"In The Anarchy of Black Religion, J. Kameron Carter argues that the modern re-invention of religion is inseparable from antiblackness, with whiteness and white supremacy acting as political theologies forming the modern world. Carter employs an understanding of religion as a structuring imagination of matter and culture, opening a way of thinking about racial histories, racial subjection, ontology, and the present as religious configurations. Given the extent to which religion exists within the colonialand capitalist cosmology of separability, Carter proposes "the black study of religion" as a practice that would work against the extractive, individualistic, and imperialist ideology of capitalism"--
Drawing on the black radical tradition and black feminism, J. Kameron Carter examines the philosophical, theological, and religious history that animates our times to theorize religion as a central feature of settler colonialism and racial capitalism.
In The Anarchy of Black Religion, J. Kameron Carter examines the deeper philosophical, theological, and religious history that animates our times to advance a new approach to understanding religion. Drawing on the black radical tradition and black feminism, Carter explores the modern invention of religion as central to settler colonial racial technologies wherein antiblackness is a founding and guiding religious principle of the modern world. He therefore sets black religion apart from modern religion, even as it tries to include and enclose it. Carter calls this approach the black study of religion. Black religion emerges not as doctrinal, confessional, or denominational but as a set of poetic and artistic strategies for improvisatory living and gathering. Potentiating non-exclusionary belonging, black religion is anarchic, mystical, and experimental: it reveals alternative relationalities and visions of matter that can counter capitalisms extractive, individualistic, and imperialist ideology. By enacting a black study of religion, Carter elucidates the violence of religion as the violence of modern life while also opening an alternate praxis of the sacred.