Atjaunināt sīkdatņu piekrišanu

Arts-Based Methods for Decolonising Participatory Research [Mīkstie vāki]

Edited by (University of Lapland, Finland), Edited by , Edited by
  • Formāts: Paperback / softback, 264 pages, height x width: 246x174 mm, weight: 508 g, 3 Tables, black and white; 42 Halftones, black and white; 42 Illustrations, black and white
  • Sērija : Routledge Advances in Art and Visual Studies
  • Izdošanas datums: 19-Dec-2022
  • Izdevniecība: Routledge
  • ISBN-10: 0367513315
  • ISBN-13: 9780367513313
  • Mīkstie vāki
  • Cena: 54,71 €
  • Grāmatu piegādes laiks ir 3-4 nedēļas, ja grāmata ir uz vietas izdevniecības noliktavā. Ja izdevējam nepieciešams publicēt jaunu tirāžu, grāmatas piegāde var aizkavēties.
  • Daudzums:
  • Ielikt grozā
  • Piegādes laiks - 4-6 nedēļas
  • Pievienot vēlmju sarakstam
  • Formāts: Paperback / softback, 264 pages, height x width: 246x174 mm, weight: 508 g, 3 Tables, black and white; 42 Halftones, black and white; 42 Illustrations, black and white
  • Sērija : Routledge Advances in Art and Visual Studies
  • Izdošanas datums: 19-Dec-2022
  • Izdevniecība: Routledge
  • ISBN-10: 0367513315
  • ISBN-13: 9780367513313

In an effort to challenge the ways in which colonial power relations and Eurocentric knowledges are reproduced in participatory research, this book explores whether and how it is possible to use arts-based methods for creating more horizontal and democratic research practices.

In discussing both the transformative potential and limitations of arts-based methods, the book asks: What can arts-based methods contribute to decolonising participatory research and its processes and practices? The book takes part in ongoing debates related to the need to decolonise research, and investigates practical contributions of arts-based methods in the practice-led research domain. Further, it discusses the role of artistic research in depth, locating it in a decolonising context.

The book will be of interest to scholars working in art history, design, fine arts, service design, social sciences and development studies.



In an effort to challenge the ways in which colonial power relations and Eurocentric knowledges are reproduced in participatory research, this book explores whether and how it is possible to use arts-based methods for creating more horizontal and democratic research practices.

List of Figures and Tables
vii
List of Contributors
x
Acknowledgements xiv
1 Introduction: Arts-Based Methods for Decolonising Participatory Research
1(18)
Tuna Seppala
Melanie Sarantou
Satu Miettinen
Section I Co-Creation, Collaboration, Movement
19(80)
2 Co-Creation Through Quilting: Connected Entanglements and Disruptions With Care
21(22)
Vishnu Vardhani Rajan
Shyam Gadhavi
Marjaana Jauhola
3 In Touch With the Mindful Body: Moving With Women and Girls at the Za'atari Refugee Camp
43(16)
Susanna Hast
4 Towards Just Dance Research: An uMunthu Participatory and Performative Inquiry Into Malawian-Norwegian Entanglements
59(22)
Sunniva Hovde
Asante Smzy Maulidi
Tone Pernille Østern
5 Participatory Photography With Women's Rights Activists in Nepal: Towards a Practice of Decolonial Feminist Solidarity?
81(18)
Tuna Seppala
Section II Participatory Service Design
99(84)
6 Archipelagos of Designing Through Ko-Ontological Encounters
101(22)
Yoko Akama
7 Building a Community Through Service Design and Responsiveness to Emotions
123(23)
Mariluz Soto Hormazabal
Katherine Mollenhauer
Satu Miettinen
Melanie Sarantou
8 Developing the Relational Dimension of Participatory Design Through Creativity-Based Methods
146(18)
Caoimhe Isha Beaule
Solen Roth
Anne Marchand
Karine Awashish
9 Navigating Uncertainty: Developing the Facilitator's Role Through Participatory Service Design Workshops
164(19)
Maija Rautiainen
Michelle Van Wyk
Satu Miettinen
Section III Artistic Research and Practice
183(76)
10 Decoloniality of Knowing and Being: Artistic Research Through Collaborative Craft Practice
185(13)
Nithikul Nimkulrat
11 The Flying Ants and the Beauty of Ice
198(19)
Heidi Pietarinen
Eija Timonen
12 Paint That Place With Light! Light Painting as a Means of Creating Attachment to Historical Locations--An Arts-Based Action Research Project
217(24)
Nina Luostarinen
Kirsi Mackenzie
13 John Savio's Art as a Part of Early Sami Decolonisation in the 1920s and 1930s
241(18)
Tuija Hautala-Hirvioja
Index 259
Tiina Seppälä is a senior researcher at the University of Lapland, Finland.

Melanie Sarantou is a senior researcher at the University of Lapland, Finland.

Satu Miettinen is a professor in service design at the University of Lapland, Finland.