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Afterlives of Eighteenth-Century Fiction [Hardback]

Edited by (University of Dundee), Edited by (Keele University)
  • Formāts: Hardback, 316 pages, height x width x depth: 229x152x19 mm, weight: 590 g, 3 Halftones, unspecified; 3 Halftones, black and white
  • Izdošanas datums: 29-Sep-2015
  • Izdevniecība: Cambridge University Press
  • ISBN-10: 1107054680
  • ISBN-13: 9781107054684
  • Hardback
  • Cena: 126,24 €
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  • Formāts: Hardback, 316 pages, height x width x depth: 229x152x19 mm, weight: 590 g, 3 Halftones, unspecified; 3 Halftones, black and white
  • Izdošanas datums: 29-Sep-2015
  • Izdevniecība: Cambridge University Press
  • ISBN-10: 1107054680
  • ISBN-13: 9781107054684
"The Afterlives of Eighteenth-Century Fiction probes the adaptation and appropriation of a wide range of canonical and lesser-known British and Irish novels in the long eighteenth century, from the period of Daniel Defoe and Eliza Haywood through to thatof Jane Austen and Walter Scott. Major authors, including Jonathan Swift, Samuel Richardson, Henry Fielding and Laurence Sterne, are discussed alongside writers such as Sarah Fielding and Ann Radcliffe, whose literary significance is now increasingly being recognised. By uncovering this neglected aspect of the reception of eighteenth-century fiction, this new collection contributes to developing our understanding of the form of the early novel, its place in a broader culture of entertainment then and now, and its interactions with a host of other genres and media, including theatre, opera, poetry, print caricatures and film"--

Recenzijas

'The essays, which are substantially footnoted and usefully cross-referenced, are of a consistently high standard. Cook, Seager and their contributors are to be commended for helping to shape the field as well as extending it through this significant new body of research.' Shaun Regan, The Review of English Studies ' The Afterlives of Eighteenth-Century Fiction succeeds precisely because 'afterlife' is a term practical and versatile enough to unite a range of learned and engaging case studies. Whether or not 'afterlife' supplants related words such as 'adaptation', 'reception', 'intertextuality', or plain old 'literary history', this volume stands as a valuable reminder of the cultural fecundity of eighteenth-century fiction and of the fascinating range of things that can happen to texts.' Jacob Sider Jost, Eighteenth-Century Fiction 'By showing how a multiplicity of genres proliferated and intermingled with one another, The Afterlives of Eighteenth-Century Fiction interrogates the rise-of-the-novel tradition and challenges considerations of the eighteenth century as a time preoccupied with definitions of originality. This wide-ranging collection will be useful for beginning and established scholars of the long eighteenth century. Moreover, the case studies contained within its pages, touching on nineteenth-, twentieth-, and twenty-first century remixes of eighteenth-century texts, demonstrate that the expansive eighteenth-century canon is adapted continually in works of literature and on stage and screen.' Jill Kirsten Anderson, Papers on Language and Literature ' a timely, accessible and engaging study of adaptations, remediations, reappropriations and other reinterpretations of eighteenth-century novels. As a result, it is of interest to scholars in literary and adaptation studies alike.' Ana Daniela Coelho, English Studies

Papildus informācija

This book explores the adaptation and appropriation of a range of canonical and lesser-known British and Irish novels of the eighteenth century.
List of Illustrations
vii
Notes on Contributors viii
Introduction 1(19)
Daniel Cook
Nicholas Seager
1 On Authorship, Appropriation, and Eighteenth-Century Fiction
20(23)
Daniel Cook
2 The Afterlife of Family Romance
43(29)
Michael McKeon
3 From Picaro to Pirate: Afterlives of the Picaresque in Early Eighteenth-Century Fiction
72(19)
Leah Orr
4 Ghosts of the Guardian in Sir Charles Grandison and Bleak House
91(20)
Sarah Raff
5 The Novel's Afterlife in the Newspaper, 1712--1750
111(22)
Nicholas Seager
6 Wit and Humour for the Heart of Sensibility: The Beauties of Fielding and Sterne
133(20)
M-C. Newbould
7 The Spectral Iamb: The Poetic Afterlife of the Late Eighteenth-Century Novel
153(21)
Dahlia Porter
8 Rethinking Fictionality in the Eighteenth-Century Puppet Theatre
174(19)
David A. Brewer
9 The Novel in the Musical Theatre: Pamela, Caleb Williams, Frankenstein, and Ivanhoe
193(19)
Michael Burden
10 Gillray's Gulliver and the 1803 Invasion Scare
212(21)
David Francis Taylor
11 Defoe's Cultural Afterlife, Mainly on Screen
233(20)
Robert Mayer
12 Happiness in Austen's Sense and Sensibility and its Afterlife in Film
253(20)
Jillian Heydt-Stevenson
13 Refashioning The History of England: Jane Austen and 1066 and All That
273(22)
Peter Sabor
Select Bibliography 295(1)
Index 295
Daniel Cook is Lecturer in English at the University of Dundee. He is the author of Thomas Chatterton and Neglected Genius, 17601830 (2013), the editor of The Lives of Jonathan Swift (2011) and the co-editor (with Amy Culley) of Women's Life Writing: Gender, Genre, and Authorship, 17001850 (2012). Daniel has published essays on a range of topics ranging from Pope to Wordsworth in such journals as The Library, Philological Quarterly, and The Review of English Studies. Nicholas Seager is Lecturer in English at Keele University. He has published essays on authors ranging from John Bunyan to Oliver Goldsmith, and in journals including the Modern Language Review, The Library, Philological Quarterly, Eighteenth-Century Fiction, and The Eighteenth-Century Novel. He is the author of The Rise of the Novel: A Reader's Guide to Essential Criticism (2012) and a forthcoming monograph, Daniel Defoe and the History of Fictional Form.