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E-grāmata: Aesthetics and subjectivity

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  • Formāts: 360 pages
  • Izdošanas datums: 19-Jul-2013
  • Izdevniecība: Manchester University Press
  • Valoda: eng
  • ISBN-13: 9781847795120
  • Formāts - EPUB+DRM
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  • Formāts: 360 pages
  • Izdošanas datums: 19-Jul-2013
  • Izdevniecība: Manchester University Press
  • Valoda: eng
  • ISBN-13: 9781847795120

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New, completely revised and re-written edition. Offers a detailed but accessible account of the vital German philosophical tradition of thinking about art and the self. Looks at recent historical research and contemporary arguments in philosophy and theory in the humanities, following the path of German philosophy from Kant, via Fichte and Holderlin, the early Romantics, Schelling, Hegel, Schleiermacher, to Nietzsche. Develops the approaches to subjectivity, aesthetics, music and language in relation to new theoretical developments bridging the divide between the continental and analytical traditions of philosophy. The huge growth of interest in German philosophy as a resource for re-thinking both literary and cultural theory, and contemporary philosophy will make this an indispensable read.

An electronic edition of this book is freely available under a Creative Commons (CC BY-NC-ND) licence. -- .
Preface to the second edition vii
Introduction 1(1)
Aesthetics and modernity
1(7)
Aesthetics and `postmodernity'
8(8)
Modern philosophy and the emergence of aesthetic theory: Kant
16(33)
Self-consciousness, knowledge and freedom
16(3)
The unity of the subject
19(5)
The unification of nature
24(8)
The purpose of beauty
32(9)
The limits of beauty
41(8)
German Idealism and early German Romanticism
49(20)
Thinking the infinite
49(6)
A `new mythology'
55(8)
Early Romantic `new mythology'
63(6)
Reflections on the subject: Fichte, Holderlin and Novalis
69(33)
Self and Other
69(1)
Fichte
70(12)
Holderlin
82(6)
Novalis
88(14)
Schelling: art as the `organ of philosophy'
102(38)
Nature and philosophy
102(6)
The development of consciousness
108(5)
Intuition and concept
113(4)
The `organ of philosophy'
117(7)
Mythology, art and modernity
124(3)
Mythology, language and being
127(13)
Hegel: the beginning of aesthetic theory and the end of art
140(43)
Which Hegel?
140(7)
Self-recognition
147(5)
Music and the Idea
152(8)
Language, consciousness and being
160(6)
The Idea as sensuous appearance
166(9)
The prose of the modern world
175(3)
Philosophy and art after Hegel
178(5)
Schleiermacher: art and interpretation
183(38)
Linguistic turns
183(2)
The `art of disagreement'
185(11)
Immediate self-consciousness
196(4)
Art as free production: `individual' and `identical' activity
200(3)
Hermeneutics as art
203(6)
Literature and the `musical'
209(12)
Music, language and literature
221(37)
Language and music
221(6)
Hegel and Romanticism: music, logos and feeling
227(11)
The `presence' of music
238(7)
`Infinite reflection' and music
245(13)
Nietzsche and the fate of Romantic thought
258(54)
The old and the new Nietzsches
258(3)
Schopenhauer: music as metaphysics
261(9)
Marx, mythology and art
270(5)
Art, myth and music in `The Birth of Tragedy'
275(9)
Myth, music and language
284(5)
The illusion of truth
289(3)
Music and metaphysics
292(8)
Aesthetics, `interpretation' and subjectivity
300(12)
Conclusion 312(22)
Appendix: the so-called `Oldest System Programme of German Idealism' (1796) 334(2)
References 336(6)
Index 342


Andrew Bowie is Chair of German at Royal Holloway University of London -- .