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E-grāmata: Architecture of Phantasmagoria: Specters of the City [Taylor & Francis e-book]

(University of Canberra, Australia), (Georgia Institute of Technology, Atlanta, USA)
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In a time of mass-mediated modernity, the city becomes, almost by definition, a constitutively ‘mediated’ city. Today, more than ever before, the omnipresence of media in every sphere of culture is creating a new urban ontology, saturating, fracturing, and exacerbating the manifold experience of city life. The authors describe this condition as one of 'hyper-mediation' – a qualitatively new phase in the city’s historical evolution. The concept of phantasmagoria has pride of place in their study; using it as an all-embracing explanatory framework, they explore its meanings as a critical category to understand the culture, and the architecture, of the contemporary city.

Andreotti and Lahiji argue that any account of architecture that does not include understanding the role and function of media and its impact on the city in the present ‘tele-technological-capitalist’ society is fundamentally flawed and incomplete. Their approach moves from Walter Benjamin, through the concepts of phantasmagoria and of media – as theorized also by Theodor Adorno, Siegfried Kracauer, and a new generation of contemporary critics – towards a new socio-critical and aesthetic analysis of the mediated space of the contemporary city.

Acknowledgments vii
Foreword viii
Graeme Gilloch
Preface xiii
Introduction: specters of the city and the task of critique 1(6)
PART I Phantasmagoria, modernity, and the city
7(56)
1 Urban modernity and the politics of historical memory
9(16)
2 Specters and fetishism
25(15)
3 Phantasmagoria and Gesamtkunstwerk
40(23)
Excursus I The specters of Baron Haussmann
53(10)
PART II Media, technology, and modern experience
63(42)
4 Walter Benjamin and media theory
65(14)
5 From aisthesis to anaesthetics
79(10)
6 Poverty of experience and the architecture of the city
89(16)
PART III Spectacle and phantasmagoria
105(36)
7 The ghost of Guy Debord
107(11)
8 Spectacle critique and architectural theory
118(8)
9 From spectacle to phantasmagoria
126(15)
Excursus II The architecture of phantasmagoria
134(7)
PART IV The architecture of phantasmagoria and the contemporary city
141(39)
10 Virtual technology, apparatus, and anaesthetics
143(13)
11 Phantoms of architectural theory
156(9)
12 The city as phantasmagoria of the world interior
165(15)
Epilogue: specters of the city and the critique of ideology 180(9)
Bibliography 189(7)
Index 196
Libero Andreotti is a Professor of Architecture at Georgia Tech, USA.

Nadir Lahiji is an Adjunct Faculty at the University of Canberra, Australia.