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E-grāmata: African Theatre 11: Festivals

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  • Formāts: 172 pages
  • Sērija : African Theatre
  • Izdošanas datums: 15-Nov-2012
  • Izdevniecība: James Currey
  • Valoda: eng
  • ISBN-13: 9781782040477
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  • Formāts: 172 pages
  • Sērija : African Theatre
  • Izdošanas datums: 15-Nov-2012
  • Izdevniecība: James Currey
  • Valoda: eng
  • ISBN-13: 9781782040477
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Contributors examine how international theatre festivals have been organised and how they have affected the evolution of sustainable theatre.

During the last fifty years, large sums of money, huge resources of labour and vast amounts of creative energy have been invested in international theatre festivals in Africa. Under banners such as 'Reclaiming the African Past' and 'African Renaissance', the festival participants have used the performing arts to address a variety of topical issues and to confront images embedded by a century of patronising colonial expositions. The themes indicate the desire to take history by the forelock, challenge perceptions and transform communities.

Volume Editor: JAMES GIBBS

Series Editors: Martin Banham, Emeritus Professor of Drama & Theatre Studies, University of Leeds; James Gibbs, Senior Visiting Research Fellow, University of the West of England; Femi Osofisan, Professor of Drama at the University of Ibadan; Jane Plastow, Professor of African Theatre, University of Leeds; Yvette Hutchison, Associate Professor, Department of Theatre & Performance Studies, University of Warwick
Notes on Contributors vii
Obituary of Efo Kodjo Mawugbe ix
Introduction xi
James Gibbs
Festivals as a Strategy for the Development of Theatre in Zimbabwe 1980-2010
1(13)
Robert Mshengu Kavanagh
The Legacy of Festac '77 The challenge of the Nigerian National Theatre at Iganmu
14(8)
Ahmed Yerima
Festac, Month by Month & Soyinka's Involvement
22(6)
James Gibbs
The Dakar Festivals of 1966 & 2010
28(2)
Yatma Dieye
African Renaissance between Rhetoric & the Aesthetics of Extravagance FESMAN 2010 - Entrapped in Textuality
30(9)
Amy Niang
Theatre Programme for FESMAN & Commentary
39(6)
James Gibbs
The Pan-African Historical Theatre Festival (PANAFEST) in Ghana, 1992-2010 The vision & the reality
45(11)
Victor K. Yankah
PANAFEST through the Headlines An annotated bibliography
56(12)
James Gibbs
International Festivals & Transnational Theatre Circuits in Egypt, 1988-2010 Ambassadors of no nation
68(7)
Sonali Pahwa
The Jos Theatre Festival 2004-2011 A theatre festival in a divided community
75(14)
Patrick-Jude Oteh
The Grahamstown Festival & the Making of a Dramatist
89(11)
Andrew Buckl
James Gibbs
Playscript
Prison Graduates Efo Kodjo Mawugbe with a review of a performance by James Gibbs
100(40)
Book Reviews
Peter Thomson on Bernth Lindfors, Ira Aldridge, Vol. 1, The Early Years, 1807-1833, & Vol.2, The Vagabond Years, 1833-1852
140(2)
Christine Matzke on Austin Asagba (ed.), Cross-Currents in African Theatre and Theatre & Minority Rights: Perspectives on the Niger
142(3)
Martin Banham on Michael Etherton & John Reed, Chikwakwa Remembered. Theatre & Politics in Zambia, 1968-1972
145(2)
Yvette Hutchison on Kene Igweonu (ed.), Foreword by Temple Hauptfleisch, Trends in Twenty-First Century African Theatre & Performance
147(4)
Osita Okagbue on Austin Ovigue Asagba (ed.), Sam Ukala: His Work at Sixty, and Duro Oni & Sola Adeyemi, (eds), Developments in the Theory & Practice of Contemporary Nigerian Drama & Theatre: A Festschrift in Honour of Dapo Adelugba
151(3)
Jane Plastow on Barclays Ayakoroma, Dance on his Grave & A Matter of Honour, Greg Mbajiorgu, Wake Up Everyone, & Jonathan Desen Mbachaga, Widow's Might
154
Femi Osofisan is an internationally lauded playwright, scholar, poet, novelist, actor, director, songwriter, and activist and Professor Emeritus of Theatre Arts at the University of Ibadan. Osofisan was awarded the Thalia Prize in 2016. He has published five novellas, six volumes of poetry, and more than 50 plays.