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E-grāmata: Architecture and Geography of Sound Studios: Sonic Heritage

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This is a book about sound studios, focusing on their architectural and geographical aspects. It explores how music is materialized under specific spatial and technological conditions and the myths associated with this process.

Through ten in-depth studies, it examines the design, evolution and current function of sound studios amidst economic and technological shifts in the music industry. Traditional studios are in flux between the past and future. The industry, while steeped in romanticism and nostalgia, also embraces forward-driven pragmatism and an extensive reuse culture, encompassing heritage audio, building materials and existing buildings. A surprisingly diverse architectural heritage, the most significant feature is the host building, the framework around the studio capsule. Many traditional studios adapt to digitalization with hybrid solutions, reflecting a shift toward smaller, more versatile spaces. In a time when recordings in theory can happen anywhere, destination studios must excel to attract clients, balancing historical legacies with diversification. Although they may be easy to deconstruct, many of the myths endure, sustaining ideas of landmark recordings, unique locations and distinct remnants of sonic heritage. Courtesy of their capacity to keep the past alive in the present, traditional sound studios are best described as museum that work.

This book will be of interest to scholars and students with an interest in history, theory and preservation, as well as practicing architects and architectural students who wish to find out more about the relationship between sound and space, acoustic design and retrofitting of historical buildings into specialized functions. It will also be of interest to practicing musicians, producers, music students and music scholars.



This is a book about sound studios, focusing on their architectural and geographical aspects. It explores how music is materialized under specific spatial and technological conditions and the myths associated with this process.

List of figures

Acknowledgements

Introduction: Where air sculptures are made

Chapter 1: The architecture of sound studios

Chapter 2: The sound studio as a place

Chapter 3: Resort studios

- Out in the boonies

- Electric power in the wilderness

- At the end of the world

- Sonic pilgrimage

- The musical mill

Chapter 4: Urban studios

- Down in a hole

- The Hall by the Wall

- The sound shelter

- The solar-powered recording central

- The downtown sweet-spot

Chapter 5: A new DAWn for traditional sound studios

Conclusive remarks: Museums that work

Bibliography

Index

Even Smith Wergeland is an associate professor at the Oslo School of Architecture and Design (AHO), Norway. He has published widely on matters such as architectural heritage, urban infrastructure, sports architecture, urban planning and architectural history. Wergeland is the director of AHOs executive masters program in architectural heritage and a member of the Oslo Centre for Critical Architectural Studies (OCCAS).