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Aesthetics of Equity: Notes on Race, Space, Architecture, and Music [Mīkstie vāki]

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  • Formāts: Paperback / softback, 256 pages, height x width x depth: 203x152x18 mm
  • Izdošanas datums: 01-Oct-2007
  • Izdevniecība: University of Minnesota Press
  • ISBN-10: 0816646619
  • ISBN-13: 9780816646616
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  • Cena: 27,40 €
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  • Formāts: Paperback / softback, 256 pages, height x width x depth: 203x152x18 mm
  • Izdošanas datums: 01-Oct-2007
  • Izdevniecība: University of Minnesota Press
  • ISBN-10: 0816646619
  • ISBN-13: 9780816646616
Citas grāmatas par šo tēmu:
Wilkins (architecture and urban planning, U. of Michigan) points out that the corpus of American architecture fails to represent specific cultural movements that reflect the diversity of the US experience and society; further, the practice continues to resist involvement by African Americans. He uses an interdisciplinary approach to examine from many angles the ways in which the US perceives architecture as a noun, in terms of the relations between space and place, disciple and person, architecture and thing, to deconstruct the ideas behind architecture in the US and to evaluate how the built environment reflects ideologies and how they are formed, transmitted and embedded. He then evaluates architecture as a verb, contrasting space and action, discipline and state, and architecture and motion to develop practical solutions to propose a new architecture that acknowledges past failings and seeks to meet the needs of all US cultures. Annotation ©2008 Book News, Inc., Portland, OR (booknews.com)

Architecture is often thought to be a diary of a society, filled with symbolic representations of specific cultural moments. However, as Craig L. Wilkins observes, that diary includes far too few narratives of the diverse cultures in U.S. society. Wilkins states that the discipline of architecture has a resistance to African Americans at every level, from the startlingly small number of architecture students to the paltry number of registered architects in the United States today.
 
Working to understand how ideologies are formed, transmitted, and embedded in the built environment, Wilkins deconstructs how the marginalization of African Americans is authorized within the field of architecture. He then outlines how activist forms of expression shape and sustain communities, fashioning an architectural theory around the site of environmental conflict constructed by hip-hop culture.
 
Wilkins places his concerns in a historical context, and also offers practical solutions to address them. In doing so, he reveals new possibilities for an architecture that acknowledges its current shortcomings and replies to the needs of multicultural constituencies.
 
Craig L. Wilkins, a registered architect, teaches architecture and urban planning at the University of Michigan.
Preface xi
Acknowledgments xiii
On the Organization of This Book xv
Part I. Architecture as a Noun
Space---Place
3(27)
Discipline---Person
30(32)
Architecture---Thing
62(35)
Precis
91(6)
Part II. Architecture as a Verb
Space---Action
97(19)
Discipline---State
116(37)
Architecture---Motion
153(60)
Precis
204(9)
Notes 213(54)
Index 267