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After Impressionism: Inventing Modern Art [Hardback]

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  • Formāts: Hardback, 272 pages, height x width: 279x241 mm, 150 color illus.
  • Izdošanas datums: 25-Apr-2023
  • Izdevniecība: National Gallery Company Ltd
  • ISBN-10: 1857096959
  • ISBN-13: 9781857096958
  • Hardback
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  • Formāts: Hardback, 272 pages, height x width: 279x241 mm, 150 color illus.
  • Izdošanas datums: 25-Apr-2023
  • Izdevniecība: National Gallery Company Ltd
  • ISBN-10: 1857096959
  • ISBN-13: 9781857096958
Through the 1880s the very essence of representation, meaning and process in Western art were profoundly interrogated. Plausible representations of the external world were cast aside in favour of non-naturalism expressed in varying degrees, from modest distortions of reality to pure abstraction.

The decades that followed, up to the outbreak of the First World War in 1914, were a complex, vibrant period of artistic questioning, searching, risk-taking and innovation. Concentrating on this period of great upheaval, this book will explore the constructive dialogue between painting and sculpture, and the influential roles played by three giants of the era, Paul Cézanne, Paul Gauguin and Vincent van Gogh, across European art as a whole. While acknowledging the centrality of Paris as a cultural capital, it will also uniquely highlight other centres of artistic ferment in Europe, from Brussels and Barcelona to Berlin and Vienna, and track the variety of routes into modernism in the early twentieth century.

This fully illustrated catalogue will contain four essays, introductions to each city of ferment and biographies of the artists.

Published by National Gallery Global/Distributed by Yale University Press

Exhibition Schedule: The National Gallery, London 25 March13 August 2023
Director's Foreword 1(59)
After Impressionism: Inventing Modern Art
8(14)
Maryanne Stevens
A Volcanic Crater: The Entanglement of Avant-garde Art and Literature, 1886--1914
22(8)
Christopher Riopelle
`Je ne suis homme, ni femme, je suis moi': Women Artists of the Avant-garde, 1900--14
30(10)
Maria Alambritis
Appropriating the `Primitive': Modernism's Debt to Non-Western Art
40(10)
Julien Domercq
On the Periphery? British Artists and the European Avant-garde, 1886--1914
50(10)
Charlotte De Mille
1 Paris
60(68)
Maryanne Stevens
2 Brussels
128(16)
Maryanne Stevens
3 Barcelona
144(18)
Daniel Sobrino Ralston
4 Berlin
162(22)
Camilla Smith
5 Vienna
184(10)
Sabine Wieber
6 New Terrains
194(42)
John Milner
Artists' Biographies 236(11)
Authors' Biographies 247(1)
List Of Works 248(7)
Bibliography 255(9)
Acknowledgements 264(1)
List Of Lenders 265(1)
Credits 266(1)
Index 267