Atjaunināt sīkdatņu piekrišanu

Atlas of Disappearing Places: Our Coasts and Oceans in the Climate Crisis [Hardback]

3.76/5 (141 ratings by Goodreads)
  • Formāts: Hardback, 224 pages, height x width: 254x203 mm, Color
  • Izdošanas datums: 02-Sep-2021
  • Izdevniecība: The New Press
  • ISBN-10: 1620974568
  • ISBN-13: 9781620974568
Citas grāmatas par šo tēmu:
  • Hardback
  • Cena: 31,30 €
  • Grāmatu piegādes laiks ir 3-4 nedēļas, ja grāmata ir uz vietas izdevniecības noliktavā. Ja izdevējam nepieciešams publicēt jaunu tirāžu, grāmatas piegāde var aizkavēties.
  • Daudzums:
  • Ielikt grozā
  • Piegādes laiks - 4-6 nedēļas
  • Pievienot vēlmju sarakstam
  • Formāts: Hardback, 224 pages, height x width: 254x203 mm, Color
  • Izdošanas datums: 02-Sep-2021
  • Izdevniecība: The New Press
  • ISBN-10: 1620974568
  • ISBN-13: 9781620974568
Citas grāmatas par šo tēmu:
Illustrates twenty locations across the globe, from Shanghai to Houston, that face existential threats from global warming’s effects on our coasts and oceans and provides information on what mitigation can be done from government policies to grassroots activism. Illustrations.

"A heavily illustrated book and narrative about the threat of rising sea levels around the world"--

A beautiful and engaging guide to global warming&;s impacts around the world

&;The direction in which our planet is headed isn't a good one, and most of us don&;t know how to change it. The bad news is that we will experience great loss. The good news is that we already have what we need to build a better future.&; &;from the introduction

Our planet is in peril. Seas are rising, oceans are acidifying, ice is melting, coasts are flooding, species are dying, and communities are faltering. Despite these dire circumstances, most of us don&;t have a clear sense of how the interconnected crises in our ocean are affecting the climate system, food webs, coastal cities, and biodiversity, and which solutions can help us co-create a better future.

Through a rich combination of place-based storytelling, clear explanations of climate science and policy, and beautifully rendered maps that use a unique ink-on-dried-seaweed technique, The Atlas of Disappearing Places depicts twenty locations across the globe, from Shanghai and Antarctica to Houston and the Cook Islands. The authors describe four climate change impacts&;changing chemistry, warming waters, strengthening storms, and rising seas&;using the metaphor of the ocean as a body to draw parallels between natural systems and human systems.

Each chapter paints a portrait of an existential threat in a particular place, detailing what will be lost if we do not take bold action now. Weaving together contemporary stories and speculative &;future histories&; for each place, this work considers both the serious consequences if we continue to pursue business as usual, and what we can do&;from government policies to grassroots activism&;to write a different, more hopeful story.

A beautiful work of art and an indispensable resource to learn more about the devastating consequences of the climate crisis&;as well as possibilities for individual and collective action&;The Atlas of Disappearing Places will engage and inspire readers on the most pressing issue of our time.

Locations include:

Houston, Texas

Shanghai, China

Hamburg, Germany

San Juan, Puerto Rico

New York City, New York

Pisco, Peru

Kisite, Kenya

Kure Atoll, Hawaii

Camden, Maine

The Cook Islands

San Francisco, California

Norfolk, Virginia

B n Tre, Vietnam

Ise, Japan

Gravesend, United Kingdom

Recenzijas

Praise for The Atlas of Disappearing Places: A colorful global tour filled with artistic maps and imagined views from a 2050 when many problems have been addressed. Bloomberg



After delving into Christina Conklin and Marina Psaros engaging and sometimes enraging The Atlas of Disappearing Places: Our Coasts and Oceans in the Climate Crisis, you may find it difficult to remain passive about climate change for a whole lot longer. San Francisco Chronicle

The rare coffee table book thats also a call to arms. Chicago Review of Books

Painted with water-soluble inks on sheets of dried seaweed, the books maps are textured, attractive, and informative. . . . Climate change is not just about melting ice caps and starving polar bears, and The Atlas of Disappearing Places brings that reality home. Foreword Reviews

A striking and deeply researched work of art and environmental activism. BookPage

A beautiful work of art and an indispensable resource to learn more about the devastating consequences of the climate crisis, The Atlas of Disappearing Places will engage and inspire readers on the most pressing issue of our time. Yale Climate Connections

A treat for anyone up for a systematic exploration of climate changes effects on coastal communities around the world. The Provincetown Independent

Beautiful maps and hopeful vignettes about the future temper this important book about climate change in our world. Library Journal



An extraordinary journey on the frontiers of scientific understanding into lifes exquisitely complex interdependence communicated by master storytellers. At once captivating and deeply informative. Terrifying and hopeful, a must-read for all who care. David Korten, author of When Corporations Rule the World, The Great Turning: From Empire to Earth Community, and Change the Story, Change the Future: A Living Economy for a Living Earth

An atlas of places that are likely to be transformed beyond recovery over the next decades may seem like a sad theme for a book. Yet Christina Conklin and Marina Psaros have produced a thing of beauty, a testament as gorgeous as the places it sears into our memory. If we do not care, we will not make the effort to save our world. Readers will find themselves caring deeply, and that at least is a first step. Richard Heinberg, senior fellow, Post Carbon Institute

The Atlas of Disappearing Places grasps the depth and breadth of change taking place. Creative, informative, and provocative, it presents us with artful surprises, poignant anecdotes, and memorable facts. I highly recommend it. John Englander, oceanographer, author of Moving to Higher Ground: Rising Sea Level and the Path Forward

You are holding a surprising, enlightening, hopeful book. Readers visit twenty places, immersed in the authors deeply researched reporting; the most heartening stories are the authors views of the next few decades, showing that positive change is easy to envision and realistic. The art alone speaks volumes about what is possible: for the human heart-mind to envision and pursue a beautiful way through this crisis, out to a more humane and life-affirming future. Carl Safina, author of Becoming Wild: How Animal Cultures Raise Families, Create Beauty, and Achieve Peace

A deeply researched, artistic, heartfelt introspection of our intimate connection to Earth, and industrialized humans catastrophic impact upon Her. Illuminating how every decision we make impacts the planet, and thus ourselves, this rare work articulates a stark view of where we are heading, alongside possible mitigation avenues if we are to heed these blaring alarms from the front lines. Dahr Jamail, author of The End of Ice: Bearing Witness and Finding Meaning in the Path of Climate Disruption

The Atlas of Disappearing Places offers warnings no one wants to hear, though now we ignore them at our peril. Readable, informative, and terrifying, this important book is simultaneously global and local, affecting every aspect of our lives, inland as well as on the coasts. Read it . . . and weep . . . and act. As the seas rise, so must we. Lucy R. Lippard, curator of Weather Report: Art and Climate Change

The Atlas of Disappearing Places is a story told through art and science that takes us on a journey across the planet through the throwaway culture of plastic waste and the toxic culture of fertilisers and pesticides and dead zones. It is not just a story of climate change. It is also a story of extinction. A must-read for anyone who cares about the future of the planet and people. Vandana Shiva

Foreword ix
Introduction xi
PART I CHANGING CHEMISTRY
1(40)
Kure Atoll, Hawai'i: Plastic, Plastic Everywhere
6(8)
The Arabian Sea: Regime Shift
14(8)
Camden, Maine: Salt, Fat, Acid, (No) Meat
22(6)
The Cook Islands: Feeding The Fever
28(6)
San Francisco Bay: Seven-Layer Dip
34(7)
PART II STRENGTHENING STORMS
41(44)
Houston: We Have A Problem
46(8)
Hamburg, Germany: River City At Risk
54(6)
New York, New York: Capital Of Capital
60(8)
San Juan, Puerto Rico: Poder, Despacito
68(6)
Kutupalong Camp, Bangladesh: Human Tides
74(11)
PART III WARMING WATERS
85(44)
The Arctic Ocean: When The Ice Melts
90(8)
Pisco, Peru: Enso And The End Of Fish
98(8)
The North Atlantic: In Deep
106(8)
Kisite, Kenya: Coral Collapse
114(8)
Pine Island Glacier: What Happens In Antarctica Doesn't Stay In Antarctica
122(7)
PART IV RISING SEAS
129(44)
Shanghai, China: Sink, Sank, Sunk
134(8)
Hampton Roads, Virginia: Bye, Bye, Birdies
142(8)
Ben Tre, Vietnam: Doing More With Less
150(8)
The Thames Estuary, Britain: From Gravesend To Allhallows
158(8)
Ise, Japan: Tradition For The Future
166(7)
What's Next? 173(3)
Marina Psaros
Toward Transilience 176(3)
Christina Conklin
Acknowledgments 179(2)
Notes 181(26)
Image Sources 207(3)
Index 210
Marina Psaros is a sustainability expert and has led climate action programs across public, private, and nonprofit organizations for over a decade. She is one of the creators of The King Tides Project, an international community science and education initiative. An amateur cartographer and ocean advocate, she lives in the San Francisco Bay Area. Christina Conklin is an artist, writer, and researcher whose work investigates the intersection of natural systems and belief systems, often using the ocean as both site and metaphor. Her essays, exhibitions, and installations consider our cultural responses to the intersecting ecological and social crises of our time. She holds an MFA from California College of the Arts and has exhibited internationally. She is currently working with thought leaders and activists around the world to help communities create regenerative cultural systems. She lives with her husband and two children in Half Moon Bay, California.