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Anne Carson: Antiquity [Mīkstie vāki]

Edited by (University of Bristol, UK)
  • Formāts: Paperback / softback, 320 pages, height x width x depth: 232x154x18 mm, weight: 480 g, 19 colour illus
  • Sērija : Bloomsbury Studies in Classical Reception
  • Izdošanas datums: 18-May-2023
  • Izdevniecība: Bloomsbury Academic
  • ISBN-10: 1350256072
  • ISBN-13: 9781350256071
  • Mīkstie vāki
  • Cena: 34,34 €*
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  • Formāts: Paperback / softback, 320 pages, height x width x depth: 232x154x18 mm, weight: 480 g, 19 colour illus
  • Sērija : Bloomsbury Studies in Classical Reception
  • Izdošanas datums: 18-May-2023
  • Izdevniecība: Bloomsbury Academic
  • ISBN-10: 1350256072
  • ISBN-13: 9781350256071

From her seminal Eros the Bittersweet (1986) to her experimental Float (2016), Bakkhai (2017) and Norma Jeane Baker of Troy (2019), Anne Carson's engagement with antiquity has been deeply influential to generations of readers, both inside and outside of academia. One reason for her success is the versatile scope of her classically-oriented oeuvre, which she rethinks across multiple media and categories. Yet an equally significant reason is her profile as a classicist. In this role, Carson unfailingly refuses to conform to the established conventions and situated practices of her discipline, in favour of a mode of reading classical literature that allows for interpretative and creative freedom.

From a multi-praxis, cross-disciplinary perspective, the volume explores the erudite indiscipline of Carson's classicism as it emerges in her poetry, translations, essays, and visual artistry. It argues that her classicism is irreducible to a single vision, and that it is best approached as integral to the protean character of her artistic thought. Anne Carson/Antiquity collects twenty essays by poets, translators, artists, practitioners and scholars. It offers the first collective study of the author's classicism, while drawing attention to one of the most avant-garde, multifaceted readings of the classical past.

Recenzijas

For all the nuance and involved detail that abounds, this book is a curiously meditative and even personal read, perhaps due to a prose style that is sometimes playful, sometimes contemplative, but seems as invested in the games of identity, authorship, and allusion as Carson herself. * Greece and Rome * This collection proposes and models new and innovative directions for classical reception studies, translation studies, philology, rhetorical studies, even while it opens up Carsons creative oeuvre to a larger audience (poets, visual artists, performance art, etc.). -- Anett K. Jessop, Assistant Professor of English and Creative Writing, University of Texas at Tyler, USA

Papildus informācija

A wide-ranging exploration of Anne Carsons multi-faceted engagement with antiquity covering the full breadth of her oeuvre, from her novels, poems, and essays to her PhD thesis and artwork.
List of Figures
ix
Notes on Contributors x
Acknowledgements xiv
Timeline of Anne Carson's Works and Distinctions xv
Introduction: On Anne Carson/Antiquity 1(12)
Laura Jansen
1 The Beginning of Now
13(12)
Anna Jackson
2 Chimeras: Empty Space and Melting Borders
25(14)
Phoebe Giannisi
3 Carson for the Non-Classicist
39(12)
Rebecca Kosick
4 Scriture and the Budding Classicist
51(12)
Anastasia-Erasmia Peponi
5 Erring and Whatever
63(12)
Gillian Sze
6 The Gift of Residue
75(14)
Laura Jansen
7 Carson Fragment
89(16)
Sean Gurd
8 Shades
105(14)
Elizabeth D. Harvey
9 The Paratextual Cosmos
119(16)
Paschalis Nikolaou
10 An Essay on An Essay on Irony
135(22)
Yopie Prins
11 The Stesichorean Ethos
157(12)
P.J. Finglass
12 Cunning Intelligence
169(12)
Ian Rae
13 Mythopoetic Immersions
181(12)
Vanda Zajko
14 Deadly Erotic Tangos and Animal Affinity
193(14)
Hannah Silverblank
15 Poetry and Profit
207(14)
Ella Haselswerdt
Mathura Umachandran
16 More Spectres of Dying Empire
221(16)
Kay Gabriel
17 Translation, Transcreation, Transgression
237(14)
Susan Bassnett
18 Translating the Canon, Filling the Absence
251(10)
Eugenia Nicolaci
19 Translation Catastrophes: Pinplay
261(10)
Grace Zanotti
20 There It Lies Untranslatable
271(12)
Elena Theodorakopoulos
Bibliography 283(12)
Index of Terms 295(2)
Index of Textual References 297
Laura Jansen is Senior Lecturer in Classics & Comparative Literature at the University of Bristol, UK. She is author of Borges Classics: Global Encounters with the Graeco-Roman World (2018), editor of The Roman Paratext: Frame, Texts, Readers (2014), and general editor of the monograph series Classical Receptions in Twentieth-Century Writing (Bloomsbury). Her next books are on Italo Calvino: Classics between Science and Literature and Susan Sontag: From Platos Cave to Sarajevo.