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Art Nouveau: Art, Architecture and Design in Transformation [Mīkstie vāki]

(Birkbeck University of London, UK)
  • Formāts: Paperback / softback, 272 pages, height x width x depth: 246x188x18 mm, weight: 640 g, 85 bw illus and 2 x 8pp colour plate sections with 31 colour illus
  • Izdošanas datums: 18-Nov-2021
  • Izdevniecība: Bloomsbury Visual Arts
  • ISBN-10: 135006114X
  • ISBN-13: 9781350061149
  • Mīkstie vāki
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  • Formāts: Paperback / softback, 272 pages, height x width x depth: 246x188x18 mm, weight: 640 g, 85 bw illus and 2 x 8pp colour plate sections with 31 colour illus
  • Izdošanas datums: 18-Nov-2021
  • Izdevniecība: Bloomsbury Visual Arts
  • ISBN-10: 135006114X
  • ISBN-13: 9781350061149
"Art Nouveau: Art, Architecture and Design in Transformation presents a new overview of the international Art Nouveau movement. Art Nouveau, Charlotte Ashby argues, represented the search for a new style for a new age, and hence a response to the conditions of modernity, in a world transformed by developments such as industrialisation, the growth of new cities, and the movements of populations into these cities, bringing about new ways of living, working and making that were felt to be fundamentally different to what had gone before. The book is structured around key themes for understanding the aesthetics and contexts of Art Nouveau, including form and ornament, symbolism and psychology, new forms of transport and communication, colonialism and imperialism, the rise of the 'modern woman' and the role of the patron-collector and the professional designer. Ashby explores the movement through 65 varied case studies of architecture, interiors, paintings, furniture, graphic arts, glass and ceramics by artists and designers, drawn from eighteen countries from a wide range of countries"--

Art Nouveau presents a new overview of the international Art Nouveau movement. Art Nouveau represented the search for a new style for a new age, a sense that the conditions of modernity called for fundamentally new means of expression. Art Nouveau emerged in a world transformed by industrialisation, urbanisation and increasingly rapid means of transnational exchange, bringing about new ways of living, working and creating.

This book is structured around key themes for understanding the contexts behind Art Nouveau, including new materials and technologies, colonialism and imperialism, the rise of the 'modern woman', the rise of the professional designer and the role of the patron-collector. It also explores the new ideas that inspired Art Nouveau: nature and the natural sciences, world arts and world religions, psychology and new visions for the modern self. Ashby explores the movement through 41 case studies of artists and designers, buildings, interiors, paintings, graphic arts, glass, ceramics and jewellery, drawn from a wide range of countries.

Recenzijas

Ashbys book examines afresh the complex origins, conditions and manifestations of International Art Nouveau through a series of evocative case studies drawn from a range of national contexts and organised around a series of compelling themes. This complicates and challenges our understanding of this key period in modern art, architecture and design and opens up fascinating new insights into the ways in which diverse historical actors grabbled with a rapidly changing world in their search for a modern style for a modern age -- Sabine Wieber, Lecturer in History of Art, University of Glasgow, UK Fresh and original in its approach, this study provides a comprehensive overview of Art Nouveau that considers the movements origins in imperialism and networks of global trade alongside its links to the emerging discipline of psychoanalysis, the concept of the New Woman, and new patterns of patronage in the arts. By casting formal innovation and experimentation as profoundly entangled with the social, political, and economic transformations of fin-de-sičcle society, Art Nouveau promises to forever change the way that we understand this movement and its relevance to our own historical moment. -- Jessica M. Dandona, Professor of Liberal Arts, Minneapolis College of Art and Design, USA

Papildus informācija

A new study of the Art Nouveau movement, focusing on key themes in aesthetics and culture, and based around 65 international case studies of Art Nouveau works by artists and designers.
List of illustrations
viii
Acknowledgements xii
Introduction 1(8)
What was Art Nouveau?
1(2)
Art and the conditions of modernity
3(2)
About this book
5(4)
PART I The Structures of Art Nouveau
9(118)
1 The nineteenth-century roots of Art Nouveau
11(13)
The Gothic Revival, design reform and the Oxford Museum of Natural History (1860)
11(5)
Aestheticism and Whistler's Peacock Room (1876-7)
16(5)
Nature, science and art and Liljefors's Woodcocks; Red-Backed Shrike; Thrush in Its Nest; Preying Hawk; Sparrows (1888)
21(3)
2 A new style for a new age: Innovations in form, materials and ornament
24(18)
Gaudi's Guell Palace: Form, materials and experience
25(4)
Lechner's Museum of Applied Arts: The invention of national ornament
29(3)
Sullivan's Guaranty Building: New ornament for new modes of construction
32(5)
Parallel developments in applied art
37(1)
Galle's On Such a Night as This: Material becomes ornament
38(4)
3 Sites of Art Nouveau: New forms of exhibition
42(18)
Brussels, L'Art moderne and the Les XX group
43(3)
The Munich Secession
46(6)
The 1900 Paris World's Fair
52(8)
4 Designers and manufacturers: How Art Nouveau was made and sold
60(19)
Charles Robert Ashbee and the Guild of Handicrafts
61(6)
Louis Comfort Tiffany, Clara Driscoll and Tiffany Studios
67(5)
Peter Behrens, Darmstadt and AEG
72(7)
5 Art Nouveau on paper: Print and graphic art
79(18)
Odilon Redon and the artist print
80(4)
Aubrey Beardsley: The artist as illustrator
84(3)
Elizabeth Shippen Green: Art Nouveau and commercial illustration
87(3)
International art and design journals
90(7)
6 Art Nouveau patrons and networks
97(30)
Siegfried Bing and the Maison de I'Art Nouveau
97(4)
Justus Brinckmann and museum curation
101(3)
Princess Tenisheva: The World of Art and the Talashkino artist's colony
104(4)
Sarah Bernhardt: Celebrity and patronage
108(9)
Conclusion to Part I: Art Nouveau in Vienna
117(1)
The Vienna Secession
117(7)
The Wiener Werkstatte
124(3)
PART II The content of Art Nouveau
127(96)
7 The power of nature
129(15)
Victor Horta: Tassel House and the jungle in the city
130(3)
August Endell: Elvira Studio and the wilder shores of life
133(4)
France Macdonald: The Pond and the threat of fecundity
137(1)
Rene-Jules Lalique: The beauties of nature
138(4)
The raw materials of Art Nouveau
142(2)
8 The global reach of colonialism
144(19)
The Sphinx Mysterieux and the performance of colonial power
146(3)
India Art Nouveau and pan-Asianism
149(5)
Dutch Art Nouveau and Javanese Batik
154(5)
Transnational Art Nouveau and cultural exchange
159(4)
9 Visions of other worlds and hopes for the future
163(14)
Stanislaw Wyspiariski: Visions of a future Polish nation
164(3)
Mary Seton Watts and the cosmos in ornament
167(5)
Hilma af Klint: Spiritualist visions
172(5)
10 Psychology, sex and the modern self
177(18)
Fernand Khnopff: The journey into the self
179(3)
Camille Claudel: The creative labour of the artist
182(2)
Edvard Munch: Trials of isolation and connection
184(4)
Elena Luksch-Makowsky: Gender and creativity
188(3)
Magnus Enckell, George Minne and the adolescent male nude
191(4)
11 Dream spaces: The Art Nouveau interior
195(15)
Fyodor Shekhtel: Ryabushinsky House and a kingdom beneath the waves
196(3)
Charles Rennie Mackintosh and Margaret Macdonald: Fritz Waerndorfer's music room and the performance of beauty
199(3)
The light of other worlds: Dreams of a nation
202(4)
Otto Wagner: St Leopold's Church and the healing power of art
206(4)
12 Conclusion: New art for a changing world
210(13)
Art Nouveau: Public art and collective identity
210(4)
Art Nouveau worldwide
214(4)
Art Nouveau: Decline and evolution
218(5)
Conclusion 223(4)
Bibliography 227(20)
Index 247
Charlotte Ashby is an art and design historian and Associate Lecturer at Birkbeck, University of London, UK. She is the author of Modernism in Scandinavia (Bloomsbury, 2017) and co-editor of Imagined Cosmopolis: Internationalism and Cultural Exchange, 1870s-1920s (2019).