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E-grāmata: Anywhere or Not at All: Philosophy of Contemporary Art

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  • Formāts: 288 pages
  • Izdošanas datums: 04-Jun-2013
  • Izdevniecība: Verso Books
  • Valoda: eng
  • ISBN-13: 9781781684788
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  • Formāts: 288 pages
  • Izdošanas datums: 04-Jun-2013
  • Izdevniecība: Verso Books
  • Valoda: eng
  • ISBN-13: 9781781684788
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Contemporary art is the object of inflated and widely divergent claims. But what kind of discourse can open it up effectively to critical analysis? Anywhere or Not at All is a major philosophical intervention in art theory that challenges the terms of established positions through a new approach at once philosophical, historical, social and art-critical. Developing the position that “contemporary art is postconceptual art,” the book progresses through a dual series of conceptual constructions and interpretations of particular works to assess the art from a number of perspectives: contemporaneity and its global context; art against aesthetic; the Romantic pre-history of conceptual art; the multiplicity of modernisms; transcategoriality; conceptual abstraction; photographic ontology; digitalization; and the institutional and existential complexities of art-space and art-time. Anywhere or Not at All maps out the conceptual space for an art that is both critical and contemporary in the era of global capitalism.



A new reading of the philosophy of contemporary art by the author of The Politics of Time

Papildus informācija

A new reading of the philosophy of contemporary art by the author of The Politics of Time
Introduction 1(14)
1 The fiction of the contemporary
15(22)
Together in time?
Three Periodizations of contemporary art - idea, problem, fiction, task
The Global transnational, or, the contemporary today
Joseph Bitar
Fictionalization of artistic authority/collectivization of artistic fictions: a First Transnational
2 Art beyond aesthetics
37(34)
Art versus aesthetics (Jena Romanticism contra Kant)
Perio-Dization as historical ontology: postconceptual art- a speculative proposition
An image of romanticism (Benjamin, Schlegel, Lewitt)
Fragment and sentence
Information and series - process and project
3 Modernisms and mediations
71(28)
The double heritage of the modern in art
Artistic Modernisms: Aesthetic, specific, generic
Mediations after mediums: nominalism and genre, isms and series
Everything, everywhere? Polke and Richter
4 Transcategoriality: postconceptual art
99(18)
Smithson and medium (or, against `sculpture')
The `interminable avalanche of categories'
Ontology of materializations: non-site
Conceptual Abstraction and `pure perception'
5 Photographic ontology, infinite exchange
117(16)
Distributive unity
The photograph: metonymic model of an imagined unity
Digitalization, art and the real (or, anxiety about abstraction)
The Visible, the invisible and the multiplication of visualizations
6 Art space
133(42)
Non-places and the textualization of art
Architecturalization: three questions
Construction and expression
Art as displaced urbanism: capitalist constructivism of the exhibition-form
Transnationalization: art industry
Project space
7 Art time
175(38)
Attention and distraction: boredom as possibility
Distracted reception (duration and rhythm)
Memory or history?
Testimonies: three works
Expectation as a historical category (critique of Koselleck)
Expecting the unexpected: puncturing the horizon
Acknowledgements 213(2)
Notes 215(40)
Bibliography 255(16)
Image credits 271(2)
Index 273
Peter Osborne is Professor of Modern European Philosophy and Director of the Centre for Research in Modern European Philosophy (CRMEP), Kingston University London. He is a long-serving member of the editorial collective of Radical Philosophy. His books include The Politics of Time, Anywhere or Not At All, Philosophy in Cultural Theory, Conceptual Art and Marx.