Broadly this book is about the Arabian desert as the locus of exploration by a long tradition of British travellers that includes T. E. Lawrence and Wilfred Thesiger; more specifically, it is about those who, since 1950, have followed in their literary footsteps. In analysing modern works covering a land greater than the sum of its geographical parts, the discussion identifies outmoded tropes that continue to impinge upon the perception of the Middle East today while recognising that the laboured binaries of East and West, desert and sown, noble and savage have outrun their course. Where, however, only a barren legacy of latent Orientalism may have been expected, the author finds instead a rich seam of writing that exhibits diversity of purpose and insight contributing to contemporary discussions on travel and tourism, intercultural representation, and environmental awareness. By addressing a lack of scholarly attention towards recent additions to the genre, this study illustrates for the benefit of students of travel literature, or indeed anyone interested in Arabia, how desert writing, under the emerging configurations of globalisation, postcolonialism, and ecocriticism, acts as a microcosm of the kinds of ethical and emotional dilemmas confronting todays travel writers in the worlds most extreme regions.
By considering why the desert, and the human story therein, continues to fascinate Western writers, it reveals no barren legacy but a strand of ever-evolving inter-cultural practice of representation and self-reflection.
Recenzijas
"An astute, wide-ranging analysis of the directions British travel writing on Arabia have taken since Thesiger and the 1950s. Jenny Walker combines practical knowledge of the Arabian desert with sensitive readings of how writing about it has been formed by postmodern trends and twenty-first century contexts. This book is more than an update it is an invaluable aid to our understanding of the desert writing genre."
Geoffrey Nash, author of, From Empire to Orient, Travellers to the Middle East
Acknowledgements
Preface
Introduction: Arabia, the Land of Legend
The margins of Western desert travel in Arabia
Locating Arabia
Arabia as a country of the mind
The Lawrence and Thesiger legacy
Mapping the chapters
Chapter
1. In Literary Footsteps: The Prevalence of "Second Journeys"
A tradition of intertextuality
Learning from the past Blackmore in the footsteps of Lawrence
Writing about the present Kirkby and Hayes in the footsteps of Thesiger
Opportunities for the future Evans in the footsteps of Thomas
Chapter
2. Desert and Sown: The Narration of Progress and Modernity
Desert but not deserted Ashers modern Bedu
The desert mechanised Toys travels by Land Rover
The desert politicised Morris and a Sultans pageant
The desert urbanised Raban and a camel-free account
The desert historicised Mackintosh-Smiths inverse archaeology
Chapter 3: Gendering the Desert: Women and Desert Narratives
Where are the women? Western womens travels in Arabia
"Pay, pack and follow" women as desert writers
The siren trope
The "veiled best-seller"
Desert as an inconstant space
Chapter
4. Wonderment and Wilderness: Desert Science Writing
Delighting in sand grouse
George and the neo-sublime
Walker and Pittaway in amateur pursuits
Winser in search of solutions
Staging the desert for Western audiences
Chapter 5: Desert as Shared Space
Post-tourism and the accelerated sublime
The modern secular pilgrimage
Democratisation of the desert experience
Conclusion: Barren Legacy?
Bibliography
Index
Jenny Walker is Consultant to the CEO of Omans national accreditation agency. Fellow of the Royal Geographical Society and Member of the British Guild of Travel Writers, she has written for Lonely Planet for 20 years in 40 guidebooks, curated a book of Silk Road drawings, and coauthored, with husband Sam Owen, an off-road guide to Oman.
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