Atjaunināt sīkdatņu piekrišanu

Art of Experiment: Post-pandemic Knowledge Practices for 21st Century Architecture and Design [Hardback]

(University of Newcastle, UK), (KU Leuven, Belgium)
  • Formāts: Hardback, 156 pages, height x width: 234x156 mm, weight: 426 g, 20 Halftones, black and white; 20 Illustrations, black and white
  • Izdošanas datums: 21-Dec-2020
  • Izdevniecība: Routledge
  • ISBN-10: 113847956X
  • ISBN-13: 9781138479562
Citas grāmatas par šo tēmu:
  • Hardback
  • Cena: 191,26 €
  • Grāmatu piegādes laiks ir 3-4 nedēļas, ja grāmata ir uz vietas izdevniecības noliktavā. Ja izdevējam nepieciešams publicēt jaunu tirāžu, grāmatas piegāde var aizkavēties.
  • Daudzums:
  • Ielikt grozā
  • Piegādes laiks - 4-6 nedēļas
  • Pievienot vēlmju sarakstam
  • Bibliotēkām
  • Formāts: Hardback, 156 pages, height x width: 234x156 mm, weight: 426 g, 20 Halftones, black and white; 20 Illustrations, black and white
  • Izdošanas datums: 21-Dec-2020
  • Izdevniecība: Routledge
  • ISBN-10: 113847956X
  • ISBN-13: 9781138479562
Citas grāmatas par šo tēmu:

A handbook for navigating our troubled and precarious times intended to help readers imagine and make their world anew.

In search of new knowledge practices that can help us make the world liveable again, this book takes the reader on a journey across time – from the deep past to the unfolding future. The authors search beyond human knowledge to establish negotiated partnerships with forms of knowledge within the planet itself, examining how we have manipulated these historically through an anthropocentric focus. The book explores the many different kinds of knowledge, and the diversity of instruments needed to invoke and actuate the potency of human and nonhuman agencies. Four key phases in our ways of knowing are identified: material, strengthening, reconfiguring and extending. These are exemplified through case studies that take the form of worlding experiments, creating a handbook for navigating our troubled and precarious times that may help each reader imagine and make their world anew.

This pioneering work will inspire architects, artists, and designers as well as students, teachers and researchers across arts and design disciplines.

List of Figures
xi
Preface xiii
1 Introduction
1(6)
Rolf Hughes
Rachel Armstrong
1.1 Overview
1(6)
Material knowledge
2(1)
Strengthening knowledge
3(1)
Reconfiguring knowledge
3(1)
Worlding case studies
4(3)
2 Material knowledge
7(10)
Rolf Hughes
Rachel Armstrong
2.1 Primordial
7(7)
Big Bang origin of the universe
7(1)
Everything is entangled
8(1)
Strangeness of the mind
9(1)
Where does agency reside?
9(1)
Origin of planet Earth
10(1)
Biogenesis
11(2)
First Great Enfolding
13(1)
A new kind of extinction
13(1)
2.2 The first civilisation
14(3)
3 Strengthening knowledge
17(20)
Rolf Hughes
Rachel Armstrong
3.1 Origin of human thought
17(6)
Origin of humans
17(1)
Origin of human thought and language
18(2)
Early origins of formal knowledge
20(3)
3.2 Communities of thinking
23(5)
3.3 Development of modern science
28(9)
4 Reconfiguring knowledge
37(14)
Rolf Hughes
4.1 Beyond giving an account: the dark continents of research
37(1)
4.2 Epistemology and subjectivity
38(2)
4.3 The formation of artistic research
40(2)
4.4 The description problem in artistic research
42(1)
4.5 The concept of exposition in artistic research
43(1)
4.6 The challenge of evaluating "unconventional" research outcomes
44(1)
4.7 Epistemic plurality
44(1)
4.8 Transverse epistemologies
45(2)
4.9 Epistemic partiality
47(4)
5 Extending knowledge
51(60)
Rachel Armstrong
5.1 Organa Paradoxa
51(10)
5.2 Nonhuman dimensions
61(26)
5.3 Worlding experiments
87(24)
Sym-practices
87(1)
Symbiosis
87(1)
Symbiogenesis (endosymbiont hypothesis)
88(2)
Sympoiesis
90(2)
Sympathy
92(1)
An ethics of care
93(2)
Worlding as an entangled practice
95(1)
Vulnerability
96(1)
Imagination
96(1)
Familiarity
96(1)
Empathy
96(1)
Care
96(1)
Provocation
97(1)
Repetition
97(1)
Noninnocent perspectives
98(13)
6 Worlding case studies
111(36)
Rachel Armstrong
Rolf Hughes
6.1 Performance
111(5)
Creature Box
111(1)
The Capsule of Crossed Destinies
111(3)
Trace Hall
114(2)
6.2 Artefacts
116(23)
Brick Dialogues
111(1)
Caustic Ophelia
111(9)
Cracked Hermione
120(2)
Living Architecture
122(2)
Exploring interfaces
124(1)
Synthetic ethics
124(2)
Expressing outcomes
126(1)
Monstering: a transdisciplinary method for an unstable world
127(1)
The Temptations of the Nonlinear Ladder
128(2)
Making Monsters
130(1)
Monsters in Utopia
131(2)
Learning from Landscape: Forging Folklore, Tallinn Tales
133(1)
From Victoria Tunnel to Quantum Tunnelling
134(2)
Wicked Home: Sacred Spaces
136(3)
6.3 Toward an ecological era of knowledge exchange
139(8)
7 Conclusion
147(4)
Rachel Armstrong
Rolf Hughes
7.1 A new kind of knowledge: Organa Paradoxa
141(7)
7.2 Change making
148(1)
Developing appropriate tool sets
148(1)
Establishing new figures for thinking through
149(1)
Reconfiguring power relations
149(1)
Expanding the nature of experiment
149(1)
7.3 Activating knowledge
149(2)
8 Epilogue
151(2)
Rolf Hughes
8.1 An art of unfolding by Rolf Hughes
151(2)
Index 153
Rolf Hughes is professor in the epistemology of design-driven research at the Department of Architecture, KU Leuven, and director of artistic research for the Experimental Architecture Group. An interdisciplinary artist and performer, his writing spans creative and critical genres.

Rachel Armstrong is professor of experimental architecture at Newcastle University and visiting professor at KU Leuven. She pioneers the interdisciplinary field of "living architecture," which engages the material and technological potency of life within spatial agendas.