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E-grāmata: Arden Guide to Renaissance Drama: An Introduction with Primary Sources

(Syracuse University, USA)
  • Formāts: 360 pages
  • Izdošanas datums: 19-Oct-2017
  • Izdevniecība: The Arden Shakespeare
  • Valoda: eng
  • ISBN-13: 9781472572264
  • Formāts - EPUB+DRM
  • Cena: 30,42 €*
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  • Formāts: 360 pages
  • Izdošanas datums: 19-Oct-2017
  • Izdevniecība: The Arden Shakespeare
  • Valoda: eng
  • ISBN-13: 9781472572264

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The Arden Guide to Renaissance Drama is a single critical and contextual resource for students embarking on an in-depth exploration of early modern drama, providing both critical insight and accessible contextual information. This companion equips students with the information needed to situate the plays in their socio-political, intellectual and literary contexts. Divided into two parts, it introduces students to the major authors and significant dramatic texts of the period and emphasises the importance of both a historicist and close-reading approach to better engage with these works. The Guide offers: · primary texts from key early modern scholars such as Machiavelli, Heywood and Sidney · contextual information vital to a full understanding of the drama of the period · close readings of 14 of the most widely studied play texts by Shakespeare and his contemporaries · a single resource to accompany any study of early modern drama This is an ideal companion for students of Renaissance drama, offering students and teachers a range of primary contextual sources to illuminate their understanding alongside close critical readings of the major plays of the period.

Papildus informācija

An introductory textbook which introduces students to key renaissance dramas and locates them in their historical and cultural contexts
List of Illustrations
xi
List of Extracts
xii
Preface xiv
Acknowledgements xvi
Part I
1 Politics and Society
3(34)
Kingship
4(5)
The English Reformation
9(8)
Puritans
17(1)
The Reformation and drama
18(5)
The nation
23(5)
Social rank
28(7)
Discussion points
35(2)
2 Men and Women
37(28)
Sex, sexuality, marriage
38(8)
Disorder
46(3)
Manhood
49(1)
Staging gender
50(9)
Rulers, readers, writers
59(3)
Discussion points
62(3)
3 Travel and Trade
65(30)
Old worlds
66(12)
New worlds
78(6)
Race and racism
84(3)
Gendering difference
87(3)
Transforming identities
90(1)
The marketplace of the world
91(1)
Early colonialism
92(1)
Discussion points
93(2)
4 Humanism
95(26)
`The courts of ancient men': The study of the classics
97(4)
Vernacular humanism
101(1)
Humanism and English education
102(4)
Courtly humanism
106(2)
A humanist philosophy
108(4)
Humanism and English drama
112(6)
Discussion points
118(3)
5 The Stage
121(26)
The playhouses
122(4)
Costumes and props
126(3)
The players and their audience
129(7)
Anti-theatrical writing
136(8)
The stage as political space
144(2)
Discussion points
146(1)
6 Authors, Books and Readers
147(18)
Authors
148(3)
Books
151(4)
From plays to literary works
155(7)
Readers
162(2)
Discussion points
164(1)
7 Genre
165(22)
Comedy
167(4)
Tragedy
171(8)
Mixed modes and histories
179(5)
Discussion points
184(3)
8 Language and Style
187(24)
English, the `vulgar tongue'
187(2)
Eloquence
189(5)
Patterned speech
194(9)
Varieties of speech
203(5)
Discussion points
208(3)
Part II
9 The Alchemist
211(6)
10 Arden of Faversham
217(6)
11 Doctor Faustus
223(6)
12 The Duchess of Malfi
229(6)
13 Hamlet
235(6)
14 Henry V
241(6)
15 The Jew of Malta
247(6)
16 The Knight of the Burning Pestle
253(6)
17 The Roaring Girl
259(6)
18 The Shoemaker's Holiday
265(6)
19 The Spanish Tragedy
271(6)
20 The Tempest
277(6)
21 The Tragedy of Mariam
283(6)
22 Volpone
289(6)
Appendix 295(2)
Suggested Reading 297(4)
Notes 301(30)
Index 331
Brinda Charry is Professor of English at Keene State College, New Hampshire, USA.