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E-grāmata: Audience and Reception in the Early Modern Period

Edited by (Pratt Institute, USA), Edited by (Missouri State University, USA)
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Audience and Reception in the Early Modern PeriodPalielināt
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Early modern audiences, readerships, and viewerships were not homogenous. Differences in status, education, language, wealth, and experience (to name only a few variables) could influence how a group of people, or a particular person, received and made sense of sermons, public proclamations, dramatic and musical performances, images, objects, and spaces. The ways in which each of these were framed and executed could have a serious impact on their relevance and effectiveness. The chapters in this volume explore the ways in which authors, poets, artists, preachers, theologians, playwrights, and performers took account of and encoded pluriform potential audiences, readers, and viewers in their works, and how these varied parties encountered and responded to these works. The contributors here investigate these complex interactions through a variety of critical and methodological lenses.



This interdisciplinary volume seeks to understand the multiple ways that Early Modern people made sense of the world around them. In doing so, it provides valuable information and insights for subject matter experts, graduate students, undergraduate students, and interested non-specialists.

1. Introduction: Audiences and Reception: Readers, Listeners, and
Viewers
2. To Compliment a Musical Friend: Amateur Musicians and Their
Audiences in France, ca. 16501700
3. Elizabethan Audience Gaze at History
Plays: Liminal Time and Space in Shakespeares Richard II
4. The Commedia
dellArte from Marketplace to Court
5. Spreading the Word: Theatre, Religion
and Contagious Performances
6. "Sedicious" Sermons: Preaching, Politics, and
Provocation in Reformation England, 15401570
7. The Rotterdam Inquisitor and
the False Prophet of Antwerp: Religious Disputation and Its Audiences in the
Seventeenth-Century Low Countries
8. Relational Performances and Audiences in
the Prologue of John Gowers Confessio Amantis
9. George Turberville,
Constancy and Plain Style
10. "Assi de doctos como de indoctos": A
Poet-Translator Discovers His Audience in the Spain of Philip II
11. Female
Audiences and Translations of the Classics in Early Modern Italy
12. Women
Are from Venus: Addressing Female Agency with Classical Allegory
13. Domenico
Ghirlandaios High Altarpiece for Santa Maria Novella and the Pre-Tridentine
Audience of Italian Altarpieces
14. Guides Who Know the Way
15. Beyond the
Doctrine of Merit: Philips Galles Prints of the Sacraments and Works of Mercy
John R. Decker is the chairperson of the Department of the History of Art and Design at Pratt Institute.

Mitzi Kirkland-Ives is a professor of art history and museum studies in the Department of Art and Design at Missouri State University.
Biežāk uzdotie jautājumi par e-grāmatām Biežāk uzdotie jautājumi par e-grāmatām
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