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Chapter 01 The Essentials of Camera Raw |
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1 | (28) |
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How to Open JPEGs, TIFFs, and RAW Images in Camera Raw |
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2 | (3) |
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If You Shoot in RAW, Start Here |
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5 | (2) |
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Using Camera Raw Anytime During Your Editing |
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7 | (1) |
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Three Ways to Set Your Image's White Balance |
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8 | (3) |
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Seeing a Before/After in Camera Raw |
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11 | (2) |
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Having Camera Raw Auto-Correct Your Photo |
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13 | (2) |
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Setting Your Overall Exposure, Part One Expanding Your Tonal Range |
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15 | (2) |
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Setting Your Overall Exposure, Part Two Setting the Overall Brightness |
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17 | (2) |
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Fixing Flat-Looking Images by Adding Contrast |
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19 | (1) |
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Dealing with Highlight Problems (Clipping) |
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20 | (2) |
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22 | (1) |
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Enhancing Detail Using the Texture Slider |
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23 | (1) |
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Adding "Punch" Using Clarity |
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24 | (1) |
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The Difference Between Texture and Clarity |
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25 | (1) |
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26 | (1) |
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My Editing-Your-Images Cheat Sheet |
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27 | (2) |
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Chapter 02 Camera Raw---Beyond The Basics |
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29 | (38) |
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Editing Multiple Photos at Once |
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30 | (3) |
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Advanced Contrast Using Curves |
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33 | (7) |
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Capture Sharpening in Camera Raw |
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40 | (5) |
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45 | (1) |
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Removing Spots, Dust, and Other Distracting Stuff |
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46 | (2) |
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Camera Raw Can Show You Where the Spots Are |
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48 | (1) |
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Removing (Erasing) Distracting Things in Your Photo |
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49 | (3) |
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Adjusting or Changing Ranges of Color |
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52 | (2) |
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54 | (1) |
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55 | (2) |
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Cropping and Straightening |
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57 | (3) |
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Saving Edits as You Go, So You Can Experiment |
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60 | (1) |
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Choosing How Your RAW Images Will Appear in Photoshop |
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61 | (6) |
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Chapter 03 Masking Miracles |
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67 | (34) |
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Five Important Things About Masking |
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68 | (2) |
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Editing Your Main Subject |
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70 | (2) |
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Better Looking Skies, Method 1 Sky Mask |
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72 | (2) |
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Better Looking Skies, Method 2 Linear Gradient Mask |
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74 | (2) |
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Better Looking Skies, Method 3 Masking Objects |
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76 | (2) |
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Better Looking Skies, Method 4 Preserving Clouds Using a Luminance Range Mask |
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78 | (2) |
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Better Looking Skies, Method 5 Reducing Banding in a Sky Using Select Sky |
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80 | (2) |
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What to Do If It Doesn't Work Perfectly |
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82 | (2) |
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Four Really Helpful Things to Know Now About the Brush Masking Tool |
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84 | (2) |
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Painting with Light (Also Known as "Dodging & Burning") |
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86 | (2) |
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The Brush's Awesome Auto Mask Feature |
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88 | (2) |
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A Better Way to Reduce Noise |
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90 | (1) |
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91 | (1) |
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92 | (2) |
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Adjusting an Individual Color Using a Color Range Mask |
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94 | (2) |
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Selecting an Object That's Not Your Subject |
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96 | (2) |
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Five MORE Masking Things You'll Want to Know |
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98 | (3) |
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Chapter 04 Correcting Lens Problems |
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101 | (14) |
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One-Click Fixes for Some Common Lens Problems |
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102 | (2) |
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DIY Fixes for Two of Those Lens Problems |
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104 | (2) |
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If Things Are Leaning, Here's How to Make Them Upright |
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106 | (2) |
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Guided Upright: If Auto Upright Didn't Do the Trick |
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108 | (2) |
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Removing Colored Edge Fringe (Chromatic Aberrations) |
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110 | (2) |
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Fixing Dark Corners (Vignetting) |
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112 | (1) |
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Fixing Horizontal Perspective Issues |
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113 | (2) |
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Chapter 05 Working with Layers |
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115 | (28) |
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Getting Started with Layers |
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116 | (4) |
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Blending Two or More Images (Intro to Layer Masks) |
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120 | (4) |
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Getting Started with Layer Blend Modes |
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124 | (2) |
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Five Layers Things to Know Before We Move On |
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126 | (2) |
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Adding Drop Shadows and Other Layer Effects |
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128 | (4) |
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Resizing Something on a Layer |
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132 | (1) |
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133 | (1) |
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134 | (1) |
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135 | (1) |
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Making a Simple Composite |
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136 | (4) |
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Four MORE Important Layers Techniques |
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140 | (3) |
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Chapter 06 Making Selections |
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143 | (26) |
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Having Photoshop Select Things for You |
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144 | (2) |
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Having Photoshop Select the Sky for You |
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146 | (2) |
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Selecting Objects by Just Pointing |
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148 | (2) |
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Manual Selections: Rectangular or Round Areas |
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150 | (2) |
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Selecting by Color and Tone with the Magic Wand Tool |
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152 | (2) |
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Softening the Edges of Your Selections |
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154 | (2) |
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Quick & Easy Selections with the Quick Selection Tool |
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156 | (1) |
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157 | (1) |
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Selecting Hair Like a Boss! |
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158 | (6) |
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Selecting by Color (or by Highlights or Shadows) |
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164 | (2) |
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Removing a White Background Behind a Logo |
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166 | (3) |
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Chapter 07 Black & White, Duotones & More |
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169 | (24) |
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Apply a "Look" Using Creative Profiles |
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170 | (2) |
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Instant Black & White Conversion |
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172 | (2) |
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Converting to Black and White |
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174 | (4) |
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Quadtoning for Richer Black-and-Whites |
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178 | (2) |
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180 | (4) |
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184 | (1) |
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Colorizing a B&W Photo (Using a Neural Filter) |
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185 | (1) |
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The Hidden Photographic Toning Looks |
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186 | (2) |
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Fashion Toning Using LUTs |
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188 | (2) |
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Creating Your Own Custom Presets |
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190 | (3) |
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Chapter 08 Cropping & Resizing |
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193 | (28) |
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194 | (4) |
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198 | (2) |
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Creating Your Own Custom Crop Tools |
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200 | (2) |
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Custom Sizes for Photographers |
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202 | (2) |
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204 | (4) |
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Making Really Big Enlargements |
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208 | (2) |
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Resizing and Saving a Bunch of Images the Automated Way |
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210 | (2) |
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Two Quick Ways to Straighten Crooked Photos |
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212 | (2) |
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Resizing an Image You Moved to a Different Document |
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214 | (3) |
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Making Your Image a Specific Size Without Stretching or Otherwise Destroying It |
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217 | (4) |
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Chapter 09 Retouching Portraits |
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221 | (40) |
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222 | (2) |
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224 | (6) |
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230 | (1) |
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Contouring the Face by Dodging & Burning |
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231 | (5) |
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236 | (2) |
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238 | (2) |
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240 | (1) |
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241 | (2) |
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Fixing a Closed or Lazy Eye |
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243 | (2) |
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Dealing with Deep-Set Eye Sockets |
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245 | (2) |
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247 | (1) |
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248 | (1) |
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249 | (1) |
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Using Liquify to Reshape, Push, and Pull |
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250 | (6) |
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Adjusting Facial Features Using AI |
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256 | (5) |
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Chapter 10 Removing Distracting Stuff |
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261 | (28) |
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Getting Rid of Reflections in Glasses |
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262 | (4) |
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266 | (2) |
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Removing Simple Stuff Using Content-Aware Fill |
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268 | (2) |
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When Content-Aware Fill Needs Help |
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270 | (4) |
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Removing Telephone Poles, Wires, and Power Lines |
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274 | (4) |
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Removing Bigger Stuff Using the Patch Tool |
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278 | (2) |
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280 | (2) |
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Flipping Things to Hide Stuff |
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282 | (3) |
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If Healing Doesn't Work, Clone Over It |
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285 | (1) |
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286 | (3) |
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Chapter 11 Photoshop Effects |
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289 | (42) |
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290 | (2) |
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292 | (4) |
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Turning On the Lights Early |
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296 | (2) |
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298 | (2) |
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Adding a Background Light |
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300 | (2) |
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Adding Drama with a Spotlight |
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302 | (2) |
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Adding Texture to Portrait Backgrounds |
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304 | (2) |
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306 | (4) |
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Creating a Single Light Beam |
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310 | (1) |
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Blurring the Background Behind Your Subject |
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311 | (1) |
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312 | (2) |
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314 | (4) |
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Black & White Fine Art Architectural Look |
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318 | (6) |
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324 | (2) |
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326 | (2) |
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Creating Wet Streets & Cobblestones |
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328 | (1) |
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329 | (2) |
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Chapter 12 Sharpening Techniques |
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331 | (21) |
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The Three Stages of Sharpening |
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332 | (2) |
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If You Shoot in RAW, Sharpening Starts in Camera Raw |
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334 | (2) |
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336 | (4) |
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Output Sharpening (or Main Sharpening) |
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340 | (6) |
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The Other Way We Do Output Sharpening |
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346 | (1) |
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347 | (1) |
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Smarter Sharpening Using Smart Sharpen |
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348 | (2) |
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Mega Sharpening (AKA: High Pass Sharpening) |
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350 | (2) |
| Index |
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352 | |
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