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E-grāmata: Art & Archaeology of the Roman World

  • Formāts: PDF+DRM
  • Izdošanas datums: 03-Sep-2020
  • Izdevniecība: Thames & Hudson Ltd
  • Valoda: eng
  • ISBN-13: 9780500775998
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  • Formāts: PDF+DRM
  • Izdošanas datums: 03-Sep-2020
  • Izdevniecība: Thames & Hudson Ltd
  • Valoda: eng
  • ISBN-13: 9780500775998

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Mark D. Fullerton blends the art of the Roman period with its history of political intrigue, military and religious ideologies, and intercultural interaction. The book not only explores the art of Rome itself but also that of the Roman provinces, including Syria, Egypt, Algeria, Greece and the British Isles, showing how Roman art drew from and influenced the wider ancient world.         Each of the books four parts opens with a timeline and historical overview, allowing the reader to better understand how the art relates to the political and social lives of the people of ancient Rome. Individual chapters begin with a map of Rome, illustrating how the city changed over centuries of rebuilding and reimagining.         With an introduction, What Is Roman about Roman Art , and Materials and Techniques features on the artistic innovations introduced by the Romans, such as concrete, linear and atmospheric perspective, and mosaic, the book explores how Roman influences still affect the art and architectural world today.

Recenzijas

'An excellent and accessible exploration of key aspects of Roman art, archaeology and architecture' - Christopher Siwicki, University of Exeter 'The books focus on materials and techniques and on context helps students understand the vibrancy of the field and the importance of archaeology not only in shaping but also revising our understanding of Roman art and culture' - Alexandra Carpino, Northern Arizona University 'Not only an overview of Roman art, but also questions its very origins and pinpoints the many trends that are expressed through it' - Daniel Roger, National Archaeology Museum, Saint-Germain-en-Laye, France

Papildus informācija

A new history of Roman art and archaeology, from its very beginnings in Etruscan art to the adoption of Christianity
Preface 9(2)
Introduction: What Is Roman about Roman Art? 11(6)
Architectural Orders in Rome and the Empire 17(1)
Part I Rome and Italy before the Empire (c. 800--27 BCE)
18(108)
1 Etruscan and Early Roman Art
20(28)
Beginnings of Rome
22(1)
The Villanovans
23(2)
Etruscans in the Wider World
25(22)
Etruscan Tombs
28(2)
Tomb Painting
30(6)
Etruscan Sculpture
36(4)
Etruscan Bronzes
40(4)
Etruscan and Early roman Temple Architecture and Statuary
44(3)
The Legacy of Etruscan Art
47(1)
Romulus's Rome
22(5)
The Aristonothos Krater
27(16)
The Capitoline Wolf: A Case for Caution
43(3)
Materials and Techniques: Terracotta Sculpture
46(2)
2 Republican Rome and the Hellenistic World: Triumph, Commemoration, and Public Art
48(26)
The Empire of Alexander and the Rise of Rome
50(1)
Conquest and Culture
51(2)
Roman "Museums" of Greek Art
53(2)
The Triumph and Republican Temple Architecture
55(10)
Largo Argentina
56(1)
Temples by the Tiber
57(3)
Temples at Tivoli
60(1)
Sanctuary of Fortuna at Praeneste
60(3)
Triumphal Painting
63(2)
Sculpture
65(5)
Munich Marine Thiasos and Paris Census Reliefs
65(2)
Aemilius Paullus Monument
67(1)
Lagina, Temple of Hecate Frieze
68(1)
Via San Gregorio Pediment
69(1)
Portraiture
70(4)
Imagines and Republican Portraits
71(1)
Verism
72
The Reception of Greek Art in Rome
51(3)
Roman Histories of Greek Art
54(8)
Materials and Techniques: Concrete
62(9)
Polybius on Imagines and the Roman Republican Funeral
71(3)
3 Republican Rome and the Hellenistic World-Art of the Roman Household
74(26)
Evidence from Delos and Vesuvius
76(1)
The Atrium House
76(14)
Mosaics
79(3)
Mural Painting
82(8)
Domestic Sculpture
90(8)
"Neo-Attic" Sculpture and the Art Market
90(8)
Roman and Hellenistic Art
98(2)
Materials and Techniques: Linear and Atmospheric Perspective
86(7)
The Mahdia and Antikythera Wrecks
93(2)
Cicero as Collector
95(4)
Herculaneum: The Villa of the Papyri
99(1)
4 From Republic to Empire: Art in the Age of Civil War
100(26)
The First Triumvirate and Civil War
102(7)
Portraits of Pompey and Caesar
103(2)
Theater of Pompey
105(1)
Forum of Caesar
105(4)
The Second Triumvirate and Civil War
109(2)
Portraits of Antonius and Octavian
110(1)
Transforming Rome
111(15)
House on the Palatine
112(5)
Temple of Caesar in the Republican Forum
117(2)
Basilica Aemiua
119(2)
Completing Caesar's Buildings in the Campus Martius
121
Greek and Roman Theaters
106(6)
Materials and Techniques: Marble
112(3)
Restorations of Republican Temples
115(11)
Part II The Formation of the Roman Empire (27 BCE --96 CE)
126(106)
5 Augustus, the Principate, and Art
128(24)
Augustus in Concept and Image
130(8)
Portraits of Augustus
132(2)
Portraiture, the Family of Augustus, and Succession
134(4)
The Building Program of Augustus
138(9)
Mausoleum of Augustus
138(1)
Horologium
139(1)
Arapacis
140(4)
Forum of Augustus
144(3)
Later Second Style Wall Painting
147(3)
Third Style Wall Painting
150(1)
Augustus's Legacy
151(1)
Augustus and the Honors of 27 BCE
130(1)
Materials and Techniques: Roman Coins
131(6)
Identity and Individuality in Roman Portraits of Women
137(12)
Vitruvius on Wall Painting
149(3)
6 Imperial Portraiture and Commemoration in the Early Empire
152(26)
The Julio-Claudians
154(14)
Portraiture of Tiberius and Caligula
154(2)
Portraiture of Claudius and Nero
156(4)
Julio-Claudian Cameos
160(5)
Julio-Claudian Commemorative Sculpture
165(3)
The Flavians
168(10)
Flavian Portraiture
169(1)
Female Portraiture: Julio-Claudian vs. Flavian
170(3)
Flavian Commemorative Sculpture
173
The Julio-Claudian Dynasty and Imperial Succession
156(5)
Materials and Techniques: Cameos
161(3)
The Cult of Roma and Augustus
164(7)
Imperial Women
171(1)
The Flavian Portraits from Misenum
172(6)
7 Palaces and Public Works in the Early Empire
178(26)
Imperial Palaces
181(12)
Domusaurea
181(2)
Domusflavia
183(3)
Interiors: Fourth Style Wall Painting
186(3)
Interiors: Statuary
189(4)
Public Works
193(11)
Templum Pacis
195(1)
Forum of Domitian/Nerva
196(1)
Aqueducts
197(1)
Baths
198(1)
The Flavian Amphitheater and Public Spectacle
199
New Light on Early Imperial Palaces
180(3)
The Domus Aurea---Tacitus and Suetonius
183(2)
Materials and Techniques: Damnatio Memoriae
185(7)
Sperlonga and Statuary
192(12)
8 Provincial and Private Art in the Early Empire
204(28)
Private Funerary Art
206(7)
Amiternum Reliefs
206(2)
Tomb of Eurysaces
208(2)
Tomb of the Haterii
210(3)
Art and Architecture in the Provinces
213(19)
Temples in the Provinces
213(9)
Commemoration in the Provinces
222(5)
Theaters and Amphitheaters in the Provinces
227
Liberti in the Early Empire
207(11)
Corinth
218(2)
Temple of Dendur
220(8)
The Stadium atAphrodisias
228(4)
Part III The High Empire (96--192 CE)
232(82)
9 Art in the Reign of Trajan
234(26)
Nerva's Successor
236(3)
Imperial Portraits
237(2)
Trajan's Buildings in Rome
239(12)
Baths
239(2)
Markets
241(1)
Forum of Trajan
242(8)
Trajanic Frieze on the Arch of Constantine
250(1)
Trajan's Buildings outside Rome
251(6)
Arch at Beneventum
251(2)
Tropaeum Traiani at Adamklissi
253(1)
Ostia
254(3)
From Trajan to Hadrian
257(3)
Anaglypha Hadrian! (Formerly Traiani)
257
Adoption in Rome
236(4)
Seneca and Life in a Roman Bath
240(4)
Where Was the Temple of Divus Traianus?
244(2)
Materials and Techniques: Colored Marbles and Exotic Stones
246(14)
10 The Art of Hadrian and the Antonines
260(26)
Hadrian
262(12)
Hadrian's Portraiture
262(1)
Relief Sculpture
263(3)
Hadrianic Building in Rome
266(8)
The Antonines
274(12)
Succession
274(1)
Portraiture
275(1)
Commemorative Relief Sculpture
276(7)
Antonine Building in Rome
283
Materials and Techniques: Roman Brick Stamps and the Dating of the Pantheon
268
Hadrian and Apollodorus
20(253)
Excavations at the Athenaeum
273(7)
Bronze Sculpture and the Equestrian Portrait of Marcus Aurelius
280(6)
11 Provincial Art in the High Empire
286(28)
The Provinces
288(22)
Urban Development
290(6)
Colonnaded Streets
296(1)
Colonnaded Facades/Statuary Display
297(3)
The Bath-Gymnasium
300(1)
Stage Buildings
300(1)
Hadrian's Villa at Tivoli
301(5)
Sculpture in the Provinces
306(4)
Funerary Art and Sarcophagi
310(4)
Herodes Atticus and Euergetism
288(16)
Hadrian's Wall and the Limits of the Empire
304(4)
Antinous and the Travels of Hadrian
308(6)
Part IV Collapse and Recovery: Art across the Later Roman Empire (193--337 CE)
314(74)
12 Art in the Age of the Severans
316(26)
Severan Portraiture
318(6)
Portraits of Septimius Severus
318(2)
The Imperial Family
320(3)
Later Severan Portraiture
323(1)
Building in Rome
324(13)
Restorations
324(1)
Palatine
325(1)
Baths of Caracalla and its Decorative Program
326(2)
Arch of the Argentarii
328(2)
Parthian Arch in the Roman Forum
330(2)
Leptis Magna
332(5)
Private Art after the Antonines
337(5)
Bacchic and Seasons Sarcophagi
337(1)
Antioch Mosaics
338
Mummy Portraits
322(3)
Forma Urbis Romae
325(11)
Leptis Magna and the Severans
336(4)
Materials and Techniques: Roman Mosaics
340(2)
13 The Art of the Soldier Emperors and the Tetrarchy
342(24)
Soldier Emperors
344(7)
Portraiture
344(5)
Biographical Sarcophagi
349(2)
The Tetrarchy
351(15)
Portraiture
353(2)
Commemorative Sculpture
355(5)
Palatial Architecture Across the Empire
360
Materials and Techniques: Roman Pottery across the Empire
345(7)
The Tetrarchy: Tradition and Innovation
352(14)
14 Constantine and the Legacies of Roman Art
366(22)
Constantine the Emperor
368(14)
Constantine's Portraiture
369(1)
Constantine's Building Program in Rome
370(3)
Late Antique Style
373(1)
Christian Rome
374(3)
The "New" Rome of Constantine
377(5)
Epilogue: Rome's Lasting Legacy
382(6)
Roman Empires Retained and Revived
382(1)
Roman Models in Modern Times
383
Basilica of Maxentius
368(10)
Catacombs in Rome
378(2)
Materials and Techniques: Ancient Statuary in Constantinople
380(4)
Otto III and Rome
384(4)
Glossary 388(4)
Further Reading 392(3)
Sources of Quotations 395(1)
Sources of Illustrations 396(2)
Index 398
Mark D. Fullerton is Professor of History of Art and Classics at The Ohio State University. He has held positions in the Archaeological Institute of America and the American School of Classical Studies at Athens, and has served as a staff member of several archaeological excavations in both Italy and Greece. He is the author of Greek Sculpture, Greek Art and The Archaistic Style in Roman Statuary, and co-editor of Ancient Art and Its Historiography.