Preface |
|
9 | (2) |
Introduction: What Is Roman about Roman Art? |
|
11 | (6) |
Architectural Orders in Rome and the Empire |
|
17 | (1) |
|
Part I Rome and Italy before the Empire (c. 800--27 BCE) |
|
|
18 | (108) |
|
1 Etruscan and Early Roman Art |
|
|
20 | (28) |
|
|
22 | (1) |
|
|
23 | (2) |
|
Etruscans in the Wider World |
|
|
25 | (22) |
|
|
28 | (2) |
|
|
30 | (6) |
|
|
36 | (4) |
|
|
40 | (4) |
|
Etruscan and Early roman Temple Architecture and Statuary |
|
|
44 | (3) |
|
The Legacy of Etruscan Art |
|
|
47 | (1) |
|
|
22 | (5) |
|
|
27 | (16) |
|
The Capitoline Wolf: A Case for Caution |
|
|
43 | (3) |
|
Materials and Techniques: Terracotta Sculpture |
|
|
46 | (2) |
|
2 Republican Rome and the Hellenistic World: Triumph, Commemoration, and Public Art |
|
|
48 | (26) |
|
The Empire of Alexander and the Rise of Rome |
|
|
50 | (1) |
|
|
51 | (2) |
|
Roman "Museums" of Greek Art |
|
|
53 | (2) |
|
The Triumph and Republican Temple Architecture |
|
|
55 | (10) |
|
|
56 | (1) |
|
|
57 | (3) |
|
|
60 | (1) |
|
Sanctuary of Fortuna at Praeneste |
|
|
60 | (3) |
|
|
63 | (2) |
|
|
65 | (5) |
|
Munich Marine Thiasos and Paris Census Reliefs |
|
|
65 | (2) |
|
Aemilius Paullus Monument |
|
|
67 | (1) |
|
Lagina, Temple of Hecate Frieze |
|
|
68 | (1) |
|
Via San Gregorio Pediment |
|
|
69 | (1) |
|
|
70 | (4) |
|
Imagines and Republican Portraits |
|
|
71 | (1) |
|
|
72 | |
|
The Reception of Greek Art in Rome |
|
|
51 | (3) |
|
Roman Histories of Greek Art |
|
|
54 | (8) |
|
Materials and Techniques: Concrete |
|
|
62 | (9) |
|
Polybius on Imagines and the Roman Republican Funeral |
|
|
71 | (3) |
|
3 Republican Rome and the Hellenistic World-Art of the Roman Household |
|
|
74 | (26) |
|
Evidence from Delos and Vesuvius |
|
|
76 | (1) |
|
|
76 | (14) |
|
|
79 | (3) |
|
|
82 | (8) |
|
|
90 | (8) |
|
"Neo-Attic" Sculpture and the Art Market |
|
|
90 | (8) |
|
Roman and Hellenistic Art |
|
|
98 | (2) |
|
Materials and Techniques: Linear and Atmospheric Perspective |
|
|
86 | (7) |
|
The Mahdia and Antikythera Wrecks |
|
|
93 | (2) |
|
|
95 | (4) |
|
Herculaneum: The Villa of the Papyri |
|
|
99 | (1) |
|
4 From Republic to Empire: Art in the Age of Civil War |
|
|
100 | (26) |
|
The First Triumvirate and Civil War |
|
|
102 | (7) |
|
Portraits of Pompey and Caesar |
|
|
103 | (2) |
|
|
105 | (1) |
|
|
105 | (4) |
|
The Second Triumvirate and Civil War |
|
|
109 | (2) |
|
Portraits of Antonius and Octavian |
|
|
110 | (1) |
|
|
111 | (15) |
|
|
112 | (5) |
|
Temple of Caesar in the Republican Forum |
|
|
117 | (2) |
|
|
119 | (2) |
|
Completing Caesar's Buildings in the Campus Martius |
|
|
121 | |
|
|
106 | (6) |
|
Materials and Techniques: Marble |
|
|
112 | (3) |
|
Restorations of Republican Temples |
|
|
115 | (11) |
|
Part II The Formation of the Roman Empire (27 BCE --96 CE) |
|
|
126 | (106) |
|
5 Augustus, the Principate, and Art |
|
|
128 | (24) |
|
Augustus in Concept and Image |
|
|
130 | (8) |
|
|
132 | (2) |
|
Portraiture, the Family of Augustus, and Succession |
|
|
134 | (4) |
|
The Building Program of Augustus |
|
|
138 | (9) |
|
|
138 | (1) |
|
|
139 | (1) |
|
|
140 | (4) |
|
|
144 | (3) |
|
Later Second Style Wall Painting |
|
|
147 | (3) |
|
Third Style Wall Painting |
|
|
150 | (1) |
|
|
151 | (1) |
|
Augustus and the Honors of 27 BCE |
|
|
130 | (1) |
|
Materials and Techniques: Roman Coins |
|
|
131 | (6) |
|
Identity and Individuality in Roman Portraits of Women |
|
|
137 | (12) |
|
Vitruvius on Wall Painting |
|
|
149 | (3) |
|
6 Imperial Portraiture and Commemoration in the Early Empire |
|
|
152 | (26) |
|
|
154 | (14) |
|
Portraiture of Tiberius and Caligula |
|
|
154 | (2) |
|
Portraiture of Claudius and Nero |
|
|
156 | (4) |
|
|
160 | (5) |
|
Julio-Claudian Commemorative Sculpture |
|
|
165 | (3) |
|
|
168 | (10) |
|
|
169 | (1) |
|
Female Portraiture: Julio-Claudian vs. Flavian |
|
|
170 | (3) |
|
Flavian Commemorative Sculpture |
|
|
173 | |
|
The Julio-Claudian Dynasty and Imperial Succession |
|
|
156 | (5) |
|
Materials and Techniques: Cameos |
|
|
161 | (3) |
|
The Cult of Roma and Augustus |
|
|
164 | (7) |
|
|
171 | (1) |
|
The Flavian Portraits from Misenum |
|
|
172 | (6) |
|
7 Palaces and Public Works in the Early Empire |
|
|
178 | (26) |
|
|
181 | (12) |
|
|
181 | (2) |
|
|
183 | (3) |
|
Interiors: Fourth Style Wall Painting |
|
|
186 | (3) |
|
|
189 | (4) |
|
|
193 | (11) |
|
|
195 | (1) |
|
|
196 | (1) |
|
|
197 | (1) |
|
|
198 | (1) |
|
The Flavian Amphitheater and Public Spectacle |
|
|
199 | |
|
New Light on Early Imperial Palaces |
|
|
180 | (3) |
|
The Domus Aurea---Tacitus and Suetonius |
|
|
183 | (2) |
|
Materials and Techniques: Damnatio Memoriae |
|
|
185 | (7) |
|
|
192 | (12) |
|
8 Provincial and Private Art in the Early Empire |
|
|
204 | (28) |
|
|
206 | (7) |
|
|
206 | (2) |
|
|
208 | (2) |
|
|
210 | (3) |
|
Art and Architecture in the Provinces |
|
|
213 | (19) |
|
|
213 | (9) |
|
Commemoration in the Provinces |
|
|
222 | (5) |
|
Theaters and Amphitheaters in the Provinces |
|
|
227 | |
|
Liberti in the Early Empire |
|
|
207 | (11) |
|
|
218 | (2) |
|
|
220 | (8) |
|
The Stadium atAphrodisias |
|
|
228 | (4) |
|
Part III The High Empire (96--192 CE) |
|
|
232 | (82) |
|
9 Art in the Reign of Trajan |
|
|
234 | (26) |
|
|
236 | (3) |
|
|
237 | (2) |
|
Trajan's Buildings in Rome |
|
|
239 | (12) |
|
|
239 | (2) |
|
|
241 | (1) |
|
|
242 | (8) |
|
Trajanic Frieze on the Arch of Constantine |
|
|
250 | (1) |
|
Trajan's Buildings outside Rome |
|
|
251 | (6) |
|
|
251 | (2) |
|
Tropaeum Traiani at Adamklissi |
|
|
253 | (1) |
|
|
254 | (3) |
|
|
257 | (3) |
|
Anaglypha Hadrian! (Formerly Traiani) |
|
|
257 | |
|
|
236 | (4) |
|
Seneca and Life in a Roman Bath |
|
|
240 | (4) |
|
Where Was the Temple of Divus Traianus? |
|
|
244 | (2) |
|
Materials and Techniques: Colored Marbles and Exotic Stones |
|
|
246 | (14) |
|
10 The Art of Hadrian and the Antonines |
|
|
260 | (26) |
|
|
262 | (12) |
|
|
262 | (1) |
|
|
263 | (3) |
|
Hadrianic Building in Rome |
|
|
266 | (8) |
|
|
274 | (12) |
|
|
274 | (1) |
|
|
275 | (1) |
|
Commemorative Relief Sculpture |
|
|
276 | (7) |
|
Antonine Building in Rome |
|
|
283 | |
|
Materials and Techniques: Roman Brick Stamps and the Dating of the Pantheon |
|
|
268 | |
|
|
20 | (253) |
|
Excavations at the Athenaeum |
|
|
273 | (7) |
|
Bronze Sculpture and the Equestrian Portrait of Marcus Aurelius |
|
|
280 | (6) |
|
11 Provincial Art in the High Empire |
|
|
286 | (28) |
|
|
288 | (22) |
|
|
290 | (6) |
|
|
296 | (1) |
|
Colonnaded Facades/Statuary Display |
|
|
297 | (3) |
|
|
300 | (1) |
|
|
300 | (1) |
|
Hadrian's Villa at Tivoli |
|
|
301 | (5) |
|
Sculpture in the Provinces |
|
|
306 | (4) |
|
Funerary Art and Sarcophagi |
|
|
310 | (4) |
|
Herodes Atticus and Euergetism |
|
|
288 | (16) |
|
Hadrian's Wall and the Limits of the Empire |
|
|
304 | (4) |
|
Antinous and the Travels of Hadrian |
|
|
308 | (6) |
|
Part IV Collapse and Recovery: Art across the Later Roman Empire (193--337 CE) |
|
|
314 | (74) |
|
12 Art in the Age of the Severans |
|
|
316 | (26) |
|
|
318 | (6) |
|
Portraits of Septimius Severus |
|
|
318 | (2) |
|
|
320 | (3) |
|
Later Severan Portraiture |
|
|
323 | (1) |
|
|
324 | (13) |
|
|
324 | (1) |
|
|
325 | (1) |
|
Baths of Caracalla and its Decorative Program |
|
|
326 | (2) |
|
|
328 | (2) |
|
Parthian Arch in the Roman Forum |
|
|
330 | (2) |
|
|
332 | (5) |
|
Private Art after the Antonines |
|
|
337 | (5) |
|
Bacchic and Seasons Sarcophagi |
|
|
337 | (1) |
|
|
338 | |
|
|
322 | (3) |
|
|
325 | (11) |
|
Leptis Magna and the Severans |
|
|
336 | (4) |
|
Materials and Techniques: Roman Mosaics |
|
|
340 | (2) |
|
13 The Art of the Soldier Emperors and the Tetrarchy |
|
|
342 | (24) |
|
|
344 | (7) |
|
|
344 | (5) |
|
|
349 | (2) |
|
|
351 | (15) |
|
|
353 | (2) |
|
|
355 | (5) |
|
Palatial Architecture Across the Empire |
|
|
360 | |
|
Materials and Techniques: Roman Pottery across the Empire |
|
|
345 | (7) |
|
The Tetrarchy: Tradition and Innovation |
|
|
352 | (14) |
|
14 Constantine and the Legacies of Roman Art |
|
|
366 | (22) |
|
|
368 | (14) |
|
Constantine's Portraiture |
|
|
369 | (1) |
|
Constantine's Building Program in Rome |
|
|
370 | (3) |
|
|
373 | (1) |
|
|
374 | (3) |
|
The "New" Rome of Constantine |
|
|
377 | (5) |
|
Epilogue: Rome's Lasting Legacy |
|
|
382 | (6) |
|
Roman Empires Retained and Revived |
|
|
382 | (1) |
|
Roman Models in Modern Times |
|
|
383 | |
|
|
368 | (10) |
|
|
378 | (2) |
|
Materials and Techniques: Ancient Statuary in Constantinople |
|
|
380 | (4) |
|
|
384 | (4) |
Glossary |
|
388 | (4) |
Further Reading |
|
392 | (3) |
Sources of Quotations |
|
395 | (1) |
Sources of Illustrations |
|
396 | (2) |
Index |
|
398 | |