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E-grāmata: Art and Reform in the Late Renaissance: After Trent

Edited by (Portland State University)
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Art and Reform in the Late Renaissance: After TrentPalielināt
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Drawing on recent research by established and emerging scholars of sixteenth- and seventeenth-century art, this volume reconsiders the art and architecture produced after 1563 across the conventional geographic borders. Rather than considering this period a degraded afterword to Renaissance classicism or an inchoate proto-Baroque, the book seeks to understand the art on its own terms. By considering artists such as Federico Barocci and Stefano Maderno in Italy, Hendrick Goltzius in the Netherlands, Antoine Caron in France, Francisco Ribalta in Spain, and Bartolomeo Bitti in Peru, the contributors highlight lesser known "reforms" of art from outside the conventional centers. As the first text to cover this formative period from an international perspective, this volume casts new light on the aftermath of the Renaissance and the beginnings of "Baroque."

Recenzijas

"Collectively, these essays demonstrate that Trent did have an effect on the visual arts; there was certainly no Tridentine style, but all of the artists studied in this collection shared at least one goalnamely, producing work that was appropriate for the postcouncil church. ...With such diverse results, the best way to understand the art and architecture of the age is with collections of excellent essays, such as these."

--Renaissance Quarterly

"This edited collection of fifteen concise, tightly-argued chapters by emerging and established scholars, furnished with an editors introduction, index, over seventy black-and-white illustrations, and thirteen color plates, offers a valuable contribution from an art historical perspective to the recent upswing of publications across fields in historical studies that critically reevaluate the impact and legacy of the Council of Trent and its declarations during the late sixteenth and early-to-mid seventeenth centuries."

--Journal of Jesuit Studies

List of Figures
vii
List of Plates
xi
Introduction: Rethinking Art After the Council of Trent 1(18)
Jesse M. Locker
1 On the "Reform" of Painting: Annibale Carracci and Caravaggio
19(14)
Clare Robertson
2 Sculpture, Rupture, and the "Baroque"
33(14)
Estelle Lingo
3 Spanish Painters in the Forefront of the Tridentine Reform
47(25)
Marcus B. Burke
4 Judgment, Resurrection, Conversion: Art in France During the Wars of Religion
72(21)
Iara A. Dundas
5 Reform After Trent in Florence
93(18)
Marcia B. Hall
6 Quella inerudita semplicita lombarda: The Lombard Origins of Counter-Reformation Affectivity
111(19)
Anne H. Muraoka
7 The Allure of the Object in Early Modern Spanish Religious Painting
130(24)
Carmen Ripolles
8 Federico Barocci, History, and the Body of Art
154(21)
Stuart Lingo
9 Neither for Trent nor Against: Faith and Works in Hendrick Goltzius's Allegories of the Christian Creed
175(28)
Walter S. Melion
10 Francisco Ribalta's Last Supper as a Symbol of Reform in Early Modern Valencia
203(19)
Lisandra Estevez
11 Water in Counter-Reformation Rome
222(18)
Katherine W. Rinne
12 A Missionary Order Without Saints: Iconography of Unbeatified and Uncanonized Jesuits in Italy and Peru, 1560--1614
240(22)
Gauvin Alexander Bailey
13 Bernardo Bitti: An Italian Reform Painter in Peru
262(16)
Christa Irwin
14 Painting as Relic: Giambattista Marino's Dicerie Sacre and the Shroud of Turin
278(15)
Andrew R. Casper
15 Resisting the Baroque in Seventeenth-Century Florence
293(23)
Eva Struhal
List of Contributors 316(5)
Photo Credits 321(2)
Index 323
Jesse M. Locker is Associate Professor of Art History at Portland State University.
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Permanent link: https://www.kriso.lv/db/97804298633636e.html
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