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Art and Perception. Towards a Visual Science of Art, Part 1 [Hardback]

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Art and Perception. Towards a Visual Science of Art, Part 1Palielināt
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This collection of articles includes speculative and classical theories about what is known and believed about the visual, the eye, and the work of the brain in understanding visual communications. The 16 articles here cover such diverse topics as the movement toward a visual science of art, spatial organization principles in art, the origin of entasis (illusion, aesthetics or engineering), brain activity and implied motion in abstract paintings, designing visually rich textures, Piranesi and the "infinite prisons," gender's effect on the hemispherical laterality of Rembrandt's portraits, artful visions, visual interest during an aesthetic experience, illusions of movement, a universal model of aesthetic perception, portraits and the recognition of face images, fractal-like image statistics, statistical regularities of art images, disassociating pattern and perceptual differences in oculomotor behavior, and the science and art of autosterograms. VSP is a subsidiary of Brill. Annotation ©2008 Book News, Inc., Portland, OR (booknews.com)
Introduction: Art as a scientific object: toward a visual science of art
B. Pinna
1
Some principles of spatial organization in art
C.W. Tyler
17
The origins of entasis: illusion, aesthetics or engineering?
P. Thompson, G. Papadopoulou and E. Vassiliou
39
Brain activity accompanying perception of implied motion in abstract paintings
C.-Y. Kim and R. Blake
53
Designing visually rich, nearly random textures
J. Ninio
69
Piranesi and the infinite prisons
S. Roncato
87
Gender's effect on the hemispheric laterality of Rembrandt's portraits
J.A. Schirillo
103
Artful visions
N.J. Wade
111
Visual interest in pictorial art during an aesthetic experience
P. Locher, E.A. Krupinski, C. Mello-Thoms and C.F. Nodine
139
Art pieces that 'move' in our minds — an explanation of illusory motion based on depth reversal
T.V. Papathomas
163
A universal model of esthetic perception based on the sensory coding of natural stimuli
C. Redies
181
Portraits and perception: configural information in creating and recognizing face images
B.J. Balas and P. Sinha
203
Fractal-like image statistics in visual art: similarity to natural scenes
C. Redies, J. Hasenstein and J. Denzler
221
Statistical regularities of art images and natural scenes: spectra, sparseness and nonlinearities
D J. Graham and D.J. Field
233
Examining art: dissociating pattern and perceptual influences onoculomotor behaviour
B.W. Tatler, N.J. Wade and K. Kaulard
249
The science and craft of autostereograms
J. Ninio
269
Index 285
Baingio Pinna, Ph.D. (1993) in Experimental Psychology, University of Padua, Italy, is Professor of Psychology and Perceptual Psychology at University of Sassari, Italy. He has published extensively on visual psychophysics and discovered several new visual illusions (Revolving Wheels, Watercolor, Discoloration, Flashing Color Contrast, etc.).