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E-grāmata: Archaeologies of Presence

4.44/5 (11 ratings by Goodreads)
Edited by (University of Exeter, UK), Edited by (Stanford University, USA), Edited by (University of Exeter, UK)
  • Formāts: 304 pages
  • Izdošanas datums: 27-Apr-2012
  • Izdevniecība: Routledge
  • Valoda: eng
  • ISBN-13: 9781136458033
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  • Formāts: 304 pages
  • Izdošanas datums: 27-Apr-2012
  • Izdevniecība: Routledge
  • Valoda: eng
  • ISBN-13: 9781136458033
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Archaeologies of Presence is a brilliant exploration of how the performance of presence can be understood through the relationships between performance theory and archaeological thinking. Drawing together carefully commissioned contributions by leading international scholars and artists, this radical new work poses a number of essential questions:











What are the principle signifiers of theatrical presence?





How is presence achieved through theatrical performance?





What makes a memory come alive and live again?





How is presence connected with identity?





Is presence synonymous with 'being in the moment'?





What is the nature of the co-presence of audience and performer?





Where does performance practice end and its documentation begin?

Co-edited by performance specialists Gabriella Giannachi and Nick Kaye, and archaeologist Michael Shanks, Archaeologies of Presence represents an innovative and rewarding feat of interdisciplinary scholarship.

Recenzijas

Comprised of contributions from theorists and practitioners, external case-study analyses and internal reflections, and utilizing theoretical and performative modes of writing, alongside interviews, Archaeologies of Presence is a stimulating, enjoyable, varied and accessible publication it is a delightfully produced publication to be found on the bookshelves of students, researchers, practitioners, theorists and enthusiasts alike. Studies in Theatre and Performance, Hannah Cummings

List of figures
vii
List of Contributors
ix
Acknowledgements xv
1 Introduction: Archaeologies of presence
1(26)
Gabriella Giannachi
Nick Kaye
Michael Shanks
PART I Being here: Place and time
27(74)
2 How to define presence effects: the work of Janet Cardiff
29(21)
Josette Feral
3 Environmental presence
50(14)
Gabriella Giannachi
4 Performance remains again
64(18)
Rebecca Schneider
5 Tension/release and the production of time in performance
82(19)
Jon Erickson
PART II Being before: Stage and gaze
101(94)
6 Appearing as embodied mind - defining a weak, a strong and a radical concept of presence
103(16)
Erika Fischer-Lichte
7 `... presence ...' as a question and emergent possibility: a case study from the performer's perspective
119(34)
Phillip Zarrilli
8 Out-standing standing-within: being alone together in the work of Bodies in Flight
153(19)
Simon Jones
9 Mis-spectatorship, or, `redistributing the sensible'
172(11)
Nicholas Ridout
10 Looking back: a conversation about presence, 2006
183(12)
Tim Etchells
Gabriella Giannachi
Nick Kaye
PART III Traces: After presence
195(78)
11 Temporal anxiety/`Presence' in Absentia: experiencing performance as documentation
197(25)
Amelia Jones
12 Here and now
222(13)
Lynn Hershman Leeson
Michael Shanks
13 Photographic presence: time and the image
235(22)
Nick Kaye
14 Neither here nor there ...: let's talk about adult matters
257(16)
Mike Pearson
Index 273
Gabriella Giannachi is Professor in Performance and New Media, and Director of the Centre for Intermedia at the University of Exeter. Her book publications include: Virtual Theatres: an Introduction (2004); Performing Nature: Explorations in Ecology and the Arts, ed. with Nigel Stewart (2005); The Politics of New Media Theatre (2007); Performing Presence: Between the Live and the Simulated, co-authored with Nick Kaye (2011); and Performing Mixed Reality, with Steve Benford (2011).

Nick Kaye is Dean of the College of Humanities and Professor of Performance Studies, at the University of Exeter. His books include: Postmodernism and Performance (1994), Art into Theatre: Performance Interviews and Documents (1996), Site-Specific Art: Performance, Place and Documentation (2000), Staging the Post-Avant-Garde: Italian Performance After 1970, with Gabriella Giannachi (2002), Multi-media: video - installation - performance (2007) and Performing Presence: Between the Live and the Simulated, with Gabriella Giannachi, (2011). He is co-director of REACT, an AHRC Knowledge Exchange Hub that will invest over £4million in creating collaborations between academic researchers and the creative industries 2012-16.

Michael Shanks is the Omar and Althea Hoskins Professor of Classics and Director of Stanford Archaeology Center's Metamedia Lab. His major book publications include: ReConstructing Archaeology (1987), Social Theory and Archaeology (1987), Art and the Greek City State (1999), Classical Archaeology: Experiences of the Discipline (1996), Experiencing the Past: On the Character of Archaeology (1992) and Theatre/Archaeology, with Mike Pearson (Routledge 2001).