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Gerfried Stocker, Welcome to Planet B. A Different Life is Possible. But How? |
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20 | (4) |
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Meinhard Lukas, Enough is Enough. Enough for Everyone? |
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24 | (6) |
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CONFERENCES, LECTURES, WORKSHOPS |
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30 | (1) |
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30 | (1) |
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30 | (1) |
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31 | (1) |
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31 | (1) |
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32 | (1) |
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32 | (2) |
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34 | (4) |
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Change Is Needed When There Is No Way Out |
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38 | (6) |
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KEPLER'S GARDEN EXHIBITIONS |
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Theme Exhibition STUDIO(dys)TOPIA - at the Peak of Humankind |
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44 | (1) |
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Maja Smrekar, Jonas Oørgensen, !brute force -- Soft Resilience |
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45 | (1) |
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Domestic Data Streamers Studio, 730 Hours of Violence |
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46 | (1) |
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Manthia Diawara, A Letter from Yene |
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47 | (1) |
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Irakli Sabekia, Archive of Spatial Knowledge |
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48 | (1) |
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Zoran Srdic Janezic, Biobot: AI ARThropods |
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49 | (1) |
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Kuang-Yi Ku, Calico Human |
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50 | (1) |
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Kat Austen, Carbon Echoes |
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51 | (3) |
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Kat Austen, Fara Peluso, Ouroboros |
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54 | (1) |
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Kuang-Yi Ku, Center for Plant Immigrant Integration |
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55 | (1) |
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Robertina Sebjanic, Echinoidea Future -- Adriatic Sensing |
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56 | (1) |
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Klaus Spiess, Ulla Rauter, Emanuel Gollob, Rotraud Kern, Ecolalia |
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57 | (1) |
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Yuima Nakazato, Ruya Honda, Takahito Iguchi, Yukari Wada, Fashion Frontier Program |
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58 | (1) |
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Posthuman Studies Lab, Feral Automated System: ULTB-1 |
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59 | (1) |
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Ratf Baecker, Floating Codes |
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60 | (1) |
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Charles Amirkhanian, Carol Law, Hypothetical Moments |
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61 | (1) |
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Siobhan McDonald, Invisible Seam |
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62 | (4) |
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Mauricio Lacrampette, Santiago Valdivieso, Diego Gajardo, Lucas Margotta, LIQUID SKY |
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66 | (1) |
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Laura Deborah Cinti, Living Dead -- On the Trail of a Female |
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67 | (1) |
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Christian Kosmas Mayer, Maa Kheru |
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68 | (1) |
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Hypercomf, Markos Digenis, Marine Caves and Benthic Terrazzo |
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69 | (1) |
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PDNB, Postdigital Natures of Planet B |
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70 | (1) |
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Yi-Wen Lin, Lien-Cheng Wang, Aluan Wang, Jinyao Lin, Che-Yu Wu, Newyellow, Project Percentage |
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71 | (1) |
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Tega Brain, Sam Lavigne, Synthetic Messenger |
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72 | (1) |
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Dorotea Dolinsek, TerraPort |
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73 | (1) |
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Josefina Buschmann, Daniela Camino, Nicole L'Huillier, Francisca Saez, Poli Mujica, The Fallen Clouds |
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74 | (1) |
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Superflux, the Intersection |
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75 | (1) |
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76 | (2) |
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Winners of Prix Ars Electronics 2022 |
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78 | (2) |
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JKU LIT @ Ars Electronica so Christopher Lindinger, What If We Embrace Uncertainty? |
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80 | (2) |
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Lea Luka Sikau, Denisa Pubalova, Michael Artner, Julia Wurm, Ars for Nons |
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82 | (1) |
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A.B. Melchiorre, O. Lesota, M. Schedl, F. Schubert, M. Moscati, D. Penz, E. Dobetsberger, J. Usorac, A. Hausberger, S. Pile, A. Ebner, Black Holes of Popularity |
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83 | (1) |
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Lisa Caligagan, Paracetamol Collective, Bodies |
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84 | (1) |
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Nives Meloni, Julian Pixel Schmiederer, I Hear Future Voices |
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85 | (1) |
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Mark Hlawitschka, Moritz Simon Geist, Transforming Sound and Material |
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86 | (1) |
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Santa Pile, Martin Gasser, Christina Humer, Silvan David Peter, Andreas Ney, Verena Ney, Spin-Wave Voices |
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86 | (1) |
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Gregor Pechmann, Floria Rothkegel, Markus Schedl, Alexander Wallner, Emilia Parada-Cabaleiro, Vasco Fragoso, Melody of Crisis/Joy |
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87 | (1) |
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Yoojin Oh, Sabina Hyoju Ahn, Myungin Lee, Coexistence with the SARS-CoV-2 virus |
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88 | (1) |
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Martin Reiter, Jorg Fischer, Johannes Braumann, Florian Nimmervoll, Re-wasted |
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89 | (1) |
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90 | (1) |
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Boris Magrini, Bjorn Geldhof, Marita Muukkonen, The Jury Statement for the State of the ART(ist) |
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91 | (1) |
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Andriy Rachinskiy, Daniil Revkovskiy, Clanking, Hammering, Dispute and Gurgling |
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92 | (1) |
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Floating Projects Collective, Linda CH Lai, D-Normal/V-Essay, online video zine, issues 1-4 (2020-2022) |
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93 | (1) |
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94 | (1) |
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Amir Almuarri, Hip-hop Music to Honor the Syrian Memory |
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95 | (1) |
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Daria Pugachova, I Will Close the Sky So You Could Breathe |
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96 | (1) |
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Karl Ingar Røys & Peacock Generation, Peacock Generation |
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97 | (1) |
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Fantastic little splash, Simitar Image |
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98 | (1) |
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SVITER art group, Ivan Svitlychnyi, Shukhliada Exposition Environment |
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99 | (1) |
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Oleksandr Burlaka, The Big Wild Field Draft |
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100 | (1) |
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Oksana Chepelyk, VR Collider |
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101 | (1) |
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101 | (1) |
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102 | (4) |
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Auckland/Wellington Arc/sec Lab the University of Auckland, DARA Victoria University of Wellington, Garden Aotearoa |
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106 | (2) |
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Barcelona, Espronceda Institute of Art and Culture, Soliman Lopez, NUBIA - Metaverse Platform /INTRONS |
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108 | (1) |
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Barcelona Institut Ramon Liu LI, New Art Foundation, Hac Te, Collaborative Ecosystems for a Sustainable World |
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109 | (3) |
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Bologna Umanesimo Artificiale, Coded Biophilia & Un suono in estinzione |
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112 | (1) |
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Bologna Sineglossa, Roberto Fassone, And We Thought |
|
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113 | (1) |
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Edinburgh The New Real, Edinburgh Futures Institute & Edinburgh College of Art, University of Edinburgh, Scotland, United Kingdom, The New Real Observatory |
|
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114 | (2) |
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Nassau Predrag K. Nikolic, Kishan Munroe, Giacomo Bertin, Marko Jovanovic, University of The Bahamas, AI.R LAB Science, Aquaterrestrial Recolonization |
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116 | (1) |
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New York XRE (Extended Reality Ensemble), MEDIACOELI, Inescapable Entanglement |
|
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117 | (1) |
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Novi Sad Bel Art Gallery, Mirror Terrain |
|
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118 | (1) |
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Rotterdam V2 Lab for the Unstable Media, Summer Sessions at Ars Electronica 2022 |
|
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119 | (3) |
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Oakland/Tempe Leonardo/ISAST, Arizona State University, Altered Realities |
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122 | (2) |
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Taipei/Formosa Virtual and Physical Media Integration Association of Taiwan, Humanity Island -- Data to be Continued |
|
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124 | (2) |
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Tokyo Japan Media Arts Festival, "next to me, next to you" |
|
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126 | (1) |
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Utrecht IMPAKT [ Centre for Media Culture], School of Machines, Making & Make Believe, Werktank, Privacy Salon/Privacytopia, Code 2022: Reclaiming Digital Agency |
|
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127 | (2) |
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Vienna MencheLAB, Max Perutz Labs, University of Vienna & the Medical University of Vienna, The Shape of Things to Come |
|
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129 | (1) |
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Cifo & Ars Electronica: A parallel (r)evolution -- Digital Art in Latin America |
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130 | (1) |
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Gabriela Munguia, Guadalupe Chavez, Cenizas del Parana |
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131 | (1) |
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Amor Munoz, Chimera, Expanded Bodies |
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132 | (1) |
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Dora Ytzell Bartilotti, Have You Seen Her? |
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133 | (1) |
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Thessia Machado, Int.: Time slip, a song for structural comfort |
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134 | (1) |
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Ana Elena Tejera, The Walls Know |
|
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135 | (1) |
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Retrospective Exhibition: Christa Sommerer & Laurent Mignonneau: The Artwork as a Living System |
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136 | (4) |
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140 | (1) |
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140 | (1) |
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Participants of Virtual Office FAB Linz, Bettina Gangl, Reinhard Zach, Edwin Husic, Birgit Polz, Helmut Doblhofer, Tina Pesendorfer, The Harbor |
|
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141 | (1) |
|
Julia Hametner, Anamaria Zupancic, Anna Hametner, Lena Holzer, Nicole Hoflinger, Stefanie Durnberger, Tobias Huber, I Want to See How You See |
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141 | (1) |
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Nahkuche. Eine offene Nahwerkstatt: Martina Eigner, Barbara Gamsjager, Andrea Fink, Daniela Mittelmann, Dagmar Proslmeyr, Silvia Neubauer, Daniela Mandler, Pixel Picnic Rug |
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142 | (1) |
|
Bikekitchen Linz, Bikekitchen |
|
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142 | (1) |
|
Ars Electronica create your world, Open Science Hub Network, OSHub: create your world TOUR |
|
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142 | (1) |
|
Vienna Museum of Science and Technology, roadLAB -- Mobile Maker*Space of the Vienna Museum of Science and Technology |
|
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143 | (1) |
|
CoderDojo Linz, CoderDojo |
|
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143 | (1) |
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144 | (1) |
|
Ars Electronica create your world, Hebocon Reloaded |
|
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145 | (1) |
|
Polycular: Irina Paraschivoiu, Thomas Layer-Wagner, Robert Praxmarer, Simon Linder, Jurgen Brunner, Michael Kager & Julian Watzinger, Escape Fake |
|
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146 | (1) |
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Eva Erhart, Alina Fefsl, Isabella Hackl, Anna Pech & Lisa Wieder, Melanie Steinhuber/Students of the University of Art and Design Linz, Noise Collages |
|
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147 | (1) |
|
Otelo, Carousel of the Senses |
|
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147 | (1) |
|
Ableton, Instruments of Things, Ableton Open Lab |
|
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148 | (1) |
|
Daniel Kohlmeigner, Martin Retschitzegger, Cat Jimenez, un Ctrl |
|
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149 | (1) |
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150 | (1) |
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Ars Electronica create your world, OO Tourismus, Tourismus von morgen (Tourism of Tomorrow) |
|
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150 | (1) |
|
Ars Electronica create your world, c3, mb21, I'm (not) a robot |
|
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151 | (1) |
|
Verein Energiewende Linz "VEL": Helwin Prohaska, Martin Siedler, Open Lab Energiewende Linz |
|
|
151 | (3) |
|
|
|
The Festival University 2022 --- Welcome to the 2nd edition |
|
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154 | (6) |
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EVENTS, CONCERTS, PERFORMANCES |
|
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|
Welcome to Planet B -- Overture |
|
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160 | (1) |
|
Jana Winderen, Listening through the Dead Zones |
|
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161 | (1) |
|
Music for Chamber Gardens -- Musical Paths through Kepler's Gardens |
|
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162 | (1) |
|
Laurie Anderson in Concert -- Songs for Amelia Earhart |
|
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163 | (1) |
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164 | (1) |
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165 | (1) |
|
LP Duo: Sonja Loncar, Andrija Pavlovic, Incredible Bob, Concert for Two Hybrid Pianos and Synths |
|
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165 | (1) |
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165 | (1) |
|
Portrait XO, Moritz Simon Geist, Robots, Bass, and Hot Algorithms! |
|
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166 | (1) |
|
Sound Park -- Auditory Scenes |
|
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167 | (1) |
|
Bill Fontana, Silent Echoes: Notre Dame |
|
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168 | (1) |
|
Christian Skjodt Hasselstram, u |
|
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168 | (1) |
|
Mikael Fock, Carl Emil Carlsen, Emilie Rasmussen, Cecilie Waagner Falkenstrøm, Yann Coppier, Vertigo, 4D box / SH4DOW |
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169 | (1) |
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Werner Jauk & Laura Sophie Meyer, Ver-Hand-lung versus? Ver-Hand-eln |
|
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170 | (2) |
|
Werner Jauk, What is music to Plan(et) B -- "Auf-Horen" / stop seeing & listen up |
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172 | (10) |
|
EUROPEAN PLATFORM FOR DIGITAL HUMANISM |
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182 | (3) |
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185 | (1) |
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185 | (2) |
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Regional S+T+ARTS Centers Repairing the Present |
|
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187 | (1) |
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188 | (1) |
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189 | (1) |
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190 | (1) |
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191 | (1) |
|
European Media Art Platform (EMAP) |
|
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192 | (1) |
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Charlotte Jarvis. Dr. Patricia Saragiieta, Prof. Susana Chuva de Sousa Lopes, Residency |
|
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193 | (1) |
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194 | (1) |
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195 | (1) |
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196 | (1) |
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197 | (1) |
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198 | (1) |
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199 | (1) |
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200 | (2) |
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202 | (1) |
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203 | (3) |
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|
Campus exhibitions @ Ars Electronica |
|
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206 | (2) |
|
University of Art and Design Linz |
|
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208 | (1) |
|
Manuela Naveau, Von Schwarzen Schwanen |
|
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208 | (2) |
|
Time-Based and Interactive Media Art |
|
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210 | (4) |
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214 | (2) |
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216 | (1) |
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217 | (2) |
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219 | (1) |
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220 | (1) |
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221 | (1) |
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222 | (10) |
|
University of the Arts Berlin (Udk) and Technical University Berlin (TU) |
|
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232 | (5) |
|
Anton Bruckner Private University, Immersive Sounds -- External Worlds |
|
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237 | (12) |
|
Aalto University School of Arts, Design and Architecture, Sounding Lifeworld |
|
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249 | (1) |
|
ArTeC Graduate School of Research, Desktop movies and other uncanny stories |
|
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250 | (1) |
|
London College of Communication, University of the Arts London, Different Bodies, Different Myths |
|
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251 | (5) |
|
Universidad Austral de Chile, Lanilawal |
|
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256 | (1) |
|
University of Nova Gorica School of Arts, Time, Space, Me, Us |
|
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257 | (2) |
|
Bauhaus University, Weimar, Patterns that Connect |
|
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259 | (2) |
|
Art & Technology Studies Department of the School of the Art Institute of Chicago, Worlds in Progress |
|
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261 | (2) |
|
Vorarlberg University of Applied Sciences, Faculty of Design, (In)Tangible Future(s) |
|
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263 | (2) |
|
University of Applied Sciences Berlin -- School of Culture and Design, Department of Communication Design, Post-Intelligent Artificial Humanism |
|
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265 | (2) |
|
Birmingham School of Architecture and Design, Birmingham City University, Shored, My Ruin(ed) City |
|
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267 | (2) |
|
Masaryk University, Faculty of Arts; Brno University of Technology, Faculty of Electrical Engineering and Communication, The Planet of Expanded Visions |
|
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269 | (2) |
|
University of Applied Sciences Upper Austria, Digital Sensing |
|
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271 | (1) |
|
Musrara the Naggar School of Art and Society, Ville Radieuse - Amir Meir |
|
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272 | (1) |
|
Studio2, University of Innsbruck & Design for Performance and Interaction, Bartlett School of Architecture, University College London, Scales of Care |
|
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273 | (2) |
|
UNATC - CINETic Centre, Pixels from a Past Future |
|
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275 | (3) |
|
MAG (Media Art Globale), Festival by connected Art Platform, SPICETOPIA |
|
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278 | (2) |
|
Korea National University of Arts IK-ARTS, Human Touch |
|
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280 | (3) |
|
College of Arts, National Tsing Hua University (NTHU), Nature of Prototyping |
|
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283 | (2) |
|
Vilnius Academy of Arts, MENE, Institutio Media, When the Wind Blows from Everywhere, We Make Art and (Sur)render Reality |
|
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285 | (7) |
|
Yasuaki Kakehi Lab., The University of Tokyo, Interverse of Things |
|
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292 | (1) |
|
Christiane Peschek & Sofia Braga at the Oberosterreichischer Kunstverein, Satellite Event |
|
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293 | (3) |
|
ARS ELECTRONICA ANIMATION FESTIVAL 2022 |
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University of Applied Sciences Upper Austria, Ars Electronica, Animation Festival 2022 |
|
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296 | (1) |
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297 | (1) |
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297 | (1) |
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298 | (1) |
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299 | (1) |
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300 | (1) |
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|
300 | |
|
Expanded Animation 2022 Glimpses of a Hybrid Horizon |
|
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301 | (3) |
|
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304 | (1) |
|
Dan Tell, Searching for Planet B: How Astronomy Visualization and Remote Sensing Guide us to Humanity's Future |
|
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305 | (1) |
|
Gigapixel Images from the Vatican Museums -- The Frescoes by Pietro Perugino in the Sistine Chapel: Beauty Leading to Faith |
|
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306 | (1) |
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307 | (1) |
|
Smirna Kulenovic, Damian Cortes-Alberti, Julia Moser, Alejandra Benet Garcia, Laura Gagliardi, Lucia Mauri, Ariathney Coyne, Alessia Rizzi, Lina Pulido Barragan, Sara Koniarek, Maria Dierneder, Felix Chang, Dafni Xantholopolou, DANU |
|
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308 | (1) |
|
Dr. Dietmar Hager -- Stargazer Observatory, Superlative telescopes: In the desert and far behind the moon |
|
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309 | (1) |
|
Georgios Tsampounaris, The Art of enjoying the Silence |
|
|
310 | (1) |
|
Smirna Kulenovic, Christina Zhang, Vahid Qaderi, HUU |
|
|
311 | (1) |
|
Sebastian Pirch, Norbert Unfug, Christiane V. R. Flutter, Jbrg Menche, The Nature of Systems |
|
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312 | (1) |
|
Sebastian Postl, Claudia Puck, Sebastian Pichelhofer, Katharina Keiblinger, Jelena Obradovic, Roberto Schaefer, ASC, AIC, Johann Steinegger, Our Earths VR (Preview) |
|
|
313 | (1) |
|
Crystn Hunt Akron, Plasticphonia - Music out of Plastic Trash |
|
|
314 | (1) |
|
Elliott Gaston-Ross, Rooted |
|
|
315 | (1) |
|
Franz Fischnaller, Dr. Satre Stuelke & Jessica Roude, FRUIT ART REAL Vs.- Virtual Life (FA-RVsVR) |
|
|
316 | (1) |
|
Kaoru Tashiro, Razieh Kooshki, Vahid Ghaderi, Miragique |
|
|
317 | (1) |
|
Bloom Jr., Buzzlightning, Gleb Divov, Christoph Faulhaber, Max Haarich, Juha van Ingen, Claudie Linke (DE), Kleintonno, Nissla, Numo, Quasimondo, Jarkko Rasanen, Mamadou Sow, sp4ce& tius, Teletext is Art / Teletext ist Kunst |
|
|
317 | (1) |
|
VH Award, The 4th VH Award |
|
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318 | (1) |
|
Paribartana Mohanty, Rice Hunger Sorrow |
|
|
318 | (1) |
|
Lawrence Lek, Black Cloud |
|
|
319 | (1) |
|
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319 | (1) |
|
Syaura Qotrunadha, Fluidity of Future Machines |
|
|
320 | (1) |
|
Jungwon Seo, We Maketh God |
|
|
320 | (1) |
|
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321 | (1) |
|
Carlotta Borcherding, Environment |
|
|
321 | (1) |
|
Axel Brauer, Deep Space -- Hot Air Balloons |
|
|
321 | (1) |
|
Ariathney Coyne, the mind is circular |
|
|
322 | (1) |
|
Daniel Haas (artist name STURMHERTA), Schwarzes Rauschen / black noise |
|
|
322 | (1) |
|
Katherine Romero Martinez, Fragment |
|
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323 | (1) |
|
Botond Kelemen, Budai Balint, Mold yourself! |
|
|
323 | (1) |
|
Joann Lee, In the Coloring |
|
|
324 | (1) |
|
Emilia Vogt, Firework Wheel |
|
|
324 | (1) |
|
|
325 | (1) |
|
Jeremiah Diephuis, Andrea Haider-Pachtrog, Rita Hainzl, Paul Huemer, Sebastian Mayer, Deep Delivery |
|
|
325 | (3) |
|
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|
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328 | (1) |
|
Stadtwerkstatt / STWST, STWST48×8 DEEP, 48 Hours Disconnected Connecting |
|
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328 | (1) |
|
STWST and Guests, Deep Sound Opera |
|
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329 | (1) |
|
Tanja Brandmayr, Nik, the Sleeper |
|
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330 | (1) |
|
Franz XAVER, Gibling as NFP |
|
|
330 | (1) |
|
Michael Aschauer, The Coupled Data Intercomparison Extended Reality Roller Coaster |
|
|
331 | (1) |
|
An Elug Art Corner + Dimension Plus production, Shu Lea Cheang & Ping Yi Chen, Dondon Hounwn, Hagay Dreaming (V.STWST 48) |
|
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331 | (1) |
|
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332 | (1) |
|
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333 | (1) |
|
SHA.ART, Digital Cave Painting - Art as Expansion of Consciousness |
|
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334 | (1) |
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335 | (3) |
|
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338 | (2) |
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340 | (3) |
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343 | (5) |
|
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348 | (2) |
|
Future Studio by Future Thinking School and AMS 00 |
|
|
350 | (1) |
|
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351 | (1) |
|
Brainpalace - Brainpatterns: an interactive, artistic research project of Fraunhofer "Science and Art in Dialogue" |
|
|
352 | (1) |
|
|
353 | (1) |
|
Elective "Beyond Coding: New Technologies in Context" by Ars Electronica Future Thinking School |
|
|
353 | (1) |
|
Holiday program: AK x AEC |
|
|
354 | (4) |
|
|
358 | (2) |
|
Ars Electronica Futurelab |
|
|
360 | (1) |
|
Creative Resilience for a Planet B |
|
|
360 | (2) |
|
Horst Hortner, Roland Haring & Hideaki Ogawa, Directors' Talk 2022 |
|
|
362 | (5) |
|
Working with and on Creative Resilience |
|
|
367 | (3) |
|
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370 | (2) |
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372 | (1) |
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Kerstin Blatterbinder, Susanne Kiesenhofer, Nicolas Naveau, Welcome to Planet B -- The Pop-Up Book |
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372 | (1) |
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Ali Nikrang, Raphael Schaumburg-Lippe, Yoko Shimizu, SonoSynthesis |
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373 | (1) |
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374 | (1) |
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374 | (1) |
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375 | (1) |
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Dataspace: Russia/Ukraine. Deep Impacts |
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376 | (1) |
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377 | (1) |
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WebEx Visualization & Sonification |
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378 | (1) |
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Fassadenspiel / Play the Facade |
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379 | (1) |
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380 | (1) |
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381 | (1) |
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382 | (1) |
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383 | (1) |
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Open Futurelab: Futurelab Day |
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384 | (2) |
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Ars Electronica Solutions |
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386 | (2) |
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388 | (4) |
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392 | (2) |
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394 | (1) |
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394 | (1) |
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395 | (1) |
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396 | (1) |
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396 | (1) |
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397 | (1) |
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397 | (1) |
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Ars Electronica Export 2022 |
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398 | (2) |
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ArtScience Residency enabled by Art Collection Deutsche Telekom 2020-2023 |
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400 | (1) |
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K-Arts Ars Electronica Academy 2022 |
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400 | (1) |
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Ars Electronica Animation Festival on Tour 2021 |
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401 | (1) |
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Matsudo International Science and Art Festival - Open City 2021 |
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401 | (1) |
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402 | (1) |
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Proyecto Habrido. Ars Electronica en Facyl 2021 |
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403 | (1) |
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Exchange Program Hiroshima Animation Season |
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403 | (1) |
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In Transfer - A New Condition, Esch 2022 -- European Capital of Culture Ars Electronica Exhibition |
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