Where Are The Lesson Files? |
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iii | |
Getting Started |
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1 | (7) |
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About Classroom in a Book |
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1 | (1) |
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2 | (1) |
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Installing After Effects, Bridge, and Media Encoder |
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2 | (1) |
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2 | (1) |
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3 | (1) |
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Restoring default preferences |
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3 | (1) |
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4 | (1) |
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5 | (1) |
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6 | (1) |
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Adobe Authorized Training Centers |
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7 | (1) |
1 Getting To Know The Workflow |
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8 | (30) |
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About the After Effects work area |
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10 | (1) |
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11 | (1) |
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Creating a project and importing footage |
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11 | (4) |
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Creating a composition and arranging layers |
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15 | (2) |
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17 | (1) |
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Adding effects and modifying layer properties |
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18 | (4) |
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Animating the composition |
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22 | (3) |
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25 | (1) |
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About timecode and duration |
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26 | (1) |
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27 | (3) |
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30 | (2) |
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Optimizing performance in After Effects |
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32 | (1) |
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Rendering and exporting your composition |
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32 | (1) |
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33 | (2) |
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Controlling the brightness of the user interface |
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35 | (1) |
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Collaborating in After Effects |
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36 | (1) |
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Finding resources for using After Effects |
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36 | (1) |
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Review questions and answers |
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37 | (1) |
2 Creating A Basic Animation Using Effects And Presets |
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38 | (18) |
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40 | (1) |
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Creating a new composition |
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40 | (4) |
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Working with imported Illustrator layers |
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44 | (2) |
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Applying effects to a layer |
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46 | (1) |
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Applying and controlling effects |
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47 | (1) |
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Applying an animation preset |
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48 | (1) |
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Precomposing layers for a new animation |
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49 | (1) |
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50 | (1) |
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51 | (1) |
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Rendering the composition |
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52 | (3) |
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Review questions and answers |
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55 | (1) |
3 Animating Text |
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56 | (32) |
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58 | (2) |
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60 | (1) |
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Installing a font using Adobe Fonts |
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60 | (3) |
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Creating and formatting point text |
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63 | (2) |
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Animating with scale keyframes |
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65 | (2) |
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Using a text animation preset |
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67 | (2) |
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69 | (2) |
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Animating imported Photoshop text |
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71 | (4) |
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75 | (2) |
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77 | (1) |
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Animating an image to replace text |
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77 | (3) |
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Using a text animator group |
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80 | (1) |
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About text animator groups |
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81 | (2) |
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Animating a layer's position |
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83 | (2) |
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85 | (2) |
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Review questions and answers |
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87 | (1) |
4 Working With Shape Layers |
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88 | (28) |
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90 | (1) |
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90 | (1) |
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91 | (2) |
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Creating a self-animating shape |
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93 | (2) |
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95 | (4) |
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Creating custom shapes with the Pen tool |
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99 | (2) |
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Positioning layers with snapping |
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101 | (2) |
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103 | (4) |
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Animating using parenting |
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107 | (4) |
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Using nulls to connect points |
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111 | (1) |
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About parent and child layers |
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111 | (2) |
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Previewing the composition |
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113 | (1) |
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Animating layers to match audio |
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114 | (1) |
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Review questions and answers |
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115 | (1) |
5 Animating A Multimedia Presentation |
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116 | (30) |
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118 | (1) |
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Using Creative Cloud Libraries in After Effects |
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119 | (2) |
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121 | (2) |
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123 | (2) |
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125 | (2) |
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127 | (4) |
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Animating additional elements |
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131 | (4) |
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135 | (1) |
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136 | (2) |
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Animating precomposed layers |
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138 | (3) |
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141 | (2) |
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143 | (1) |
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Supported audio file formats |
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143 | (1) |
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Editing audio files in Adobe Audition |
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144 | (1) |
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Review questions and answers |
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145 | (1) |
6 Animating Layers |
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146 | (34) |
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148 | (2) |
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Preparing layered Photoshop files |
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150 | (1) |
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Simulating lighting changes |
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151 | (2) |
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Duplicating an animation using the pick whip |
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153 | (2) |
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About Photoshop layer styles |
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155 | (1) |
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Using a track matte to confine animation |
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156 | (1) |
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156 | (3) |
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About track mattes and traveling mattes |
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159 | (2) |
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Animating using the Corner Pin effect |
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161 | (2) |
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Simulating a darkening sky |
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163 | (5) |
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Viewing render times for layers |
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168 | (1) |
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169 | (10) |
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Review questions and answers |
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179 | (1) |
7 Working With Masks |
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180 | (22) |
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182 | (1) |
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182 | (2) |
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Creating a mask with the Pen tool |
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184 | (1) |
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184 | (1) |
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185 | (1) |
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186 | (2) |
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Feathering the edges of a mask |
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188 | (1) |
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Replacing the content of the mask |
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189 | (1) |
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189 | (1) |
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Zooming and panning by touch |
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190 | (1) |
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191 | (1) |
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192 | (5) |
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197 | (1) |
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Using the Rectangle and Ellipse tools |
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198 | (3) |
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Review questions and answers |
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201 | (1) |
8 Distorting Objects With The Puppet Tools |
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202 | (20) |
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204 | (5) |
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209 | (1) |
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210 | (2) |
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Adding Advanced and Bend pins |
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212 | (2) |
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Defining areas of overlap |
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214 | (1) |
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215 | (1) |
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215 | (1) |
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216 | (1) |
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Using the Puppet tools to animate video |
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217 | (1) |
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218 | (2) |
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Extra credit: Act it out with Adobe Character Animator |
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220 | (1) |
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Review questions and answers |
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221 | (1) |
9 Using The Roto Brush Tool |
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222 | (22) |
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224 | (1) |
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224 | (2) |
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Creating a segmentation boundary |
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226 | (3) |
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Editing Adobe Premiere Pro clips with After Effects |
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229 | (3) |
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232 | (1) |
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Refine Soft Matte and Refine Hard Matte effects |
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232 | (2) |
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Freezing your Roto Brush tool results |
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234 | (2) |
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236 | (2) |
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238 | (2) |
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240 | (1) |
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Extra credit: Tracking faces |
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241 | (2) |
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Review questions and answers |
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243 | (1) |
10 Performing Color Correction |
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244 | (30) |
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246 | (2) |
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Previewing your project on a video monitor |
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248 | (1) |
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Adjusting color balance with levels |
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249 | (3) |
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Adjusting color with the Lumetri Color effect |
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252 | (2) |
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254 | (5) |
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Color-correcting using Auto Levels |
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259 | (1) |
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Motion tracking the clouds |
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260 | (2) |
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Replacing the sky in the second clip |
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262 | (5) |
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267 | (4) |
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Extra credit: Cloning an object in a scene |
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271 | (2) |
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Review questions and answers |
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273 | (1) |
11 Creating Motion Graphics Templates |
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274 | (20) |
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276 | (1) |
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Preparing a master composition |
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277 | (5) |
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282 | (1) |
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Adding properties to the Essential Graphics panel |
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283 | (4) |
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Protecting the timing of a section |
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287 | (1) |
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288 | (2) |
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Creating essential properties |
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290 | (1) |
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Extra credit: Using a Motion Graphics template in Adobe Premiere Pro |
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291 | (2) |
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Review questions and answers |
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293 | (1) |
12 Using 3D Features |
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294 | (28) |
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296 | (1) |
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297 | (5) |
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302 | (2) |
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Using the 3D Transform Gizmo |
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304 | (1) |
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305 | (1) |
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306 | (1) |
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307 | (3) |
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310 | (2) |
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312 | (3) |
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315 | (4) |
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319 | (1) |
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Working with Cinema 4D Lite |
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320 | (1) |
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Review questions and answers |
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321 | (1) |
13 Working With The 3D Camera Tracker |
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322 | (22) |
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About the 3D Camera Tracker effect |
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324 | (1) |
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324 | (2) |
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326 | (1) |
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Repairing rolling shutter distortions |
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326 | (1) |
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Creating a ground plane, a camera, and the initial text |
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327 | (4) |
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Creating additional text elements |
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331 | (3) |
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Locking an image to a plane with a solid layer |
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334 | (1) |
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Adjusting the camera's depth of field |
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335 | (2) |
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337 | (1) |
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338 | (1) |
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Creating realistic shadows |
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339 | (2) |
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341 | (1) |
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341 | (1) |
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Previewing the composition |
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342 | (1) |
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Review questions and answers |
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343 | (1) |
14 Advanced Editing Techniques |
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344 | (40) |
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346 | (1) |
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346 | (1) |
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347 | (2) |
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Warp Stabilizer VFX settings |
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349 | (2) |
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351 | (3) |
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Using single-point motion tracking |
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354 | (3) |
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Moving and resizing the track points |
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357 | (4) |
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Removing unwanted objects |
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361 | (1) |
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361 | (4) |
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Creating a particle simulation |
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365 | (1) |
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365 | (3) |
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Understanding Particle Systems II properties |
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368 | (8) |
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About high dynamic range (HDR) footage |
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376 | (1) |
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Retiming playback using the Timewarp effect |
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377 | (6) |
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Review questions and answers |
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383 | (1) |
15 Rendering And Outputting |
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384 | (16) |
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386 | (1) |
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About rendering and output |
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387 | (1) |
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Exporting using the Render Queue |
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387 | (3) |
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Preparing movies for mobile devices |
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390 | (1) |
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Creating templates for the Render Queue |
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391 | (1) |
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Rendering movies with Adobe Media Encoder |
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392 | (1) |
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393 | (5) |
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Preparing a movie for broadcast output |
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398 | (1) |
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Review questions and answers |
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399 | (1) |
Index |
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400 | |