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Art and Design Fundamentals: 2D and Color [Loose-leaf]

(Coastal Carolina University)
  • Formāts: Loose-leaf, 240 pages, height x width x depth: 211x279x18 mm, weight: 930 g
  • Izdošanas datums: 30-Jul-2021
  • Izdevniecība: OUP India
  • ISBN-10: 0190864494
  • ISBN-13: 9780190864491
Citas grāmatas par šo tēmu:
  • Formāts: Loose-leaf, 240 pages, height x width x depth: 211x279x18 mm, weight: 930 g
  • Izdošanas datums: 30-Jul-2021
  • Izdevniecība: OUP India
  • ISBN-10: 0190864494
  • ISBN-13: 9780190864491
Citas grāmatas par šo tēmu:
Written for visual learners, Art and Design Fundamentals offers thorough yet succinct coverage of both traditional topics and new technologies. Details are crucial to Art and Design Fundamentals; diverse visual examples highlight new perspectives, encourage cultural awareness, and support an
equal emphasis on male and female artists. Students and professors alike will appreciate its logical organization, recommended projects, and resources that encourage detailed image analysis and illustrate how art and design principles and elements work together. Art and Design Fundamentals' robust
suite of digital resources and wealth of projects help students hone the skills they need to produce exceptional work in a dynamic field.

*NOTE: This text is available in two versions. For courses that focus on two-dimensional design, Oxford publishes a separate, briefer version of this text, entitled Art and Design Fundamentals: 2D and Color (enhanced e-book ISBN 978-0-19-753711-4 / softcover ISBN 978-0-19-063268-7). For coverage of
3D and 4D design, Oxford publishes a separate, more comprehensive version of this text that includes a Part Four: Three-Dimensional Design and Beyond check out Art and Design Fundamentals (enhanced e-book ISBN 978-0-19-063267-0 / softcover ISBN 978-0-19-063260-1).
Preface xviii
About the Author xxiii
Acknowledgments xxiv
List of Reviewers
xxiv
Introduction: Art and Design Today xxv
Part 1 Process and Principles
2(62)
Chapter 1 Thinking, Meaning, and Creativity
4(20)
Looking Ahead
5(1)
Thinking Creatively
6(1)
Seven Principles of Creative Thinking
6(2)
Approaches to Thinking Creatively
8(1)
Conceptual Thinking
9(1)
Lateral Thinking
9(1)
Questioning Assumptions
10(1)
Finding Inspiration
10(1)
New Perspectives: David Hammons's Basketball Drawings
11(2)
Creating Meaning
13(1)
Perception and Meaning
14(1)
Modernism and Postmodernism
15(1)
Postmodernism and Contemporary Contexts
16(1)
Thinking Critically: A Framework
17(1)
Form and Content
17(3)
Global Connections > Benin Sculpture
20(1)
Form and Function
20(1)
Subject and Content
21(1)
Think About It
22(1)
In the Studio
22(1)
Visual Vocabulary
23(1)
Chapter 2 The Design Process
24(20)
Looking Ahead
25(1)
Problem Solving
26(1)
Getting Started
27(1)
Identify the Criteria
27(1)
Investigate the Person, Object, or Topic
27(1)
Evaluate the Context
28(1)
Audience
28(1)
Purpose
28(1)
Media and Materials
28(1)
New Perspectives: Frank Gehry's Guggenheim Museum Bilbao
29(1)
Tone
30(1)
Generating Ideas
30(1)
Free Association
30(1)
Brainstorming
30(1)
Mind Mapping
31(1)
Role Playing
31(1)
What If?
31(1)
Talk to a Friend
31(1)
Jump Right In
31(1)
Drawing and Visual Ideation
32(3)
Creating and Revising Your Work
35(1)
Evaluating Your Work: The Critique
36(1)
Ground Rules for Group Critiques
36(1)
Global Connections > The Expanding Thought Process of Shahzia Sikander
36(1)
Approaches to the Critique
37(1)
Descriptive Analysis
37(1)
Formal Analysis
38(1)
Comparative Analysis
39(1)
Accountability
40(1)
Think About It
41(1)
In the Studio
41(2)
Visual Vocabulary
43(1)
Chapter 3 Perception, Composition, and the Principles of Design
44(20)
Looking Ahead
45(1)
Perception
46(1)
Gestalt
46(1)
Visual and Conceptual Perception
47(1)
Starting Points for Composition
48(1)
Visual Orientation
48(1)
Open and Closed Composition
48(1)
How Viewers Read a Page
49(1)
Concept and Point of View
50(1)
Principles of Design
51(1)
Balance
52(1)
Scale and Proportion
53(1)
Global Connections > Symmetry and Meaning in Native American and Tibetan Art
54(1)
Emphasis
55(1)
Isolation
55(1)
Contrast
56(1)
Placement
56(1)
Unity and Variety
56(1)
Proximity
57(1)
Rhythm and Repetition
57(1)
Pattern
57(1)
The Grid
57(1)
New Perspectives: Katharina Grosse's Cincy
58(1)
A Holistic Approach
58(3)
Think About it
61(1)
In the Studio
61(2)
Visual Vocabulary
63(1)
Part 2 The Elements of Two-Dimensional Design
64(86)
Chapter 4 Line
66(16)
Looking Ahead
67(1)
Line Defined
68(1)
Characteristics of Line
69(1)
Measure
69(1)
Direction
69(1)
Character
69(1)
Quality
70(1)
Types of Line
70(1)
Contour Line
71(1)
Gestural Line
72(1)
Decorative Line
73(1)
Implied Line
73(1)
Using Line
73(1)
Generating Shapes
73(1)
Creating Texture
73(1)
Global Connections > Calligraphy
74(1)
Creating Value
75(1)
New Perspectives: Jochem Hendricks's Eye-Drawings
76(2)
Establishing Space
78(1)
Suggesting Movement
79(1)
Conveying Symbolic Meaning
79(1)
Think About It
79(1)
In the Studio
80(1)
Visual Vocabulary
81(1)
Chapter 5 Shape
82(14)
Looking Ahead
83(1)
Shape Defined
84(1)
Characteristics of Shape
84(1)
Contour
84(1)
New Perspectives: Kara Walker's Silhouettes
85(1)
Two-Dimensionality
85(1)
Types of Shape
85(1)
Representational Shapes
86(1)
Nonrepresentational Shapes
87(1)
Abstract Shapes
87(1)
Decorative Shapes
88(1)
Positive and Negative Shapes
88(1)
Actual and Implied Shapes
89(1)
Using Shape
90(1)
Unifying a Composition
90(2)
Conveying Symbolic Meaning
92(1)
Global Connections > National Symbols
93(1)
Think About It
94(1)
In the Studio
94(1)
Visual Vocabulary
95(1)
Chapter 6 Texture
96(14)
Looking Ahead
97(1)
Texture Defined
98(1)
Characteristics of Texture
98(1)
Types of Texture
99(1)
Actual Textures
99(1)
Global Connections > Evocative Textures in Aboriginal Dreamtime Paintings
100(2)
Simulated Textures
102(1)
Invented Textures
102(1)
Using Texture
102(1)
Creating Patterns
102(2)
Establishing Depth and Space
104(1)
New Perspectives: Willie Cole's Sunflower
104(1)
Tactile Evocation
105(1)
Art for the Visually Impaired
105(1)
Type as a Textural Element
106(1)
Think About It
107(1)
In the Studio
107(2)
Visual Vocabulary
109(1)
Chapter 7 Value
110(12)
Looking Ahead
111(1)
Value Defined
112(1)
Local and Relative Value
112(1)
Value Scales
113(1)
Characteristics of Value
113(1)
Types of Value
113(1)
High-Key Values
113(1)
Low-Key Values
113(1)
Continuous Values
114(1)
High Contrast (Chiaroscuro)
114(1)
Global Connections > The Black on Black Pottery of the San Ildefonso Pueblo
115(1)
Using Value
115(1)
Open-Value Versus Closed-Value Compositions
116(1)
Establishing Depth and Space
116(1)
Simulating Volume
117(1)
Techniques for Creating Value
118(1)
Shading
118(1)
Stippling
118(1)
Hatching and Cross-Hatching
118(1)
Medium and Value
119(1)
New Perspectives: Kate Kretz's Grace and Shame
119(1)
Think About It
120(1)
In the Studio
120(1)
Visual Vocabulary
121(1)
Chapter 8 Space
122(14)
Looking Ahead
123(1)
Space Defined
124(1)
Characteristics of Space
124(1)
Linear Perspective
124(1)
One-Point Perspective
125(1)
Two-Point Perspective
125(1)
Three-Point Perspective
126(1)
Multiple Perspectives
126(1)
Isometric Perspective
126(1)
Atmospheric Perspective
127(1)
Amplified Perspective
127(1)
Types of Space
128(1)
Illusionistic Space
128(1)
Cubist Space
128(1)
Psychological Space
128(1)
Decorative Space
128(1)
Global Connections > Hierarchical Space in Ancient Egyptian Art
129(2)
New Perspectives: Char Davies's Ephemere
131(1)
Virtual Space
131(1)
Using Space
131(1)
Overlapping
132(1)
Relative Size and Proximity
132(1)
Vertical Location
132(1)
Transparency
133(1)
Symbolic Use of Space: Maps
133(1)
Think About It
134(1)
In the Studio
134(1)
Visual Vocabulary
135(1)
Chapter 9 Motion
136(14)
Looking Ahead
137(1)
Motion Defined
138(1)
Characteristics of Motion
139(1)
Linear Formats/Narrative
139(1)
Nonlinear Formats/Nonnarrative
139(1)
Types of Motion
139(1)
Implied Motion
140(1)
New Perspectives: Douglas Klauba's Project Superpowers
140(1)
Optical Illusions
141(2)
Using Motion
143(1)
Diagonals
143(1)
Lines of Force
144(1)
Stop Motion
144(1)
Motion Blur
144(1)
Multiple Images
145(1)
Global Connections > Multiple Images and Storytelling in Amos Bad Heart Buffalo's The Battle of Little Big Horn
145(1)
Cropping and Placement
146(1)
Foreshortening
146(2)
Think About It
148(1)
In the Studio
148(1)
Visual Vocabulary
149(1)
Part 3 Color
150(42)
Chapter 10 Color
152(24)
Looking Ahead
153(1)
Color Defined
154(1)
Characteristics of Color
154(1)
Hue
154(1)
Value
154(1)
Saturation
155(1)
Types of Color
156(1)
Additive Color
156(1)
Subtractive Color
156(1)
Using Color
156(1)
The Color Wheel
157(1)
Color Schemes
158(1)
Monochromatic Colors
158(1)
Analogous Colors
158(1)
Complements
158(1)
Global Connections > The Artwork of Richmond Ackam
159(1)
Split Complements
160(1)
Neutrals
160(1)
Chromatic Gray
160(1)
Triads
160(2)
Disharmony
162(1)
Color Interactions
163(1)
Successive Contrast
163(1)
Simultaneous Contrast
163(1)
The Bezold Effect
163(1)
Warm and Cool Colors
164(1)
Working with Color
164(1)
Color and Contrast
165(1)
Color and Balance
166(1)
Color and Space
166(1)
Color and Meaning
166(1)
Innate and Learned Responses
167(1)
New Perspectives: Portia Munson's Pink Project
168(1)
Color Psychology and Design
168(1)
Language and Emotion
169(1)
Expressionism
169(1)
Culture
170(3)
Think About It
173(1)
In the Studio
174(1)
Visual Vocabulary
174(2)
Chapter 11 Digital Color
176(16)
Looking Ahead
177(1)
Digital Color Defined
178(1)
Characteristics of Digital Color
178(1)
Color Space
178(1)
Color Depth
178(1)
Viewing Digital Color
178(1)
Digital Color on a Monitor
179(1)
Digital Color in Print
180(2)
Digital Color in 3D
182(1)
Using Digital Color
183(1)
Vector-Based and Raster-Based Programs
183(2)
Global Connections > Typefaces Inspired by African Writing Systems
185(1)
Digital Color Selection
185(1)
Digital Color Management
186(1)
Digital Color Presentation
187(3)
New Perspectives: David Hockney's Fresh Flowers
190(1)
Think About It
190(1)
In the Studio
190(1)
Visual Vocabulary
191(1)
Part 4 Three-Dimensional Design and Beyond
192(85)
Chapter 12 Thinking in Three Dimensions
194(16)
Looking Ahead
195(1)
Three-Dimensional Art and Design Defined
196(1)
Characteristics of Three-Dimensional Art and Design
196(1)
Mass and Volume
197(1)
Positive and Negative Space
197(1)
Light and Value
198(1)
Types of Three-Dimensional Art and Design
199(1)
Relief
199(1)
Freestanding Works
200(1)
New Perspectives: Tin Ly's Three-Dimensional "Paintings"
201(1)
Permanent and Impermanent Works
201(1)
Virtual Works
202(1)
Using Three Dimensions in Art and Design
203(1)
Global Connections > Temporal Art in Igbo Mbari Figures
204(2)
Ergonomics
206(1)
Think About It
207(1)
In the Studio
208(1)
Visual Vocabulary
209(1)
Chapter 13 Three-Dimensional Design Elements and Principles
210(20)
Looking Ahead
211(1)
Perception and Composition
212(1)
Three-Dimensional Design Elements
213(1)
Plane
213(1)
Color
214(1)
Natural Color
215(1)
Colorants
215(1)
Global Connections > Totem Poles and Memorial Poles
216(1)
Enhancing Dimensionality Using Color
216(1)
Flattening Using Color
216(1)
Texture
217(1)
Motion
217(2)
Three-Dimensional Design Principles
219(1)
Scale and Proportion
219(2)
Emphasis
221(1)
Contrast
221(1)
Placement
221(1)
New Perspectives: Eric Fischl's Tumbling Woman
221(1)
Isolation
222(1)
Balance
223(1)
Unity and Variety
223(1)
Rhythm and Repetition
224(1)
Pattern
224(2)
The Grid
226(1)
Think About It
227(1)
In the Studio
227(2)
Visual Vocabulary
229(1)
Chapter 14 Methods of Construction
230(18)
Looking Ahead
231(1)
Subtraction Method
232(1)
Wood Carving
233(1)
Stone Carving
234(1)
Addition Method
235(1)
Clay Modeling
235(2)
Polymer Clay Modeling
237(1)
Plaster, Wax, and Cement Modeling
237(1)
Substitution Method
237(1)
Waste Molds
238(1)
Flexible Molds
238(1)
Lost Wax Process
238(2)
Assemblage and Construction
240(1)
Metal Fabrication
241(1)
Mixed Media
241(1)
Found Objects
241(1)
Hybrid Works
241(1)
Global Connections > Kongo Power Figures
242(1)
New Perspectives: Mimi Shapiro's One Foot in Reality
243(1)
Digitally Constructed Design
244(2)
Think About It
246(1)
In the Studio
246(1)
Visual Vocabulary
247(1)
Chapter 15 New Forms of Art and Design
248(14)
Looking Ahead
249(1)
Conceptual Art
250(1)
Installations
251(2)
Memorials
253(1)
Earthworks
253(1)
Body Art
253(3)
Global Connections > Native American Mound Builders
256(1)
Postmodern Elements
256(1)
Sound
257(1)
New Perspectives: Stefan Sagmeister's AIGA Detroit Poster
258(1)
Smell
258(1)
Taste
258(2)
Think About It
260(1)
In the Studio
260(1)
Visual Vocabulary
261(1)
Chapter 16 Four-Dimensional Art and Design
262(15)
Looking Ahead
263(1)
Four-Dimensional Art and Design Defined
264(1)
Global Connections > Toshiharu Umeya's Kites
265(1)
Characteristics of Four-Dimensional Art and Design
266(1)
Duration
266(1)
Tempo
266(1)
Intensity
266(1)
Transition
266(1)
Types of Four-Dimensional Art and Design
266(1)
Linear Time
267(1)
Nonlinear Time
267(1)
Real Time
268(1)
Using Four Dimensions in Art and Design
269(1)
Performance Art
269(1)
Film and Video
270(1)
Animation
270(1)
New Perspectives: Marina Abramovic's The Artist Is Present
271(1)
Digital Art and Video Games
272(1)
Action Games
273(1)
Role-Playing Games (RPGs)
274(1)
Think About It
275(1)
In the Studio
275(1)
Visual Vocabulary
276(1)
Glossary 277(8)
References 285(1)
Credits 286(5)
Index 291