Atjaunināt sīkdatņu piekrišanu

Analog Synthesizers: Understanding, Performing, Buying: From the Legacy of Moog to Software Synthesis 2nd edition [Hardback]

4.14/5 (44 ratings by Goodreads)
(, Writer for Melody Maker, Keyboard, and Music Week magazines, Birmingham, UK)
  • Formāts: Hardback, 432 pages, height x width: 254x191 mm, weight: 990 g, 12 Line drawings, black and white; 246 Halftones, black and white
  • Izdošanas datums: 25-Jun-2019
  • Izdevniecība: Routledge
  • ISBN-10: 1138319384
  • ISBN-13: 9781138319387
Citas grāmatas par šo tēmu:
  • Hardback
  • Cena: 191,26 €
  • Grāmatu piegādes laiks ir 3-4 nedēļas, ja grāmata ir uz vietas izdevniecības noliktavā. Ja izdevējam nepieciešams publicēt jaunu tirāžu, grāmatas piegāde var aizkavēties.
  • Daudzums:
  • Ielikt grozā
  • Piegādes laiks - 4-6 nedēļas
  • Pievienot vēlmju sarakstam
  • Formāts: Hardback, 432 pages, height x width: 254x191 mm, weight: 990 g, 12 Line drawings, black and white; 246 Halftones, black and white
  • Izdošanas datums: 25-Jun-2019
  • Izdevniecība: Routledge
  • ISBN-10: 1138319384
  • ISBN-13: 9781138319387
Citas grāmatas par šo tēmu:
Making its first huge impact in the 1960s through the inventions of Bob Moog, the analog synthesizer sound, riding a wave of later developments in digital and software synthesis, has now become more popular than ever.

Analog Synthesizers charts the technology, instruments, designers, and musicians associated with its three major historical phases: invention in the 1960s1970s and the music of Walter Carlos, Pink Floyd, Gary Numan, Genesis, Kraftwerk, The Human League, Tangerine Dream, and Jean-Michel Jarre; re-birth in the 1980s1990s through techno and dance music and jazz fusion; and software synthesis. Now updated, this new edition also includes sections on the explosion from 2000 to the present day in affordable, mass market Eurorack format and other analog instruments, which has helped make the analog synthesizer sound hugely popular once again, particularly in the fields of TV and movie music.

Major artists interviewed in depth include:











Hans Zimmer (Golden Globe and Academy Award nominee and winner, "Gladiator" and "The Lion King")





Mike Oldfield (Grammy Award winner, "Tubular Bells")





Isao Tomita (Grammy Award nominee, "Snowflakes Are Dancing")





Rick Wakeman (Grammy Award nominee, Yes)





Tony Banks (Grammy, Ivor Novello and Brit Awards, Genesis)





Nick Rhodes (Grammy Award Winner, Duran Duran)

and from the worlds of TV and movie music:











Kyle Dixon and Michael Stein (Primetime Emmy Award, "Stranger Things")





Paul Haslinger (BMI Film and TV Music Awards, "Underworld")





Suzanne Ciani (Grammy Award Nominee, "Neverland")





Adam Lastiwka ("Travelers")

The book opens with a grounding in the physics of sound, instrument layout, sound creation, purchasing, and instrument repair, which will help entry level musicians as well as seasoned professionals appreciate and master the secrets of analog sound synthesis. Analog Synthesizers has a companion website featuring hundreds of examples of analog sound created using dozens of classic and modern instruments.
Acknowledgements ix
About the author xi
Introduction: what's so great about analog? xiii
Chapter 1 What is analog?
1(15)
Sound
1(1)
Frequency
2(1)
Amplitude
3(1)
Wave shape
4(2)
Harmonics and overtones
6(1)
Noise
7(1)
Phase
8(1)
Synthesizer components
9(5)
Circuit design
14(1)
Sound design
14(2)
Chapter 2 Aspects of analog sound
16(36)
Voltage-controlled oscillator
17(5)
Voltage-controlled filter
22(1)
Envelope generator
23(2)
Voltage-controlled amplifier
25(1)
Low-frequency oscillator
25(2)
White noise source
27(1)
Sample-and-hold
27(2)
Wave shaper
29(1)
Ring modulator
29(2)
Subharmonic oscillator
31(1)
Resonator
32(1)
Frequency shifter
33(1)
Morphing filter
33(1)
Vocoder
34(3)
Sequencer
37(3)
Keyboard
40(6)
MIDI interface
46(1)
Assorted modules
47(5)
Chapter 3 The birth of analog, the manufacturers and the artists
52(51)
Moog
54(11)
ARP
65(4)
EMS
69(6)
Oberheim
75(4)
Sequential circuits
79(3)
Yamaha
82(6)
Korg
88(6)
Roland
94(9)
Chapter 4 The growth of analog
103(32)
Italy
103(6)
France
109(1)
The Netherlands
109(1)
Japan
110(6)
United Kingdom
116(5)
Germany
121(5)
USA
126(9)
Chapter 5 Using and programming analog
135(66)
Classical and avant-garde programmers
135(8)
Jazz programmers
143(3)
Pop and TV music programmers
146(6)
Rock programmers
152(8)
Pure synthesizer programmers
160(10)
Techno-pop programmers
170(8)
Programming for orchestral imitation
178(6)
Programming rock, pop and electric sounds
184(4)
Programming abstract sounds
188(9)
Ten great early analog sounds
197(4)
Chapter 6 The analog revival, 1980s--2000s
201(38)
Chapter 7 Programming and using virtual analog hardware and software
239(26)
Virtual analog programming
240(1)
Virtual oscillators
241(3)
Virtual niters
244(1)
Virtual LFOs
245(1)
Virtual envelopes
246(1)
Virtual controllers
246(3)
Alternative applications
249(1)
Analog emulation software
250(15)
Chapter 8 2013--2019 updates: new instruments, Euro rack and movies/TV
265(74)
Obituaries
265(3)
New instruments 2013 onwards
268(33)
Modules 2013--2019: the Eurorack explosion
301(19)
Analog goes to the movies
320(19)
Appendix A Classic instruments: specifications and values 339(12)
Appendix B Analog and virtual analog instruments: currently or recently in production 351(10)
Appendix C Purchasing guide for analog instruments 361(15)
Appendix D Bibliography 376(3)
Appendix E Discography 379(23)
Appendix F Contacts 402(4)
Appendix G Website content: www.routledge.com/cw/jenkins 406(9)
Index 415
Mark Jenkins has written about electronic music for Melody Maker, International Musician, Keyboard Player (UK), Keyboard (USA), and many other publications. He has performed and recorded solo and with members of Tangerine Dream, Can, Gong, White Noise, and Van Der Graaf Generator in the UK, USA, Europe, Brazil, Russia, and China, at venues including the Queen Elizabeth Hall, the London Planetarium, the Carnegie Science Center Pittsburgh, the Vanderbilt Planetarium, and the Teatro Nacional in Brazil.