The sixth mass extinction or Anthropocene extinction is one of the most pervasive issues of our time. Animals, Plants and Afterimages brings together leading scholars in the humanities and life sciences to explore how extinct species are represented in art and visual culture, with a special emphasis on museums. Engaging with celebrated cases of vanished species such as the quagga and the thylacine as well as less well-known examples of animals and plants, these essays explore how representations of recent and ancient extinctions help advance scientific understanding and speak to contemporary ecological and environmental concerns.
Recenzijas
The editors and contributors of this book challenge readers to imagine alternative ways to see extinction and to share that vision with others. For those willing to engage it, meeting that challenge in Animals, Plants and Afterimages comes with powerful and illuminating insights. The Quarterly Review of Biology
Animals, Plants and Afterimages draws together an impressive range of essays that describe, contemplate, explore, and challenge the relationships between extinction and representation, engaging with a series of perceptual, conceptual, material, and illusory afterimages of animals and plants with whom we can no longer co-exist but who still matter to us. Rick De Vos, Curtin University
The editors approach to extinctions through museum exhibitions, technologies and works of art is highly illuminating. Next time, when I visit a natural history museum, I will see the exhibition and the dead animals and plants in a different light. Markku Oksanen, University of Eastern Finland
Acknowledgements
List of illustrations, Figures and Tables
Introduction: Representing Extinction: Art, Science and Afterimages
Valérie Bienvenue and Nicholas Chare
Part I: Dialogues about Extinction
Chapter
1. The Dinosaur as Cultural Symbol and Totem: W.J.T. Mitchell in
Conversation
W.J.T. Mitchell
Chapter
2. Visualizing Extinction: Harriet Ritvo in Conversation
Harriet Ritvo
Chapter
3. Putting Nature Back Together Again: Stuart Pimm in
Conversation
Stuart Pimm
Part II: Indigenous Peoples and Extinction
Chapter
4. The Beothuk, the Great Auk and the Newfoundland Wolf: Animal and
Human Genocide in Canadas Easternmost Province
Nicholas Chare
Chapter
5. Cultural Memory of Recent Extinctions: A Chinese Perspective
Samuel T. Turvey
Chapter
6. Grief, Extinction, and Bilhaa (Abalone)
hagwil hayetsk (Charles R. Menzies)
Part III: Representing Avian and Insect Extinctions
Chapter
7. Sparrows with teeth and claws? Reconstructing the Cretaceous
Enantiornithes (Aves: Ornithothoraces)
Jingmai OConnor
Chapter
8. Rare Birds and Rare Books The Species as Work of Art
Gordon M. Sayre
Chapter
9. The Virtual Realities of Species Revivalism: Restoring the Kauai
Bird in Jakob Kudsk Steensen's Re-Animated
Sarah Bezan
Chapter
10. Insects, Spiders, Snails and Empathy: Representing Invertebrate
Extinctions in Natural History Museums
Pedro Cardoso
Part IV: Representing Extinct Plants and Fungi
Chapter
11. Reconstructing Lycopsids Lost to the Deep Past
Jeffrey P. Benca
Chapter
12. Ellis Rowan, Extinction and the Politics of Flower Painting
Jeanette Hoorn
Chapter
13. Towards Extinction: Mapping the Vulnerable, Threatened and
Critically Endangered Plant in Moments of Friction
Dawn Sanders
Chapter
14. Sweetness, Power, Yeasts, and Entomo-terroir
Robert R. Dunn, Monica C. Sanchez and Matthew Morse Booker
Part V: Representing Extinct Mammals
Chapter
15. Animal Extinction, Film and the Death Drive
Barbara Creed
Chapter
16. Tasmanian Tiger: Precious Little Remains
David Maynard
Chapter
17. From the General to the Particular: Piecing together the Life
and Afterlife of A544, Louis XVIs Quagga
Valérie Bienvenue
Part VI: Exhibiting Extinction
Chapter
18. Three Variations on the Theme of Extinction: Looking Anew at the
Art and Science of Mark Dion
Anne-Sophie Miclo
Chapter
19. The Exhibition of Extinct Species: A Critique
Norman MacLeod
Chapter
20. Exhibiting Extinction: Thylacines in Museum Display
Kathryn Medlock
Afterword: After Extinction
Valérie Bienvenue and Nicholas Chare
Contributors
Index
Valérie Bienvenueis a doctoral candidate in the Department of History of Art and Film Studies at the Universitéde Montréal. Her thesis critically examines human-equine relations through the prism of modern art and visual culture. Prior to her academic career, she worked for ten years in equestrian circles, including teaching bareback riding and rehabilitating horses suffering from physical and psychological trauma. She is the author of several articles and book chapters.
