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Art of Singing Onstage and in the Studio: Understanding the Psychology, Relationships and Technology in Performing and Recording [Mīkstie vāki]

  • Formāts: Paperback / softback, 192 pages, height x width x depth: 228x153x12 mm, weight: 313 g
  • Izdošanas datums: 01-Apr-2016
  • Izdevniecība: Hal Leonard Corporation
  • ISBN-10: 1495050262
  • ISBN-13: 9781495050268
Citas grāmatas par šo tēmu:
  • Mīkstie vāki
  • Cena: 28,70 €
  • Grāmatu piegādes laiks ir 3-4 nedēļas, ja grāmata ir uz vietas izdevniecības noliktavā. Ja izdevējam nepieciešams publicēt jaunu tirāžu, grāmatas piegāde var aizkavēties.
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  • Pievienot vēlmju sarakstam
  • Formāts: Paperback / softback, 192 pages, height x width x depth: 228x153x12 mm, weight: 313 g
  • Izdošanas datums: 01-Apr-2016
  • Izdevniecība: Hal Leonard Corporation
  • ISBN-10: 1495050262
  • ISBN-13: 9781495050268
Citas grāmatas par šo tēmu:
(Book). To be a great singer, talent and technique are obviously important, as are having excellent songs and being able to move an audience. But there's more to it than that, including two critical skills that are rarely, if ever, addressed in vocal training: managing the technology on stage and in the studio, and interacting with the people who run it. No matter how fantastic your voice is or how much money is behind you, if you don't know how to work with performing and recording technology, you're in for a tough ride. Countless phenomenal singers stagnate professionally and even leave the business because they can't figure out how to deliver when using studio headphones and stage monitors, or how to communicate their needs to producers and engineers. And many less-capable singers get ahead because they can. The Art of Singing on Stage and in the Studio is the only book that comprehensively addresses these critical issues in an easy-to-read, accessible style. Starting with a discussion of the evolution of technology and the voice in our culture, it also explores the root causes of anxiety-related performance issues and, more importantly, how to overcome them. Singers, performers, producers, and engineers will all come away from this book more knowledgeable about the origins of their fields, empowered in the tools of their trade, and clearer on how to best communicate with one another.
Acknowledgments
Part One Setting the Stage
Introduction
3(1)
The Journey Continues
3(1)
The Voice, Performance, and Performance Anxiety
4(1)
Stage and Studio Technology
5(1)
Relationships: Singers, Producers, and Engineers
5(2)
Bringing It All Together
7(1)
A Few Things to Consider
8(3)
Chapter One The Emergence of Technology
11(5)
A Different World
11(1)
Technology in Music
11(1)
A Bit of Perspective
12(1)
The Implications of Technology
13(3)
Chapter Two A History of the Voice
16(6)
Communion and Community
16(1)
Safety and Invitation
16(1)
The Journey of the Voice
17(1)
Melody and Memory
18(3)
The Role of the Voice
21(1)
Chapter Three The Rise of the New Voice
22(5)
Musicality: From Song to Speech
22(1)
Meaning: From Communal to Individual Experience
23(1)
Manageability: From Confidence to Caution
24(1)
The Three Changes
25(2)
Chapter Four The Birth of Performance and Performance Anxiety
27(16)
Singing
27(1)
Performing
27(3)
Performance Anxiety
30(8)
A New Beginning
38(5)
Part Two Enter the Cast
Chapter Five Singers, Producers, and Engineers
43(10)
Are You Ready?
43(1)
Some Common Problems
44(1)
Producers and Engineers
44(4)
Singers
48(5)
Chapter Six Communication
53(11)
Common Communication Issues
53(6)
The Communication Choice Point
59(5)
Chapter Seven Intentions and Expectations
64(13)
A Look at the Differences
64(5)
Additional Intention-Related and Expectation-Related Challenges
69(1)
Dealing with Intentions and Expectations
70(4)
The Birth of Partnership
74(3)
Chapter Eight Responsibility
77(12)
The Blame Game
77(1)
Another Look at Singers, Producers, and Engineers
77(1)
The Fundamental Cause of Blame
78(2)
The True Nature of Responsibility
80(2)
Radical Responsibility
82(1)
The Fulfillment of Partnership
83(1)
Partnership Onstage and in the Studio
84(2)
Equality and Leadership
86(3)
Chapter Nine Personality
89(8)
Habits, Patterns, and Moods
89(1)
The Personality Principle
90(7)
Part Three Mastering the Tools
Chapter Ten An Overview of the Recording Process and Pre-Production
97(11)
Why Singers Need to Know About Technology
97(1)
Process, Equipment, Tools, and Concepts
98(1)
Expanding Your Experience
98(1)
Pre-Production
99(9)
Chapter Eleven Production: Hardware and Software, Recording Logistics and Microphones
108(11)
The Basics
108(1)
Recording a Session
109(3)
Microphones
112(4)
Voice Production in the Studio
116(3)
Chapter Twelve Headphones, Plug-Ins, and Post-Production
119(14)
Challenges with Headphones
119(2)
Working with Plug-Ins
121(7)
Troubleshooting Plug-In Issues
128(1)
Translation Guide for Singers
129(2)
A Word of Advice for New Singers
131(1)
Post-Production
131(2)
Chapter Thirteen Live Sound and Performance
133(14)
The Studio Versus the Stage
133(1)
A Look at the Live Arena
134(4)
Hearing Through Feeling
138(3)
Mic Technique
141(1)
Television and Touring
142(3)
A Final Word About Performing and Performance Anxiety
145(2)
Chapter Fourteen The "Other" Tools
147(16)
The Business of Music
147(1)
The Art of the Contract
148(2)
When No Means Yes and Yes Means No
150(2)
Saying Yes to (Almost) Everything
152(1)
Finding Your Trusted Five
152(1)
Three Golden Rules
153(2)
The Casting Couch
155(2)
Getting Screwed with Your Clothes On
157(1)
When to Say No
158(1)
Embracing Plan B
159(4)
Part Four Beginning the Show
Chapter Fifteen A Brave New World
163(4)
Passion
163(1)
Relationships
164(1)
Lifelong Learning
164(3)
Notes 167(8)
Index 175