Atjaunināt sīkdatņu piekrišanu

E-grāmata: All Play and No Work: American Work Ideals and the Comic Plays of the Federal Theatre Project

  • Formāts: PDF+DRM
  • Izdošanas datums: 01-Dec-2023
  • Izdevniecība: Temple University Press,U.S.
  • Valoda: eng
  • ISBN-13: 9781439922170
  • Formāts - PDF+DRM
  • Cena: 31,88 €*
  • * ši ir gala cena, t.i., netiek piemērotas nekādas papildus atlaides
  • Ielikt grozā
  • Pievienot vēlmju sarakstam
  • Šī e-grāmata paredzēta tikai personīgai lietošanai. E-grāmatas nav iespējams atgriezt un nauda par iegādātajām e-grāmatām netiek atmaksāta.
  • Formāts: PDF+DRM
  • Izdošanas datums: 01-Dec-2023
  • Izdevniecība: Temple University Press,U.S.
  • Valoda: eng
  • ISBN-13: 9781439922170

DRM restrictions

  • Kopēšana (kopēt/ievietot):

    nav atļauts

  • Drukāšana:

    nav atļauts

  • Lietošana:

    Digitālo tiesību pārvaldība (Digital Rights Management (DRM))
    Izdevējs ir piegādājis šo grāmatu šifrētā veidā, kas nozīmē, ka jums ir jāinstalē bezmaksas programmatūra, lai to atbloķētu un lasītu. Lai lasītu šo e-grāmatu, jums ir jāizveido Adobe ID. Vairāk informācijas šeit. E-grāmatu var lasīt un lejupielādēt līdz 6 ierīcēm (vienam lietotājam ar vienu un to pašu Adobe ID).

    Nepieciešamā programmatūra
    Lai lasītu šo e-grāmatu mobilajā ierīcē (tālrunī vai planšetdatorā), jums būs jāinstalē šī bezmaksas lietotne: PocketBook Reader (iOS / Android)

    Lai lejupielādētu un lasītu šo e-grāmatu datorā vai Mac datorā, jums ir nepieciešamid Adobe Digital Editions (šī ir bezmaksas lietotne, kas īpaši izstrādāta e-grāmatām. Tā nav tas pats, kas Adobe Reader, kas, iespējams, jau ir jūsu datorā.)

    Jūs nevarat lasīt šo e-grāmatu, izmantojot Amazon Kindle.

"This book examines how comic plays of the Federal Theatre Project challenged work norms promoted by the federal government during the Great Depression"--

Many of the Federal Theatre Project (FTP) plays Paul Gagliardi analyzes in All Play and No Work feature complex portrayals of labor and work relief at a time when access to work was difficult. Gagliardi asks, what does it mean that many plays produced by the FTP celebrated forms of labor like speculation and swindling?     

All Play and No Work directly contradicts the promoted ideals of work found in American society, culture, and within the broader New Deal itself. Gagliardi shows how comedies of the Great Depression engaged questions of labor, labor history, and labor ethics. He considers the breadth of the FTP’s production history, staging plays including Ah, Wilderness!, Help Yourself, and Mississippi Rainbow.

Gagliardi examines backstage comedies, middle-class comedies, comedies of chance, and con-artist comedies that employed diverse casts and crew and contained radical economic and labor ideas. He contextualizes these plays within the ideologically complicated New Deal, showing how programs like the Social Security Act straddled progressive ideals and conservative, capitalist norms. Addressing topics including the politicization of theatrical labor and the real dangers of unchecked economic con artists, the comic plays of the FTP reveal acts of political resistance and inequality that reflected the concerns of their audiences.

Recenzijas

Drawing connections among American work culture, theater, and history, Paul Gagliardis valuable contribution to studies of the Federal Theatre Project focuses on little-studied performances centered on labor. All Play and No Work illuminates federal theatrical contributions to Depression-era American work life and representation, thus highlighting the importance of Federal Theatres brief and significant American cultural moment.-Leslie Frost, Teaching Professor, University of North Carolina at Chapel Hill, and author of Dreaming America: Popular Front Ideals and Aesthetics in Childrens Plays of the Federal Theatre Project All Play and No Work is an essential study of the Federal Theatre Project, focusing on its long-neglected comedies. Paul Gagliardi demonstrates that comedic productions, from Eugene ONeills Ah, Wilderness! to popular con-artist comedies, were far from being merely light entertainment. Instead, these comedies reveal New Deal-era concerns surrounding the nature of labor and work. Combining cultural history, insightful textual analysis, and production histories, Gagliardis interdisciplinary approach contextualizes Federal Theatre Project comedies while bringing them to life in this indispensable book.-Julie Burrell, Associate Professor of English, Africana Studies, and Womens and Gender Studies, Cleveland State University, and author of The Civil Rights Theatre Movement in New York, 19391966: Staging Freedom "All Play and No Work is an enjoyable read and Gagliardi fills the pages with excellent analysis and a wide range of information that reveals the meaning of the plays within the context of the Depression era."-History: Reviews of New Books "In his highly readable examination of comic plays produced by the Federal Theatre Project (FTP), Gagliardi takes his readers into a unique corner of the FTP and its essential impact on the American theater of the 1930s and beyond.... Gagliardi's particular emphasis on the labor movement and the economic challenges faced by the poor and middle classes freshly illuminates the culture and history of the era. His study emerges as an essential book for students of the early-20th-century American theater.... Summing Up: Highly recommended."-Choice  

Paul Gagliardi is an Assistant Teaching Professor of English at Marquette University.