Acknowledgments |
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Part One Setting the Stage |
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3 | (1) |
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3 | (1) |
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The Voice, Performance, and Performance Anxiety |
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4 | (1) |
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Stage and Studio Technology |
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5 | (1) |
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Relationships: Singers, Producers, and Engineers |
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5 | (2) |
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7 | (1) |
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8 | (3) |
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Chapter One The Emergence of Technology |
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11 | (5) |
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11 | (1) |
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11 | (1) |
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12 | (1) |
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The Implications of Technology |
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13 | (3) |
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Chapter Two A History of the Voice |
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16 | (6) |
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16 | (1) |
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16 | (1) |
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17 | (1) |
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18 | (3) |
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21 | (1) |
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Chapter Three The Rise of the New Voice |
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22 | (5) |
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Musicality: From Song to Speech |
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22 | (1) |
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Meaning: From Communal to Individual Experience |
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23 | (1) |
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Manageability: From Confidence to Caution |
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24 | (1) |
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25 | (2) |
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Chapter Four The Birth of Performance and Performance Anxiety |
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27 | (16) |
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27 | (1) |
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27 | (3) |
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30 | (8) |
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38 | (5) |
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Chapter Five Singers, Producers, and Engineers |
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43 | (10) |
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43 | (1) |
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44 | (1) |
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44 | (4) |
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48 | (5) |
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Chapter Six Communication |
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53 | (11) |
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Common Communication Issues |
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53 | (6) |
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The Communication Choice Point |
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59 | (5) |
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Chapter Seven Intentions and Expectations |
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64 | (13) |
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A Look at the Differences |
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64 | (5) |
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Additional Intention-Related and Expectation-Related Challenges |
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69 | (1) |
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Dealing with Intentions and Expectations |
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70 | (4) |
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74 | (3) |
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Chapter Eight Responsibility |
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77 | (12) |
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77 | (1) |
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Another Look at Singers, Producers, and Engineers |
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77 | (1) |
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The Fundamental Cause of Blame |
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78 | (2) |
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The True Nature of Responsibility |
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80 | (2) |
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82 | (1) |
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The Fulfillment of Partnership |
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83 | (1) |
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Partnership Onstage and in the Studio |
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84 | (2) |
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86 | (3) |
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89 | (8) |
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Habits, Patterns, and Moods |
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89 | (1) |
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The Personality Principle |
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90 | (7) |
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Part Three Mastering the Tools |
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Chapter Ten An Overview of the Recording Process and Pre-Production |
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97 | (11) |
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Why Singers Need to Know About Technology |
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97 | (1) |
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Process, Equipment, Tools, and Concepts |
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98 | (1) |
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Expanding Your Experience |
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98 | (1) |
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99 | (9) |
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Chapter Eleven Production: Hardware and Software, Recording Logistics and Microphones |
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108 | (11) |
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108 | (1) |
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109 | (3) |
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112 | (4) |
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Voice Production in the Studio |
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116 | (3) |
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Chapter Twelve Headphones, Plug-Ins, and Post-Production |
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119 | (14) |
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Challenges with Headphones |
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119 | (2) |
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121 | (7) |
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Troubleshooting Plug-In Issues |
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128 | (1) |
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Translation Guide for Singers |
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129 | (2) |
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A Word of Advice for New Singers |
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131 | (1) |
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131 | (2) |
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Chapter Thirteen Live Sound and Performance |
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133 | (14) |
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The Studio Versus the Stage |
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133 | (1) |
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134 | (4) |
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138 | (3) |
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141 | (1) |
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142 | (3) |
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A Final Word About Performing and Performance Anxiety |
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145 | (2) |
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Chapter Fourteen The "Other" Tools |
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147 | (16) |
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147 | (1) |
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148 | (2) |
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When No Means Yes and Yes Means No |
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150 | (2) |
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Saying Yes to (Almost) Everything |
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152 | (1) |
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Finding Your Trusted Five |
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152 | (1) |
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153 | (2) |
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155 | (2) |
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Getting Screwed with Your Clothes On |
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157 | (1) |
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158 | (1) |
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159 | (4) |
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Part Four Beginning the Show |
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Chapter Fifteen A Brave New World |
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163 | (4) |
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163 | (1) |
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164 | (1) |
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164 | (3) |
Notes |
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167 | (8) |
Index |
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175 | |