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E-grāmata: Art in America 1945-1970 (LOA #259)

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  • Formāts: EPUB+DRM
  • Izdošanas datums: 09-Oct-2014
  • Izdevniecība: The Library of America
  • Valoda: eng
  • ISBN-13: 9781598533675
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  • Formāts: EPUB+DRM
  • Izdošanas datums: 09-Oct-2014
  • Izdevniecība: The Library of America
  • Valoda: eng
  • ISBN-13: 9781598533675
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Experience the creative explosion that transformed American art, in the words of the artists, writers, and critics who were there: In the quarter century after the end of World War II, a new generation of painters, sculptors, and photographers transformed the face of American art and shifted the center of the art world from Paris to New York. Signaled by the triumph of abstraction and the ascendancy of painters such as Pollock, Rothko, de Kooning, and Kline, this revolution generated an exuberant and contentious body of writing without parallel in our cultural history. In the words of editor Jed Perl, ?there has never been a period when the visual arts have been written about with more mongrel energy with more unexpected mixtures of reportage, rhapsody, analysis, advocacy, editorializing, and philosophy.” Perl has gathered the best of this writing together for the first time, interwoven with fascinating headnotes that establish the historical background, the outsized personalities of the artists and critics, and the nature of the aesthetic battles that defined the era. Here are statements by the most significant artists, and major critical essays by Clement Greenberg, Susan Sontag, Hilton Kramer, and other influential figures. Here too is an electrifying array of responses by poets and novelists, reflecting the free interplay between different art forms: John Ashbery on Andy Warhol, James Agee on Helen Levitt, James Baldwin on Beauford Delaney, Truman Capote on Richard Avedon, Tennessee Williams on Hans Hofmann, Jack Kerouac on Robert Frank. The atmosphere of the time comes to vivid life in memoirs, diaries, and journalism by Peggy Guggenheim, Dwight Macdonald, Calvin Tomkins, and others. Lavishly illustrated with scores of black-and-white images and a 32-page color insert, this is a book that every art lover will treasure.


List of Illustrations
xix
Introduction xxi
Jed Perl
My Painting
1(2)
Jackson Pollock
The Romantics Were Prompted
3(4)
Mark Rothko
Two Statements from The Tiger's Eye
5(2)
The First Man Was an Artist
7(10)
Barnett Newman
The Sublime Is Now
11(3)
Ohio, 1949
14(3)
Art of This Century
17(13)
Peggy Guggenheim
(from) The Amazing and Invariable Beauford Delaney
30(8)
Henry Miller
Introduction to Helen Levitt's A Way of Seeing
38(14)
James Agee
Journals, 1948--50
52(8)
Charles Burchfield
Mondrian, Kleenex, and You
60(4)
Robert M. Coates
The Renaissance and Order
64(13)
Willem de Kooning
What Abstract Art Means to Me
69(8)
The Thirties
77(19)
Edwin Denby
Willem de Kooning
82(8)
Katz: Collage, Cutout, Cut-up
90(4)
The Silence at Night
94(1)
"At first sight, not Pollock, Kline scared"
94(1)
"Alex Katz paints his north window"
95(1)
Jackson Pollock: The Infinite Labyrinth
96(4)
Parker Tyler
Elie Nadelman: Sculptor of the Dance
100(13)
Lincoln Kirstein
An Appreciation
113(2)
Tennessee Williams
(from) Evil Under the Sun
115(10)
Anton Myrer
(from) The Search for the Real in the Visual Arts
125(8)
Hans Hofmann
Review of an Exhibition of Willem de Kooning
133(36)
Clement Greenberg
The Role of Nature in Modern Painting
136(5)
"American-Type" Painting
141(19)
Modernist Painting
160(9)
Statement
169(5)
Clyfford Still
An Open Letter to an Art Critic
170(4)
An Alphabetical Guide to Modern Art
174(6)
Dwight Ripley
Alphabetical Guide No. 2
177(2)
Acrostic for Jackson Pollock
179(1)
Black or White
180(5)
Robert Motherwell
What Abstract Art Means to Me
181(4)
Robert Motherwell
185(6)
Weldon Kees
Adolph Gottlieb
187(4)
Reminiscence and Reverie
191(6)
Mark Tobey
The Visionary Painting of Morris Graves
197(9)
Kenneth Rexroth
Painting in the American Grain
206(8)
William Carlos Williams
Robert Andrew Parker
214(4)
Marianne Moore
(from) Action on West Fifty-Third Street
218(7)
Dwight Macdonald
The American Action Painters
225(38)
Harold Rosenberg
Parable of American Painting
238(7)
Evidences
245(4)
Mobile, Theatrical, Active
249(14)
An Academy of Risk
263(6)
Mary McCarthy
A Cahier Leaf
269(7)
Jack Tworkov
Statement
271(1)
Four Excerpts from a Journal
272(4)
Joan Mitchell
276(3)
Irving Sandler
(from) An Emotional Memoir of Franz Kline
279(12)
Fielding Dawson
(from) The Recognitions
291(8)
William Gaddis
Introduction to Robert Frank's The Americans
299(5)
Jack Kerouac
On Richard Avedon
304(4)
Truman Capote
Statement
308(2)
Aaron Siskind
Against Abstract Expressionism
310(6)
Randall Jarrell
Excerpts from an Unfinished Manuscript Titled "Art"
316(6)
John Graham
Toward Meta-Form
322(5)
Alfred Russell
From the Diaries
327(14)
Joseph Cornell
What Abstract Art Means to Me
341(3)
Alexander Calder
(from) The Shape of Content
344(15)
Ben Shahn
(from) A Sculptor's World
359(8)
Isamu Noguchi
Tapestry
367(6)
Anni Albers
The Landscape
373(7)
David Smith
The Question---what is your hope
375(1)
The Question---what are your influences---
376(2)
"there is something rather noble about junk"
378(1)
Dream
379(1)
Four Soldiers: A Sculpture in Iron by David Smith
380(2)
Howard Nemerov
An Artist's Words
382(5)
Louise Bourgeois
On the Creative Process
383(1)
Form
384(3)
Piero della Francesca: The Impossibility of Painting
387(5)
Philip Guston
Faith, Hope and Impossibility
389(3)
Philip Guston: The Last Painter
392(11)
Morton Feldman
Give My Regards to Eighth Street
395(8)
Abstract Art Refuses
403(7)
Ad Reinhardt
Art-As-Art
404(6)
Harry Callahan: A Note
410(15)
Robert Creeley
John Chamberlain
411(2)
On the Road: Notes on Artists and Poets 1950-1965
413(12)
Pure Paints a Picture
425(9)
Elaine de Kooning
Painting a Portrait of the President
431(3)
The Liberating Quality of Avant-Garde Art
434(20)
Meyer Schapiro
On the Humanity of Abstract Painting
448(6)
The Creative Act
454(5)
Marcel Duchamp
Apropos of "Readymades"
457(2)
Statement
459(13)
Grace Hartigan
From the Journals, 1952
460(12)
Why I Am Not a Painter
472(20)
Frank O'Hara
David Smith: The Color of Steel
473(6)
Art Chronicle I
479(7)
Larry Rivers: A Memoir
486(6)
Life Among the Stones
492(10)
Larry Rivers
Statement on Poetics
502(13)
James Schuyler
The Painting of Jane Freilicher
503(5)
Short Reviews from Art News
508(7)
(from) Beyond the Machine
515(7)
Calvin Tomkins
At the Museum of Modern Art
522(2)
May Swenson
The Legacy of Jackson Pollock
524(9)
Allan Kaprow
Happenings: An Art of Radical Juxtaposition
533(12)
Susan Sontag
On the Painter Beauford Delaney
545(3)
James Baldwin
Bruce Conner: A New Sensibility
548(9)
Philip Leider
Joan Brown
552(5)
A Visit With Sam Rodia
557(7)
Kate Steinitz
Letter to Jerry Reilly
564(4)
Jess
(from) Iconographical Extensions
568(9)
Robert Duncan
Three Letters
577(6)
H. C. Westermann
The Abstract Sublime
583(7)
Robert Rosenblum
Month in Review, January 1962
590(18)
Sidney Tillim
Franz Kline (1910--1962)
599(1)
Philip Pearlstein and the New Philistinism
600(8)
Jasper Johns: Stories and Ideas
608(15)
John Cage
Statement
623(4)
Jasper Johns
Sketchbook Notes
624(3)
Statement
627(1)
Robert Rauschenberg
Contemporary Art and the Plight of its Public
628(15)
Leo Steinberg
What Is Pop Art?
643(10)
Andy Warhol
(from) The Philosophy of Andy Warhol
647(6)
(from) Store Days
653(5)
Claes Oldenburg
The New American "Sign Painters"
658(8)
Gene R. Swenson
Junkdump Fair Surveyed
666(9)
John Bernard Myers
The Paintings of E. E. Cummings
675(21)
Fairfield Porter
Richard Stankiewicz
677(3)
John Graham
680(5)
Against Idealism
685(5)
Joseph Cornell
690(4)
A Painter Obsessed By Blue
694(2)
Edward Hopper: An American Vision
696(5)
Hilton Kramer
The Art of Romare Bearden
701(10)
Ralph Ellison
Painting as Painting
711(5)
Louis Finkelstein
The Battle of Paris, Strip-tease and Trotsky: Some Non-Scenic Travel Notes
716(6)
Thomas B. Hess
ABC Art
722(22)
Barbara Rose
Local History
744(20)
Donald Judd
Specific Objects
755(9)
Allusion and Illusion in Donald Judd
764(7)
Rosalind Krauss
The Crystal Land
771(5)
Robert Smithson
New York Letter: Warhol
776(31)
Michael Fried
Art and Objecthood
778(29)
Andy Warhol in Paris
807(26)
John Ashbery
Joan Mitchell
810(4)
Leland Bell
814(8)
The Invisible Avant-Garde
822(11)
Sources and Acknowledgments 833(16)
Index 849