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E-grāmata: Ars et Ingenium: The Embodiment of Imagination in Francesco di Giorgio Martini's Drawings [Taylor & Francis e-book]

(Rhode Island School of Design, Providence, Rhode Island, USA)
  • Formāts: 206 pages, 33 Halftones, black and white
  • Sērija : Routledge Research in Architecture
  • Izdošanas datums: 26-Jan-2015
  • Izdevniecība: Routledge
  • ISBN-13: 9781315798257
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  • Taylor & Francis e-book
  • Cena: 160,08 €*
  • * this price gives unlimited concurrent access for unlimited time
  • Standarta cena: 228,69 €
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Ars et Ingenium: The Embodiment of Imagination in Francesco di Giorgio Martini's DrawingsPalielināt
  • Formāts: 206 pages, 33 Halftones, black and white
  • Sērija : Routledge Research in Architecture
  • Izdošanas datums: 26-Jan-2015
  • Izdevniecība: Routledge
  • ISBN-13: 9781315798257
Citas grāmatas par šo tēmu:
Taylor & Francis e-booksMore info about Taylor & Francis e-books
Rokasgrāmatas mājas lapa: https://www.taylorfrancis.com/books/9781315798257
"When did drawing become an integral part of architecture? Among several architects and artists who brought about this change during the Renaissance, Francesco di Giorgio Martini's ideas on drawing recorded in his Trattati di architettura, ingegneria e arte militare (1475-1490) are significant. Francesco suggests that drawing is linked to the architect's imagination and central in conveying images and ideas to others. Starting with the broader edges of Francesco's written work and steadily penetrating into the fantastic world of his drawings, the book examines his singular formulation of the act of drawing and its significance in the context of the Renaissance. The book concludes with speculations on how Francesco's work is relevant to us at the onset ofanother major shift in architecture caused by the proliferation of digital media"--

Illustrations
vii
Illustration credits
ix
Acknowledgments xi
Introduction 1(4)
1 Writing the project of architecture
5(34)
2 Drawing the lines of theory
39(36)
3 Interlacing ingegno, inventio, and fantasia into the fabric of drawing
75(38)
4 A multi-faceted mirror: drawing's different faces
113(62)
Postscript 175(6)
Bibliography 181(10)
Index 191
Pari Riahi is a part-time faculty member at Rhode Island School of Design, where she has been teaching since 2007 in multiple capacities in the Architecture and INTAR (interior architecture and adaptive reuse) departments. She has also taught at MIT and SUNY Buffalo. Pari completed her PhD dissertation at McGill University in 2010 in history and theory of architecture. Her thesis concerned the reciprocity of architectural drawings and imagination in the work of Francesco di Giorgio Martini. Paris current research tracks the propagation of digital media and the effect of new technologies on architectural thinking and practice. She is a registered architect, and founded her architectural office in Massachusetts in 2011.
Permanent link: https://www.kriso.lv/db/9781315798257_pe.html
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