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E-grāmata: Aldus Manutius: The Invention of the Publisher

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  • Formāts: EPUB+DRM
  • Sērija : Renaissance Lives
  • Izdošanas datums: 15-Jan-2024
  • Izdevniecība: Reaktion Books
  • Valoda: eng
  • ISBN-13: 9781789148299
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  • Formāts: EPUB+DRM
  • Sērija : Renaissance Lives
  • Izdošanas datums: 15-Jan-2024
  • Izdevniecība: Reaktion Books
  • Valoda: eng
  • ISBN-13: 9781789148299

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A fresh reading of Aldus Manutius, preeminent in the history of the printed book.
 
Aldus Manutius is perhaps the greatest ?gure in the history of the printed book: in Venice, Europe’s capital of printing, he invented the italic type and issued more ?rst editions of the classics than anyone before or since, as well as Hypnerotomachia Poliphili, the most beautiful and mysterious printed book of the Italian Renaissance.
 
This is the ?rst monograph in English on Aldus Manutius in over forty years. It shows how Aldus rede ned the role of a book printer, from mere manual laborer to a learned publisher. As a consequence, Aldus participated in the same debates as contemporaries such as Leonardo da Vinci and Erasmus of Rotterdam, making this book an insight into their world too.

Recenzijas

Winner of the 2025 Gladys Krieble Delmas Prize for the Best Book in Renaissance Venetian Studies. * Awarded by the Renaissance Society of America * The central argument of Oren Margoliss short, excellent new biography is that Alduss primary concern was not the books themselves, but the intellectual programme they represented. Far from being an inky-fingered pressman, Margoliss Aldus is a serious, sometimes waspish humanist, determined to shape the scholarship of his day by bringing the classical Greek corpus into print in rigorously edited texts. * Times Literary Supplement * Aldus Manutius is the bibliophiles bibliophile . . . Anyone who has sat in the park with a paperback has Aldus to thank for freeing the book from the library, the desk, the metal chain that sometimes bound books to shelves . . . Margoliss biography the first in English for forty years was occasioned by the 500th anniversary of Alduss death, an anniversary that prompted a flurry of international exhibitions, catalogues and scholarship . . . Margoliss book is an elegant visual biography that beautifully reproduces woodcuts, fonts, paintings, coins, letters, dedications, prefaces. Its a cultural history of Aldus the myth, not Aldus the man. A stylish book, worthy of its stylish subject. * London Review of Books * In this biography of Aldus, Oren Margolis argues that his humanist purposefulness, his printing agenda, and his passion for scholarship of Greek set him apart from his peers to distinguish him as the first true "publisher" in the sense we recognise today. The author paints an eloquent picture, through a blizzard of erudition. -- Gavin OToole * Morning Star * This is not a biography of Aldus, but rather an account of Alduss development of the profession of publishing, as distinct from the manual work of printing.Works Aldus published include Francesco Colonnas Hypnerotomachia Poliphili (1499) and the letters of St. Catherine of Siena (1500), both discussed in this book. Aldus could engage in these activities owing to his education and the additional income land as well as money given him by the family of one of his tutees, and he used the income for going into the publishing business. Valuable for scholars of the history of the book. Recommended. * Choice * In this beautifully written and produced volume, Oren Margolis turns a critical eye on conventional notions about Alduss contributions to Renaissance culture and the history of Venice . . . Through close readings of texts published by the Aldine Press, particularly the Hypnerotomachia Poliphili and the letters of Catherine of Siena, Margolis persuades readers to see Aldus not only as a pioneering innovator in print but also as a fully engaged intellectual participating in the cultural and political life of his time. * Renaissance Society of America Book Prize Committee * Oren Margolis consciously eschews the idea of a conventional biography, announcing early on that he will instead argue for Manutiuss role as the inventor of publishing as we know it today . . . Margolis consistently displays both breadth and depth of knowledge in his analysis of early modern printing, Renaissance humanism, and the book trade . . . an erudite and well-researched book about an important figure of the Italian Renaissance . . . As the title suggests, Aldus Manutius was responsible for the invention of the modern publisher. -- Christopher Carlsmith * Sixteenth Century Journal * Margolis study of Aldus Manutius is a hugely thoughtful, stimulating, and innovative reassessment of the career of this key Renaissance figure. He seeks to understand the persistent myths which have accreted around Aldus by recontextualising them with unexpected and illuminating connections and through detailed and fresh analysis of certain phases and achievements in his life. The result is a vivid and persuasively argued view of Aldus cultural significance. * Stephen Parkin, curator of the British Library's Printed Heritage Collections, 14501600 *

Note on Names and Translations
Introduction
1 Carpi and Venice
2 After Daedalus
3 Divine Impressions
4 The Printer as Prince
Epilogue: Utopia

Chronology
References
Select Bibliography
Acknowledgements
Photo Acknowledgements
Index
Oren Margolis is Lecturer in Renaissance Studies at the University of East Anglia. A scholar of Renaissance humanism, he writes widely on the literary, intellectual and art history of Italy and Northern Europe. He is the author of The Politics of Culture in Quattrocento Europe: René of Anjou in Italy (2016).