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Age of Electroacoustics: Transforming Science and Sound [Hardback]

(Indian Institute of Technology Madras)
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At the end of the nineteenth century, acoustics was a science of musical sounds; the musically trained ear was the ultimate reference. Just a few decades into the twentieth century, acoustics had undergone a transformation from a scientific field based on the understanding of classical music to one guided by electrical engineering, with industrial and military applications. In this book, Roland Wittje traces this transition, from the late nineteenth-century work of Hermann Helmholtz to the militarized research of World War I and media technology in the 1930s. Wittje shows that physics in the early twentieth century was not only about relativity and atomic structure but encompassed a range of experimental, applied, and industrial research fields. The emergence of technical acoustics and electroacoustics illustrates a scientific field at the intersection of science and technology. Wittje starts with Helmholtzs and Rayleighs work and its intersection with telegraphy and early wireless, and continues with the industrialization of acoustics during World War I, when sound measurement was automated and electrical engineering and radio took over the concept of noise. Researchers no longer appealed to the musically trained ear to understand sound but to the thinking and practices of electrical engineering. Finally, Wittje covers the demilitarization of acoustics during the Weimar Republic and its remilitarization at the beginning of the Third Reich. He shows how technical acoustics fit well with the Nazi dismissal of pure science, representing everything that German Physics under National Socialism should be: experimental, applied, and relevant to the military.
Acknowledgments ix
List of Figures
xi
1 Introduction: A History and Geography of Acoustics
1(26)
1.1 Sound and Acoustics
3(3)
1.2 A Geography of Acoustics: Sound, Space, and Time
6(5)
1.3 Sound and Power: Acoustics as an Imperial Science
11(6)
1.4 Concepts and Significance of Noise in Acoustics
17(1)
1.5 Electroacoustics and Analog Thinking
18(3)
1.6 Transformations of Science and Sound from the Fin de Siecle to the Interwar Years
21(6)
2 The Electrification of Sound: From High Culture to Electropolis
27(40)
2.1 Acoustics in the Age of Empire
27(5)
2.2 Helmholtz's On the Sensations of Tone and Rayleigh's The Theory of Sound
32(9)
2.3 Experimental Psychology and Beyond: From the Physics of Sensation to the Evolution of Music
41(7)
2.4 Electrification of Sound: Electrodynamic Theory, Instruments, and Circuit Design
48(10)
2.5 Electroacoustics in the Electromagnetic Worldview: The Electric Arc as an Experimental System for Oscillation Research
58(9)
3 Science Goes to War: Warfare and the Industrialization of Acoustics
67(48)
3.1 Acoustics in the Chemists' War
67(4)
3.2 Signal and Noise: Sound Detection on the Battlefield
71(30)
3.2.1 Artillery Ranging
72(10)
3.2.2 Locating Aircraft by Sound
82(7)
3.2.3 Underwater Acoustics and U-boat Warfare
89(12)
3.3 The Transformation of Sound Measurement
101(4)
3.4 Wireless and the Rise of Electroacoustics
105(4)
3.5 The Great War and the Transformation of Acoustics
109(6)
4 Between Science and Engineering, Academia and Industry: Acoustics in the Weimar Republic
115(58)
4.1 Acoustics between Science and Engineering
115(6)
4.2 Acoustics at the Technische Hochschule
121(14)
4.2.1 Electroacoustics as Low-Voltage Engineering in Dresden
123(5)
4.2.2 Technical Acoustics as Technische Physik in Munich
128(7)
4.3 Sound Industry: Acoustics Research in Corporate Laboratories
135(22)
4.3.1 Electric Noise: Amplifiers and Loudspeaker Design at Siemens Laboratories
142(8)
4.3.2 Sound Motion Pictures: Acoustics at the AEG Research Institute
150(7)
4.4 Public Research Laboratories
157(12)
4.4.1 The Heinrich-Hertz-Institut fur Schwingungsforschung
158(5)
4.4.2 The Institut fur Schall- und Warmeforschung
163(6)
4.5 Institutions of Technische Akustik in the Weimar Republic
169(4)
5 Acoustics Goes Back to War: Mass Mobilization and Remilitarization of Acoustics Research
173(16)
5.1 A New Sound for a New Time? Acoustics and Nazi Germany
173(2)
5.2 "Technik ist Dienst am Volke"---Acoustics as Ideology
175(3)
5.3 Volksempfanger and Gemeinschaftsempfang
178(2)
5.4 Electroacoustic Amplification of Large Political Rallies
180(4)
5.5 Remilitarization of Acoustics Research
184(5)
6 Conclusion: The New Acoustics
189(26)
6.1 Acoustics as Modern Physics
189(7)
6.2 Topographies of Science and Discipline Building
196(4)
6.3 Sound Measurement
200(2)
6.4 Concepts of Noise and Their Diffusion
202(6)
6.5 Electroacoustics as a New Way of Thinking and Talking about Sound
208(7)
Notes 215(36)
References 251(32)
Name Index 283(6)
Subject Index 289(10)
Series List 299