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E-grāmata: Advertising and Consumer Society: A Critical Introduction 2nd edition [Taylor & Francis e-book]

(Massey University, New Zealand)
  • Formāts: 224 pages, 2 Halftones, black and white; 2 Illustrations, black and white
  • Izdošanas datums: 03-Apr-2023
  • Izdevniecība: Routledge
  • ISBN-13: 9781003253037
  • Taylor & Francis e-book
  • Cena: 142,30 €*
  • * this price gives unlimited concurrent access for unlimited time
  • Standarta cena: 203,28 €
  • Ietaupiet 30%
  • Formāts: 224 pages, 2 Halftones, black and white; 2 Illustrations, black and white
  • Izdošanas datums: 03-Apr-2023
  • Izdevniecība: Routledge
  • ISBN-13: 9781003253037

This critical introductory text explores the role of advertising in contemporary culture and its connections to larger economic, social and political forces.



This critical introductory text explores the role of advertising in contemporary culture and its connections to larger economic, social, and political forces. Written in an engaging and accessible style and incorporating a wide range of examples from around the world, the chapters introduce the key concepts, methods, and debates needed to analyse and understand advertising.

From an investigation of advertising’s crucial function in media economics and our wider capitalist system to a consideration of the people who both make and watch advertising, this insightful text enables students to: make sense of advertising’s powerful influence as both an economic force and an artistic form; assess the various claims of these two perspectives on advertising; and understand how they challenge and complicate one another. This revised second edition includes a new chapter on branding and promotional culture, and substantially updated content on topics like digital and online advertising, surveillance and empowerment, as well as brand new topics like self-branding/influencers and using technology to evade advertising.

Equipping students with the skills needed to partake in this lively discourse, the text is an invaluable resource for studying advertising critically. It is essential reading for students of advertising, media studies and communication studies.

Acknowledgements x
Preface to the Second Edition xi
PART I The foundations of studying advertising
1(60)
1 Introduction: why study advertising?
3(12)
Why study advertising?
4(6)
What this book is about
10(4)
References
14(1)
2 The history of advertising: contexts, transformations, and continuity
15(20)
Four moments in advertising history
16(1)
The first moment: origins, industrialisation, and development
17(3)
The second moment: professionalisation, consolidation, and redemption
20(4)
The third moment: hidden persuaders and creative revolutionaries
24(3)
The fourth moment: digital advertising, algorithms, and social media
27(4)
The changing nature of advertising
31(2)
References
33(2)
3 Analysing advertisements: form, semiotics, and ideology
35(26)
Advertising contexts, codes, and conventions
36(8)
Semiotic analysis of advertising
44(7)
Mythology and ideology
51(4)
Conducting an ideological analysis
55(3)
Careful reading
58(1)
References
59(2)
PART II Advertising and capitalism
61(84)
4 Advertising, economics, and ideology
63(22)
What is capitalism?
63(3)
What is political economy?
66(3)
What is ideology?
69(4)
Capitalist ideology in practice
73(4)
Selling capitalist realism
77(5)
From economics to ideology to advertising
82(1)
References
83(2)
5 Commodities and commodity fetishism
85(19)
What is a commodity?
87(5)
Commodity fetishism and the relations of consumption
92(4)
The magic system
96(3)
The power of Dove
99(2)
The life cycle of the commodity
101(1)
References
102(2)
6 The audience commodity, media fragmentation, and data surveillance
104(21)
The audience as commodity
105(5)
Maximising profit
110(6)
Personalisation, surveillance, and online labour
116(7)
References
123(2)
7 Blurred lines: branding, promotion, and influence(rs)
125(20)
From brands to commodity-signs
126(6)
Social media self-branding and influencers
132(4)
Promotional society and collapsing boundaries
136(5)
References
141(4)
PART III Agency, art, and other complications
145(75)
8 Advertising agencies: organisation, agency, and internal conflict
147(19)
Advertising's agency and advertising agencies
148(5)
Agencies in a changing industry
153(2)
The people who make advertisements
155(5)
Ambiguity and antagonism in the agency
160(3)
References
163(3)
9 Advertising as art: from creativity to critique
166(21)
Advertising and "creativity"
167(4)
Advertising and art
171(6)
Advertising as art
177(2)
Advertising aesthetics
179(4)
The future of advertising as art
183(1)
References
184(3)
10 Active advertising audiences: identity, engagement, and resistance
187(21)
The active advertising audience
188(3)
Identities and communities
191(6)
Active audiences online
197(4)
Avoiding and resisting advertising
201(5)
References
206(2)
11 The politics of advertising: capitalism, art, agency, and dialectics
208(12)
Some may buy it, I'm not paying the price
208(2)
The politics of capitalism
210(2)
The politics of agency and art
212(3)
The dialectic of advertising
215(5)
References 220(1)
Index 221
Nicholas Holm is a Senior Lecturer in Media Studies based on the Wellington campus of Massey University, New Zealand, where he teaches courses in popular culture, advertising, and communication. His research explores the political role of popular culture and entertainment media, with a particular focus on humour and comedy. He is the author of Humour as Politics (Palgrave 2016).