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Actor's Work: A Student's Diary [Mīkstie vāki]

4.25/5 (570 ratings by Goodreads)
  • Formāts: Paperback / softback, 728 pages, height x width: 234x156 mm, weight: 1021 g, 6 Line drawings, black and white
  • Izdošanas datums: 21-Sep-2009
  • Izdevniecība: Routledge
  • ISBN-10: 041555120X
  • ISBN-13: 9780415551205
Citas grāmatas par šo tēmu:
  • Mīkstie vāki
  • Cena: 46,04 €*
  • * Šī grāmata vairs netiek publicēta. Jums tiks paziņota lietotas grāmatas cena
  • Šī grāmata vairs netiek publicēta. Jums tiks paziņota lietotas grāmatas cena.
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  • Formāts: Paperback / softback, 728 pages, height x width: 234x156 mm, weight: 1021 g, 6 Line drawings, black and white
  • Izdošanas datums: 21-Sep-2009
  • Izdevniecība: Routledge
  • ISBN-10: 041555120X
  • ISBN-13: 9780415551205
Citas grāmatas par šo tēmu:
Presents a new translation of the author's incomplete works "An Actor Prepares" and " Building a Character" which provides a system for acting and developing a character.

Stanislavski’s ‘system’ has dominated actor-training in the West since his writings were first translated into English in the 1920s and 30s. His systematic attempt to outline a psycho-physical technique for acting single-handedly revolutionized standards of acting in the theatre.

Until now, readers and students have had to contend with inaccurate, misleading and difficult-to-read English-language versions. Some of the mistranslations have resulted in profound distortions in the way his system has been interpreted and taught. At last, Jean Benedetti has succeeded in translating Stanislavski’s huge manual into a lively, fascinating and accurate text in English. He has remained faithful to the author's original intentions, putting the two books previously known as An Actor Prepares and Building A Character back together into one volume, and in a colloquial and readable style for today's actors.

The result is a major contribution to the theatre, and a service to one of the great innovators of the twentieth century.

Recenzijas

'A lively new translation by Jean Benedetti... Stanislavksi was provocative, controversial - and, as An Actor's Work confirms, a genius' - The Times



'A volume that clearly communicates the entire system ... it should be made required reading. - The Guardian



'Getting the system straight from the horses mouth ... An Actor's Work should be a manual not just in drama school, but but on any course where students are taught to assess texts and arugments critically' - Times Literary Supplement



'A landmark achievement in Stanislavski studies ... essential reading for anyone interested in acting, practically or academically, at all levels from schools to the industry.' - Times Higher Educational Supplement



'Benedetti, the author of several previous books on Stanislavski, has both improved and expanded upon the Hapgood editions, and the result is a longer yet much more readable text. ' Libray Journal



'The twin bibles of acting books, Stanislavsky's An Actor Prepares and Building a Character, have been recently re-translated into a single tome.' - American Theatre'A far more authentic Stanislavsky.' Laurence Senelick, Tufts University, Boston









'More complete, much more accurate, and more readable [ than the previous translation]. Richard Hornby, University of California, Riverside



'Benedetti has done an excellent job... an elegantly presented and valuable volume... This volume is essential reading for anyone interested in acting, practically or academically, at all levels from schools to the industry.' - Times Higher Education



'...Jean Benedetti's translation is fresh, immediate, highly readable, very witty, and, above all, accessible.' - Dramatics



'This volume is a must for theater collections. Essential.' CHOICE

Introduction by Decian Donnellan ix
Translator's foreword by Jean Benedetti xv
Publisher's acknowledgements xxiii
An Actor's Work, original draft preface [ extracts] xxiv
YEAR ONE: EXPERIENCING
An Actor's Work, introduction
3
1. Amateurism
5
2. The stage as art and stock-in-trade
16
3. Action, 'if', 'Given Circumstances'
37
4. Imagination
60
5. Concentration and attention
86
6. Muscular release
119
7. Bits and Tasks
135
8. Belief and the sense of truth
152
9. Emotion Memory
195
10. Communication
229
11. An actor's adaptations and other elements, qualities, aptitudes and gifts
258
12. Inner psychological drives
273
13. Inner psychological drives in action
283
14. 'The actor's inner creative state
292
15. The Supertask, Throughaction
306
16. The subconscious and the actor's creative state
322
YEAR TWO: EMBODIMENT
17. Transition to physical embodiment
351
18. Physical education
355
19. Voice and speech
381
20. Perspective of the actor and the role
456
21. Tempo-rhythm
463
22. Logic and sequence
507
23. Physical characteristics
516
24. The finishing touches
536
25. Charisma
549
26. Ethics and discipline
552
27. The external creative state in performance
579
28. General creative state in performance
581
29. The 'system'
611
APPENDICES 613
Endnotes 675
Glossary of key terms 682
Afterword by Anatoly Smeliansky 685