Atjaunināt sīkdatņu piekrišanu

E-grāmata: Analysing Gender in Performance

Edited by , Edited by
  • Formāts: EPUB+DRM
  • Izdošanas datums: 12-Dec-2022
  • Izdevniecība: Springer Nature Switzerland AG
  • Valoda: eng
  • ISBN-13: 9783030855741
  • Formāts - EPUB+DRM
  • Cena: 59,47 €*
  • * ši ir gala cena, t.i., netiek piemērotas nekādas papildus atlaides
  • Ielikt grozā
  • Pievienot vēlmju sarakstam
  • Šī e-grāmata paredzēta tikai personīgai lietošanai. E-grāmatas nav iespējams atgriezt un nauda par iegādātajām e-grāmatām netiek atmaksāta.
  • Formāts: EPUB+DRM
  • Izdošanas datums: 12-Dec-2022
  • Izdevniecība: Springer Nature Switzerland AG
  • Valoda: eng
  • ISBN-13: 9783030855741

DRM restrictions

  • Kopēšana (kopēt/ievietot):

    nav atļauts

  • Drukāšana:

    nav atļauts

  • Lietošana:

    Digitālo tiesību pārvaldība (Digital Rights Management (DRM))
    Izdevējs ir piegādājis šo grāmatu šifrētā veidā, kas nozīmē, ka jums ir jāinstalē bezmaksas programmatūra, lai to atbloķētu un lasītu. Lai lasītu šo e-grāmatu, jums ir jāizveido Adobe ID. Vairāk informācijas šeit. E-grāmatu var lasīt un lejupielādēt līdz 6 ierīcēm (vienam lietotājam ar vienu un to pašu Adobe ID).

    Nepieciešamā programmatūra
    Lai lasītu šo e-grāmatu mobilajā ierīcē (tālrunī vai planšetdatorā), jums būs jāinstalē šī bezmaksas lietotne: PocketBook Reader (iOS / Android)

    Lai lejupielādētu un lasītu šo e-grāmatu datorā vai Mac datorā, jums ir nepieciešamid Adobe Digital Editions (šī ir bezmaksas lietotne, kas īpaši izstrādāta e-grāmatām. Tā nav tas pats, kas Adobe Reader, kas, iespējams, jau ir jūsu datorā.)

    Jūs nevarat lasīt šo e-grāmatu, izmantojot Amazon Kindle.

Analysing Gender in Performance brings together the fields of Gender Studies and Performance Analysis to explore how contemporary performance represents and interrogates gender. This edited collection includes a wide range of scholarly essays, as well as artists’ voices and their accounts of their works and practices. The Introduction outlines the book’s key approaches to concepts in English language gender discourses and gender’s intersectionalities, and sets out the approaches to performance analysis and methods of research employed by the various contributors. The book focuses on performances from the Global North, staged over the past fifty years. Case studies are diverse, ranging from site-specific, dance theatre, speculative drag, installation, and music video performances to Mabou Mines, Churchill, Shakespeare and Ibsen. Contributors explore how gender intersects with sexuality, social class, race, ethnicity, indigeneity, culture and history. Read individually or in tension with one another, the essays confront the contemporary complexities of analysing gender in performance.

 


1 Introduction
1(20)
J. Paul Halferty
Cathy Leeney
Part I 1970s-1990s
21(106)
2 Pina Bausch's Kontakthofi Choreographies of Gender and Costume
23(16)
Finola Cronin
3 Queer Becomings: The Ridiculous Theatrical Company's Camille and Split Britches/Bloolips' Belle Reprieve
39(18)
Sean F. Edgecomb
Benjamin Gillespie
4 Theatre du Soleil and Ariane Mnouchkine: Living and Performing Gender Politics
57(16)
William McEvoy
5 Nora, Lucia, and Lear: Gender and Performance at Mabou Mines
73(16)
Jessica Silsby Brater
6 Freaks and Not Freaks: Theatre and the Making of Crip Identity
89(16)
Colette Conroy
7 Fires in the Mirror. Representations of Race, Gender and Class in Anna Deavere Smith's Search for American Character
105(22)
Valentina Rapetti
Part II Interruption: Artists Speak About Their Work
127(50)
8 Black Women Performers: `I Don't Want to Do Anything Else'
129(12)
Naila Keleta-Mae
9 Trans-body-text: Exploring Performance Disruptions, a Discussion with Lazlo Pearlman
141(10)
J. Paul Halferty
10 Embodied and En-sited Performance: Reflections on Gender in Cooking Miss Julie/Miss Julie Cooks and March of Women
151(18)
Kathleen Irwin
Anna Birch
11 A Manifesto of Living Self-portraiture (Identity, Transformation, and Performance)
169(8)
Nina Arsenault
Part III 2000s-2020s
177(134)
12 Love and Information by Caryl Churchill, or Sexuality and Gender in Non-binary Times
179(14)
R. Darren Gobert
13 Gender and the Aesthetics of Occupation: Making Room for Women's Labour at the Theatre
193(18)
Kim Solga
14 Performing Reproduction in an Age of Overproduction: Environmental Installations by Ai Hasegawa
211(14)
Lara Stevens
15 Loose Wrists: Camp and Intersectional Politics in the Works of Cazwell, Todrick Hall, and Big Freedia
225(16)
Thorn Bryce McQuinn
16 Riotous Assembly: Performing Gender and Social Justice in thisispopbaby's RIOT
241(18)
Brian Singleton
17 From Gimmick Casting to Standard Practice: Re-gendering Shakespeare in Performance
259(16)
Stephanie Tillotson
18 `Women's Business': Leah Pur cell's The Drover's Wife and the Reclamation of Black Australian History
275(18)
Julie Shearer
19 Gender-Assemblages: The Sonographics of Sin Wai Kin
293(18)
Rachel Hann
Notes on Contributors 311(4)
Index 315
J. Paul Halferty is Assistant Professor in Drama Studies at University College Dublin, Ireland. His research on queer theatre and performance in Canada and Ireland has been published in various journals and anthologies. 

Cathy Leeney is Research Active Assistant Professor in Drama Studies at University College Dublin, Ireland. Teaching, research and publications are in Gender in Performance, Women in Irish Theatre, and Staging Practices.