the sector for over 20 years and, since 2015, having run the UK's only corporate role play masterclass for actors (www.roleplaymasterclass.com).