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E-grāmata: After Representation?: The Holocaust, Literature, and Culture

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  • Formāts: PDF+DRM
  • Izdošanas datums: 11-Nov-2009
  • Izdevniecība: Rutgers University Press
  • Valoda: eng
  • ISBN-13: 9780813548159
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After Representation?: The Holocaust, Literature, and CulturePalielināt
  • Formāts: PDF+DRM
  • Izdošanas datums: 11-Nov-2009
  • Izdevniecība: Rutgers University Press
  • Valoda: eng
  • ISBN-13: 9780813548159
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After Representation? explores one of the major issues in Holocaust studiesùthe intersection of memory and ethics in artistic expression, particularly within literature.

As experts in the study of literature and culture, the scholars in this collection examine the shifting cultural contexts for Holocaust representation and reveal how writersùwhether they write as witnesses to the Holocaust or at an imaginative distance from the Nazi genocideùarticulate the shadowy borderline between fact and fiction, between event and expression, and between the condition of life endured in atrocity and the hope of a meaningful existence. What imaginative literature brings to the study of the Holocaust is an ability to test the limits of language and its conventions. After Representation? moves beyond the suspicion of representation and explores the changing meaning of the Holocaust for different generations, audiences, and contexts.

Recenzijas

"A provocative and engaging volume." (Holocaust and Genocide Studies) "Bringing together some of the best known thinkers in the field of Holocaust literary studies, this volume will quickly become required reading for advanced undergraduates, graduate students and scholars of the Shoah." - Irene Kacandes (co-editor of Teaching the Representation of the Holocaust)

Preface ix
Introduction: On the Cultural Continuities of Literary Representation 1(24)
R. Clifton Spargo
PART ONE Is the Holocaust Still to Be Written?
The Holocaust, History Writing, and the Role of Fiction
25(16)
Geoffrey Hartman
Nostalgia and the Holocaust
41(18)
Sara R. Horowitz
Death in Language: From Mado's Mourning to the Act of Writing
59(16)
Petra Schweitzer
Oskar Rosenfeld and Historiographic Realism (including Sex, Shit, and Status)
75(14)
Berel Lang
PART TWO A Question for Aesthetics?
Nazi Aesthetics in Historical Context
89(10)
James E. Young
Writing Ruins: The Anachronistic Aesthetics of Andre Schwarz-Bart
99(20)
Michael Rothberg
``If I forget thee, O Jerusalem'': The Poetry of Forgetful Memory in Israel and Palestine
119(18)
Michael Bernard-Donals
PART THREE How Does Culture Influence Memory?
The Holocaust and the Economy of Memory, from Bellow to Morrison (The Technique of Figurative Allegory)
137(42)
R. Clifton Spargo
``And in the Distance You Hear Music, a Band Playing'': Reflections on Chaos and Order in Literature and Testimony
179(11)
Sidney Bolkosky
Reading Heart of Darkness after the Holocaust
190(20)
Robert Eaglestone
Theorizing the Perpetrator in Bernhard Schlink's The Reader and Martin Amis's Time's Arrow
210(21)
Erin McGlothlin
Contributors' Biographies 231(4)
Index 235
R. Clifton Spargo is an associate professor of English at Marquette University. He is the author of Vigilant Memory: Emmanuel Levinas, the Holocaust, and the Unjust Death and The Ethics of Mourning: Grief and Responsibility in Elegiac Literature.

Robert M. Ehrenreich is the director of the university programs division of the Center for Advanced Holocaust Studies at the U.S. Holocaust Memorial Museum.
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