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E-grāmata: Arts and Humanities on Environmental and Climate Change: Broadening Approaches to Research and Public Engagement

(CEO of Environment & Culture Partners, a nonprofit organization.)
  • Formāts: 120 pages
  • Izdošanas datums: 18-Oct-2022
  • Izdevniecība: Routledge
  • Valoda: eng
  • ISBN-13: 9781000737332
  • Formāts - PDF+DRM
  • Cena: 45,07 €*
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  • Formāts: 120 pages
  • Izdošanas datums: 18-Oct-2022
  • Izdevniecība: Routledge
  • Valoda: eng
  • ISBN-13: 9781000737332

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The Arts and Humanities on Environmental and Climate Change examines how cultural institutions and their collections can support a goal shared with the scientific community: creating a climate-literate public that engages with environmental issues and climate change in an informed way.

When researchers, curators, and educators use the arts and humanities to frame discussions about environmental and climate change, they can engage a far wider public in learning, conversation, and action than science can alone. Demonstrating that archival and object-based resources can act as vital evidence for change, Sutton shows how the historical record, paired with contemporary reality, can create more personal connections to what many consider a remote experience: the changing climate. Providing valuable examples of museum collections used in discussions of environmental and climate change, the book shares how historic images and landscape paintings demonstrate change over time; and how documentary evidence in the form of archaeological reports, ships logs, Henry David Thoreaus journals, and local reports of pond hockey conditions are being used to render climate data more accessible. Images, personal records, and professional documents have critical roles as boundary objects and proxy data. These climate resources, Sutton argues, are valuable because they make climate change personal and attract a public less interested in a scientific approach. This approach is underused by museums and their research allies for public engagement and for building institutional relevancy.

The Arts and Humanities on Environmental and Climate Change will be most interesting to readers looking for ways to broaden engagement with environmental and climate issues. The ideas shared here should also act as inspiration for a broad spectrum of practitioners, particularly those writing, designing, and curating public engagement materials in museums, for wider research, and for the media.
List of Figures
viii
Acknowledgments ix
Introduction: Museums' Humanities Resources as Allies for Science 1(8)
The Use of Proxy Data for Making the Invisible Visible
2(1)
Why Don't We Do This More?
3(3)
How This Book is Distinctive
6(1)
Why This Book May Be Valuable to You
7(2)
1 How Collections Materials Can Document Change over Time
9(15)
Museum Collections as Environmental Change Resources
9(1)
Natural History Museum Collections as "Durable Snapshots"
10(3)
Documenting Climate Change in Collections Materials
13(1)
Proxy Data
14(1)
Dendrological Materials
15(1)
How to Use Non-instrumental Proxy Data
16(2)
Using Scientific Collections Materials as Proxies for Climate Change
18(2)
Multi-factor Authentication
20(1)
Museums' Cultural Heritage Collections as Climate Change Resources
21(3)
2 How Humanities Materials Are Proxies for Documenting Climate Change
24(14)
Documentary Climate Proxy Sources: Instrumental and Non-instrumental
26(1)
Instrumental Proxy Data
26(4)
Instrumental Proxy Data with Narrative Proxy Data
29(1)
Building a Fuller Picture
29(1)
Mixed Proxy Data
30(6)
Ships' Logbooks
30(1)
Non-instrumental Proxy Data
31(1)
Archaeological Collections
32(1)
Wooden Materials
32(1)
Images and Depictions: Photographs, Paintings, Drawings, and Prints
33(3)
Conclusion
36(2)
3 Basic Documentary Proxy Materials in Museums
38(21)
Reasonable Use and Expectations of the Data
38(8)
Quantity
38(1)
Fluctuations
39(1)
Influences and Accuracy
39(4)
Weather Noise
43(1)
Sampling
44(2)
Historical Context
46(1)
Interpreting Environmental versus Climate Context
46(3)
Identifying Human Environmental Interference versus Human-driven Climate Change
48(1)
Noise in the Data
49(3)
Local Disparities--Noise or Better Data?
51(1)
Humanists' Role in Recognizing Environment versus Climate
52(1)
Accuracy, Trust, and Completeness in the Data
52(3)
Accuracy in Maps
53(2)
Accuracy in Art and Images
55(1)
Emerging Approach to This Work
55(4)
4 Untapped Potential for Public Engagement
59(24)
Ours, Theirs, or Both
60(1)
Local Context
61(1)
Experience
62(2)
Stories
64(2)
Objects
66(1)
Exhibits
67(9)
Early Spring, the Concord Museum
68(4)
Landscape of Change, Mount Desert Island Historical Society
72(4)
Crowdsourcing and Citizen Science
76(3)
Ice
77(1)
Weather Rescue at Sea
77(1)
TEMPEST Database
77(1)
United Kingdom Tidal Data
78(1)
Angling for Data on Michigan Fishes
78(1)
Botanical Data
78(1)
The Palaeontologist and the Gingko
79(1)
The Future of Climate Change Representation
79(4)
5 The Value of Cultural Heritage to Cultural Climate Diplomacy
83(12)
Cultural Diplomacy as a Resource for Climate Diplomacy
84(2)
Cultural Heritage as a Boundary Object for Climate Diplomacy: Cultural and Climate Diplomacy among Neighbors and Nations
86(9)
Neighbors
86(1)
Indigenous Peoples and the Federal Government as Neighbors/Nations
87(1)
Global Diplomacy: Toward Meaningful Engagement
88(2)
Negotiations
90(1)
The Trouble with Numbers
91(1)
The IPCC Reports
92(3)
6 Next Steps for Documentary Climate Proxy Data
95(9)
Intellectual Access
95(5)
Researcher Awareness
96(1)
Materials Identification
96(1)
Source Identification
97(1)
Datasets, Digitization, and Databases
98(2)
Methodologies
100(1)
Practical Access
100(2)
Researchers
100(1)
Funding
101(1)
Final Thoughts
102(2)
Index 104
Sarah Sutton is a long-time museum professional with significant expertise in environmental and climate issues. She is the CEO of Environment & Culture Partners, a nonprofit organization that accelerates change in the global cultural sector by designing and leading cooperative projects in climate action for global benefit. Sutton is also the author of Environment Sustainability at Historic Houses and Museums, and co-author of two editions (as Sarah Brophy) of The Green Museum, a Primer on Environmental Practice.