Approaching the Stuart courts through the lens of the queen consort, Anna of Denmark, this study is underpinned by three key themes: translating cultures, female agency and the role of kinship networks and genealogical identity for early modern royal women. Illustrated with a fascinating array of objects and artworks, the book follows a trajectory that begins with Annas exterior spaces before moving to the interior furnishings of her palaces, the material adornment of the royal body, an examination of Annas visual persona and a discussion of Annas performance of extraordinary rituals that follow her life cycle. Underpinned by a wealth of new archival research, the book provides a richer understanding of the breadth of Annas interests and the meanings generated by her actions, associations and possessions.
This book examines Anna of Denmarks engagement with visual and material goods, including architecture, garden design, painting and jewellery. It contextualises the consorts place within the wider socio-political environment of the Stuart courts and provides a comprehensive understanding of her personal iconography, aims, interests and alliances.
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