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Aesthetics and Neuroscience: Scientific and Artistic Perspectives 1st ed. 2016 [Hardback]

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  • Formāts: Hardback, 311 pages, height x width: 235x155 mm, weight: 6151 g, 82 Illustrations, black and white; XIII, 311 p. 82 illus., 1 Hardback
  • Izdošanas datums: 15-Dec-2016
  • Izdevniecība: Springer International Publishing AG
  • ISBN-10: 3319462326
  • ISBN-13: 9783319462325
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  • Formāts: Hardback, 311 pages, height x width: 235x155 mm, weight: 6151 g, 82 Illustrations, black and white; XIII, 311 p. 82 illus., 1 Hardback
  • Izdošanas datums: 15-Dec-2016
  • Izdevniecība: Springer International Publishing AG
  • ISBN-10: 3319462326
  • ISBN-13: 9783319462325
Citas grāmatas par šo tēmu:

This edited monograph provides a compelling analysis of the interplay between neuroscience and aesthetics. The book broaches a wide spectrum of topics including, but not limited to, mathematics and creator algorithms, neurosciences of artistic creativity, paintings and dynamical systems as well as computational research for architecture. The international authorship is genuinely interdisciplinary and the target audience primarily comprises readers interested in transdisciplinary research between neuroscience and the broad field of aesthetics. 

Part I Neuroscience of Creativity
The Vestibular System and Artistic Painting: A Theoretical Framework for the Study of Multi-modal Interactions in Aesthetic Experience of Painting and Painting Viewing
3(16)
Alain Londero
Didier Bouccara
Herve Bozec
Heuraesthesia: When Synaesthesia Fertilizes the Mind
19(12)
Vincent Mignerot
Dyslexia, Education and Creativity, a Cross-Cultural Study
31(14)
Zoi Kapoula
Marine Vernet
Part II Neurophysiology of the Artworks' Observer
The Theatrical Stage Setting: A Tool for Neuropsychology and Cognitive Neuroscience
45(10)
Yannick Bressan
Aesthetic Impact of Anthropomorphic Figures in Art: The Case of Facial Expressions
55(26)
Amel Achour Benallegue
Jerome Pelletier
Gwenael Kaminski
How Art and Neuroscience Fell for Each Other
81(12)
Marine Vernet
Part III Understanding and Enhancing Art Experiences
Spectating Myriam Gourfink's Dances; Transdisciplinary Explorations
93(24)
Coline Joufflineau
Asaf Bachrach
Interactive Experiences Shape the Perception of an Artistic Performance: Evidence from Eye Movements and Physiological Measures
117(14)
Solene Kalenine
Variations in Visual Exploration and Physiological Reactions During Art Perception When Children Visit the Museum with a Mobile Electronic Guide
131(10)
Laurent Sparrow
Part IV Training and Teaching Through Art and Neuroscience
Steps Towards the Art of Placing Science in the Acting Practice. A Performance-Neuroscience Perspective
141(24)
Daria Lippi
Corinne Jola
Victor Jacono
Gabriele Sofia
Art, Mathematics, Pedagogy
165(8)
Claude Paul Bruter
Percepts & Parameters, a Prospective Approach of Architectural Materiality
173(26)
Eglantine Bigot-Doll
Part V Neuroscientific Inspiration for Artists
Paintings as Complex Dynamic Systems
199(14)
Sophie Lavaud-Forest
Time: Active or Passive
213(12)
Olga Kisseleva
Claire Leroux
"The Experiencing Body", for a Combination of Movements
225(32)
Pascale Weber
Jean Delsaux
Part VI Modeling and Naturalizing Aesthetics
An Introduction on Formal and Computational Models in Popular Music Analysis and Generation
257(14)
Moreno Andreatta
Gilles Baroin
The Evolution of Aesthetics: A Review of Models
271(30)
Julien P. Renoult
Philosophical Aesthetics and Neuroaesthetics: A Common Future?
301
Bruno Trentini