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Animated Image: Roman Theory on Naturalism, Vividness and Divine Power [Hardback]

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The Animated Image develops a new theoretical concept for understanding the Roman art of images. The prevalent conviction at the time was that the painter, writer, orator, and dancer created images that represented living beings. However, the viewers or listeners sometimes believed they were not observing a representation but something that contained aspects of life or spirit. This book touches upon ontological and epistemological problems of this representational tension.
Acknowledgements 7(2)
Introduction 9(16)
Naturalism and animation. Pliny's anecdotes on art
25(32)
Ars, natura et veritas
26(6)
Ovid's Pygmalion
32(5)
Naturalism and wealth
37(1)
Portraits and memory
38(3)
Portraits and power
41(3)
Damnatio memoriae
44(5)
Creating an aura of divinity
49(3)
Portraits in speech
52(5)
Enargeia as epistemological requirement and rhetorical virtue. Quintilian on vividness
57(26)
Quintilian on enargeia and phantasia
58(3)
The prehistory of enargeia
61(5)
Enargeia in epistemological writings
66(5)
Cicero's useof inlustris and evidentia
71(2)
Enargeia in the handbooks of rhetoric and literary criticism
73(4)
Means to achieve enargeia
77(6)
Creation and impact of art, literature and speech. Callistratus' On the Statue of a Bacchante
83(26)
Callistratus' ekphrasis
85(3)
Inspiration and observation
88(4)
Phantasia in observation
92(3)
Art, literature and truth
95(2)
Visual and verbal art
97(4)
The role of the beholder
101(8)
Life and animation in dance, theatre and spectacle. Lucian's The Dance
109(28)
Rhetoric and theatre
112(4)
Roman stories on theatre
116(4)
Gorgias and Plato on tragedy
120(4)
Aristotle's defence of tragedy
124(4)
Aristotle used in the imperial period
128(2)
Munera and public executions
130(7)
Cult statues at the boundaries of humanity. Plutarch on supernatural animation
137(24)
Ritual-centred visuality
139(4)
Tied up and bloodthirsty
143(2)
Naturalistic, non-naturalistic and aniconic statues
145(2)
Cult statues as symbols
147(3)
Lucian on cult statues
150(2)
Clement on idolatry
152(2)
Supernatural animation in rhetoric and literary criticism
154(7)
Epilogue. Erotic reactions to Praxiteles' Cnidian Aphrodite 161(10)
Notes 171(24)
Bibliography 195(20)
Index 215(6)
List of illustrations 221