Getting Started |
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1 | (7) |
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About Classroom in a Book |
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1 | (1) |
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2 | (1) |
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Installing Adobe Premiere Pro CS6 |
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2 | (1) |
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Adobe Premiere Pro CS6 trial |
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2 | (1) |
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2 | (1) |
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3 | (1) |
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Relinking the lesson files |
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4 | (1) |
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4 | (1) |
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4 | (2) |
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6 | (1) |
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6 | (2) |
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1 Touring Adobe Premiere Pro CS6 |
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8 | (16) |
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10 | (1) |
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Nonlinear editing in Adobe Premiere Pro |
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10 | (3) |
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13 | (3) |
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Touring the Adobe Premiere Pro interface |
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16 | (8) |
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24 | (24) |
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26 | (1) |
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27 | (9) |
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36 | (12) |
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48 | (26) |
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50 | (1) |
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50 | (4) |
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Working with the Media Browser |
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54 | (4) |
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58 | (6) |
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64 | (2) |
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66 | (8) |
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74 | (26) |
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76 | (1) |
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76 | (6) |
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82 | (7) |
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Organizing media with content analysis |
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89 | (2) |
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91 | (5) |
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96 | (4) |
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5 Essentials of Video Editing |
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100 | (26) |
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102 | (1) |
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102 | (7) |
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109 | (7) |
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Essential editing commands |
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116 | (10) |
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6 Working With Clips and Markers |
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126 | (24) |
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128 | (1) |
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128 | (5) |
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133 | (2) |
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135 | (5) |
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Using Sync Lock and Track Lock |
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140 | (1) |
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Finding gaps in the Timeline |
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141 | (3) |
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144 | (2) |
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Extracting and deleting segments |
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146 | (4) |
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150 | (20) |
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152 | (1) |
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152 | (2) |
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154 | (1) |
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155 | (6) |
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Using A/B mode to fine-tune a transition |
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161 | (5) |
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166 | (4) |
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8 Advanced Editing Techniques |
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170 | (34) |
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172 | (1) |
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172 | (2) |
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174 | (6) |
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Replacing clips and footage |
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180 | (5) |
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185 | (3) |
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188 | (1) |
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189 | (7) |
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Trimming in the Program Monitor panel |
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196 | (8) |
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9 Putting Clips in Motion |
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204 | (26) |
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206 | (1) |
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Adjusting the Motion effect |
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206 | (5) |
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Changing clip position, size, and rotation |
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211 | (7) |
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Working with keyframe interpolation |
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218 | (4) |
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Using other motion-related effects |
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222 | (8) |
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230 | (14) |
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232 | (1) |
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233 | (1) |
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Creating a multicamera sequence |
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234 | (4) |
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Switching multiple cameras |
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238 | (2) |
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Finalizing multicamera editing |
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240 | (2) |
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Additional multicamera editing tips |
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242 | (2) |
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11 Editing and Mixing Audio |
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244 | (24) |
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246 | (1) |
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Setting up the interface to work with audio |
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247 | (5) |
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Examining audio characteristics |
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252 | (2) |
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254 | (2) |
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256 | (1) |
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257 | (2) |
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259 | (1) |
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Adjusting audio levels in a sequence |
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260 | (4) |
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Working with the Audio Mixer |
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264 | (4) |
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268 | (26) |
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270 | (1) |
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Sweetening sound with audio effects |
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271 | (4) |
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275 | (4) |
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Applying effects in the Audio Mixer |
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279 | (7) |
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286 | (8) |
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294 | (32) |
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296 | (1) |
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296 | (15) |
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311 | (4) |
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315 | (3) |
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318 | (8) |
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14 Color Correction and Grading |
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326 | (32) |
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328 | (1) |
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328 | (12) |
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An overview of color-oriented effects |
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340 | (4) |
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344 | (3) |
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347 | (6) |
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353 | (2) |
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355 | (3) |
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15 Exploring Compositing Techniques |
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358 | (22) |
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360 | (1) |
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What is an alpha channel? |
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361 | (1) |
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Using compositing in your projects |
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362 | (2) |
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Working with the Opacity effect |
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364 | (2) |
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Working with alpha-channel transparencies |
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366 | (2) |
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Color keying a greenscreen shot |
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368 | (3) |
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371 | (9) |
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380 | (36) |
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382 | (1) |
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An overview of the Titler window |
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382 | (5) |
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Video typography essentials |
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387 | (5) |
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392 | (5) |
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397 | (5) |
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Working with shapes and logos |
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402 | (6) |
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Making text roll and crawl |
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408 | (8) |
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17 Managing Your Projects |
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416 | (12) |
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418 | (1) |
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419 | (2) |
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Using the Project Manager |
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421 | (3) |
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Final project management steps |
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424 | (1) |
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Importing projects or sequences |
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424 | (1) |
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425 | (1) |
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Managing your hard drives |
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425 | (3) |
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18 Exporting Frames, Clips, and Sequences |
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428 | (24) |
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430 | (1) |
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Overview of export options |
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430 | (1) |
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431 | (2) |
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433 | (2) |
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Working with Adobe Media Encoder |
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435 | (8) |
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Exchanging with other editing applications |
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443 | (3) |
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446 | (6) |
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19 Authoring DVDS with Adobe Encore |
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A PDF of this chapter is available on the companion disc |
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Index |
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452 | |